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Roy Parnell (1943-2006) - Earshot Jazz

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A $35 basic membership in <strong>Earshot</strong> brings the<br />

newsletter to your door and entitles you to<br />

discounts at Bud’s <strong>Jazz</strong> Records and all <strong>Earshot</strong><br />

events. Your membership helps support our<br />

educational programs and concert series.<br />

Check type of donation:<br />

❏ New ❏ Renewal<br />

Type of membership:<br />

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❏ $60 Household ❏ $100 Patron<br />

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add $8 additional postage (US funds).<br />

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1 st class, please add $5 for extra postage.<br />

❏ Contact me about volunteering.<br />

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Please mail to: <strong>Earshot</strong> <strong>Jazz</strong><br />

3429 Fremont Place N, #309<br />

Seattle, WA 98103<br />

<strong>Earshot</strong> <strong>Jazz</strong> is a non-profit, tax-exempt organization.<br />

RCA Puppy, from page 16<br />

the stereo. Everyone gone home or sleep.<br />

Sneak a couple of albums onto the turntable.<br />

Turn the volume real low.<br />

Doo-wop groups were evolving into sophisticated<br />

arrangements using orchestras<br />

like Phil Spector did. Loved his “Shangra<br />

La” by The Ronettes. Mary Wells’ “You<br />

Beat Me To Punch” got to me. The Coasters<br />

and The Contours were popular, even<br />

more The Marvelettes and Martha & The<br />

Vandellas. But Gary U.S. Bonds, LIVE<br />

on American Bandstand, coming out of<br />

Philly, was the first R&B performer to<br />

get my immediate attention. Dug this<br />

cat twisting away, swinging his arms as<br />

he sang “About A Quarter To Eight”<br />

with such a wonderful, convincing soulful<br />

delivery. I mean I dug it. But it was<br />

the music my mother played that took<br />

anchor in my soul.<br />

So… just like the little RCA puppy<br />

with the spotted ear up against that huge<br />

flowering brass speaker, I laid there right<br />

up close against the screen cheeks of the<br />

console. Yeah, Mom’s records were the<br />

ones I wanted to listen to alone. Staring at<br />

the album jacket covers of Gloria Lynne,<br />

Etta Jones, Carmen McRae, Dakota Station,<br />

Dinah Washington was the queen!<br />

Nancy Wilson was hot, Esther Phillips,<br />

Sarah Vaughn (her favorite!), June<br />

Christie, Nina Simone, Ella Fitzgerald,<br />

Anita O’ Day, Lena Horne, and (no one<br />

intrigued and pulled me in like) Billie<br />

Holiday, I was gazing upon the poets<br />

who would slay me. Little did I know,<br />

was maybe 11.<br />

Lady Day was with me sometimes when<br />

I was Spiderman in one of the trees in<br />

our backyard. I was rescuing her. In a<br />

high branch sometimes I’d sing a lyric<br />

like “Easy Living” like Tarzan might if<br />

he were Fred Astaire of the jungle. Try<br />

Sara’s “September” low notes singing in<br />

the tub… had a dog named Blue Gene…<br />

after a Gene Ammons record long before<br />

I saw Jug blow… and then came The <strong>Jazz</strong><br />

Messengers….<br />

To be continued: – Paul Harding<br />

Paul Harding is a poet, performance artist,<br />

and director of education programs at<br />

the Urban League of Metropolitan Seattle.<br />

He is also a member of the <strong>Earshot</strong> Board<br />

of Directors.<br />

March <strong>2006</strong> • <strong>Earshot</strong> <strong>Jazz</strong> • 23

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