ASMAC Announces George S. Clinton Master Class Feb 16, Golden ...

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�� FILM MUSIC �� weekly Publisher: Mark Northam Editor: Mikael Carlsson VP Finance and Operations: Rebecca Lee Art Director: Joshua Young Advertising Manager: Steve Schatzberg Copy Editor: Lisa Rawson Technology Editor: Peter Alexander Soundtrack Editor: Daniel Schweiger Customer Service Manager: Robyn Young Website Design: Rakesh Rai Accounting: Tina Chiang Legal Advisor: Patricia Johnson, Esq. Film Music Weekly is published weekly by Global Media Online, Inc. Executive and Editorial Office: 23360 Velencia Blvd. Suite E-12, Valencia, CA 91355. Tel: 310-209-8263 Fax: 310-388-1367, email: info@filmmusicweekly.com. We are not responsible for unsolicited material. All Rights Reserved. Reproduction in whole or in part without written permission of the publisher is prohibited. The opinions of contributing writers and editors to this publication do not necessarily reflect the views of Global Media Online, Inc. or any of our divisions, management or staff. �� YOUR FEEDBACK We welcome feedback on any aspect of Film Music Weekly. All letters must include an address and daytime phone number. We reserve the right to edit letters for clarity and space and to use them in all electronic and print editions. Mail to: Film Music Weekly, 23360 Velencia Blvd. Suite E-12, Valencia, CA 91355 or email feedback@filmmusicweekly.com ADVERTISING Our comprehensive advertising programs offer premier visibility to film and television music professionals, soundtrack collectors, and music executives worldwide. We offer competitive rates on a wide variety of advertising opportunities including display advertising and online advertising. For more information, call 1-888-910-7888 or 310-209-8263 or email sales@filmmusicweekly.com REPRINTS AND COPYRIGHT PERMISSIONS Before quoting or reusing editorial material, or for custom reprints (minimum order 100) contact 310-209-8263 or email reprints@filmmusicweekly.com SUBSCRIPTIONS Subscriptions to Film Music Weekly via email are available at no cost. To subscribe, visit our website at www.filmmusicweekly.com and enter your email address in our subscription section. Film Music Weekly and its logo are trademarks of Global Media Online, Inc. All Rights Reserved. Entire Contents © 2008 Global Media Online, Inc. �� This Week on FMR FILM MUSIC RADIO ON THE SCORE BRIAN TYLER Film music journalist Daniel Schweiger interviews composer Brian Tyler, and directors Colin and Greg Strause, who do the monster mash for ALIEN VERSUS PREDATOR: REQUIEM. LISTEN NOW INSIDE THE BUSINESS CELLIST AND FI-CORE MUSICIAN JOHN ACOSTA Mark Northam interviews one of the leading financial core musicians about his journey to financial core status and his wife’s charges against local 47 LISTEN NOW 2 ISSUE 47 • JANUARY 22, 2008 FILM MUSICweekly
BMI’s dio. INDUSTRY NEWS Garritan lowship Sundance Composers Lab. winners ners of the Pete Carpenter Fellowship ditioneative poser film/ house dward nd beonsin. st, he ephen John ormed mphophony States r en- States pleted rt film is perdproja, and P uch iles, I es, ford ASMAC Announces George S. Clinton Master Class Feb 16, Golden Score Awards March 14 (continued. from pg 1) Cheech and Chong’s Still Smokin’, and later another Cheech and Chong film, Cheech and Chong’s The Corsican Brothers. His success scoring music for films continued as he composed scores for ninja movies for Cannon Films, television movies and miniseries, writing for a wide range of genres and musical styles, including Showtime’s Red Shoe Diaries. Pete His Carpenter most recognizable Fellowship scores winner include James Austin Woodward Powers: (c) International is congratulated Man by of Mystery Post and and Livingston. its sequels, and the martial arts fantasy Mortal Kombat and its sequel Mortal Kombat: Annihilation . His awards include a 2002 Grammy nomination and six BMI Film Music Awards. Clinton has also written several concert works and three musicals, and serves as an advisor for the Reservations for the event are preferred but not required, however space is limited. The cost for the event is $15 for ASMAC members and students, and $25 for non-members and walk-ins. Call 818-994-4661 or reserve enjoys via email surfing to asmac@theproperimageevents.com off the Southern in 1985 to support the creation, California For more coast. information on ASMAC, performance, including the and 2008 study Golden of music Score Awards The which BMI Foundation, will honor Alan Inc. is Silvestri, a through Bill Holman awards, and Diane scholarships, Warren, not-for-profit visit http://www.asmac.org corporation founded commissions and grants. mn FILM MUSICweekly Announces Authorized Steinway Piano Software Instrument (continued from pg 1) of the Steinway sound. We also understand the importance of quality samples and their use by amateur music enthusiasts, as well as, prominent producers, composers, recording studios and other venues. We were extremely lucky to have Gary Garritan work with us on this technically and musically complex project.” “Steinway pianos have set the bar of excellence in pianos,” said Gary Garritan. “Our goal is to develop with Steinway & Sons the highest quality piano sample library ever produced, one that will once again set the standard in quality and innovation.” For more information on Garritan, visit http://www.garritan.com Mindseed and Vividas Announce New PPV Streaming Service n International post production house Mindseed Entertainment and video streaming company, Vividas have announced a licensing arrangement which will give film producers a new distribution channel for their products. Mindseed Entertainment has developed a portal, which will allow consumers to view a range of films on a pay per view basis using Vividas’ streaming technology. These films will be delivered in full screen, high definition format, to the viewer’s computer without the need for software downloads. Vividas says that unlike other online formats, their solution allows millions of concurrent viewers without loss of vision quality, so delivers greater global reach and viewer satisfaction. According to Mindseed founder and CEO, Ed Anderson, 97% of films produced will never be seen by a wider public audience and the new portal will provide a means of distribution for these films, as well as many other popular titles screened in the past. “Film distribution companies and their networks have been forced to rely on film festivals and the Internet via sites such as MySpace and You- Tube and other methods of video streaming, to move their films,” Anderson says. “Poor picture quality, small image area, long download times and considerable storage and bandwidth problems for the end user have limited the success of these methods.” The new portal, Mindseed Theatre, will be launched internationally next month and will offer full length feature films, foreign language films, television shows, documentaries and comedy; as well as live concert footage of well known recording artists – all in the highest quality available to its global audience. The site will also offer a “Classics” page, where older films already screened in cinemas, will be available. The new site offers the consumer several options including two streaming rates (ADSL broadband and 256MB), depending on their computer and provider’s capacity, as well as pause facilities of up to 48 hours should the viewer need to come back to the program later. In these instances, the system remembers the exact point that the viewing ceased and continues on until the end of the program once reactivated. For more information, visit www.vividas.com ISSUE 47 • JANUARY 22, 2008 3 ISSUE 2 • FEBRUARY 12, 2007 FILM MUSIC weekly
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