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BINOD PRADHAN - June 2012 - Siddhartha Art Gallery

BINOD PRADHAN - June 2012 - Siddhartha Art Gallery

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I<br />

have known Binod since he was a student at the Lalitkala Academy. Over the last twenty years<br />

I have had the privilege of observing his evolution as an artist. He has participated in several<br />

exhibitions and projects organized by the <strong>Siddhartha</strong> <strong>Art</strong> <strong>Gallery</strong>. In February 2006 he held a solo<br />

exhibition of his work at the <strong>Siddhartha</strong> which proved to be a very memorable one as it coincided with<br />

period of great political upheaval in the nation. His third solo show at the <strong>Siddhartha</strong> is titled “Collision.”<br />

Though the works are devoid of politics in content, and is based on the subject of global warming and<br />

climate change - we are strangely yet again at a critical juncture of political transition in Nepal.<br />

In 2009, his experimentation with colour was to lead to a series of surreal cityscapes suffused with an<br />

explosion of rainbow colours. Binod’s current series is a definite departure from the local cityscapes<br />

and Buddhist monuments. However his work has not drifted far from Hindu-Buddhist philosophy which<br />

propagates the idea of a kaliyug where human greed leads to wars and the annihilation of the world as<br />

we know it. This collision of human greed and nature is the subject of Binod’s new work. Recent climate<br />

change and global warming concerns are viewed as part and parcel of this collision. As a concerned<br />

global citizen, the artist composes landscapes of doom from his imaginaire. An incandescent palette<br />

captures a world at an apocalyptic precipice: rivers of glacial ice swallow up settlements, the sea is<br />

overturned, aquatic life is terminated, forests are plundered, human greed renders the air noxious and<br />

a mutant race is born. Even the divine hand, a repeated image in his works, is stunted here. And yet<br />

somehow the bizarre and blighted conditions fail to be threatening due to the heady play of colours.<br />

However it is important that we take note of the prophetic scenarios presented before us as Nepal is<br />

listed as one of the most vulnerable countries that will be impacted by climate change. It is therefore<br />

befitting that this exhibition is being held on Environment Day.<br />

It will be interesting to see what Binod does next, one thing is for certain, the storm in his canvases are<br />

a contradiction to otherwise the calm demeanour of this artist, my long time friend. .<br />

Sangeeta Thapa<br />

Director<br />

<strong>Siddhartha</strong> <strong>Art</strong> <strong>Gallery</strong><br />

<strong>June</strong> 5th, <strong>2012</strong><br />

Acknowledgements<br />

Kasthamandap <strong>Art</strong> Studio (family) , Earts Nepal, Susan Shrestha,<br />

Cabinet Shrestha, Sangeeta Thapa, Dr. Sanjeev Uprety,<br />

Tulshi Joshi, Friends and Pradhan Family Life is water 36 x 36 in I Acrylic on Canvas

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