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Patricia Olynyk - Sam Fox School - Washington University in St. Louis

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VR Cave Art, LSA Magaz<strong>in</strong>e, Spr<strong>in</strong>g 2002, 54; review by staff writer.<br />

2001 <strong>Patricia</strong> <strong>Olynyk</strong>--<strong>St</strong>icks, Pods, Bones, Dialogue Magaz<strong>in</strong>e, January/February, 2001;<br />

review by Jeanette Wenig Drake.<br />

Humanities Meets the Arts at Institute, LSA Magaz<strong>in</strong>e, Fall 2001, 7; Betsy Nisbet.<br />

2000 <strong>Olynyk</strong>!s "<strong>St</strong>icks, Pods, Bones! Add Up to Mysteries, The Ann Arbor News, November<br />

4, 2000, D-1; review by John Carlos Cantu.<br />

High Touch/High Tech Symposium, <strong>St</strong>udio NOTES (Benecia, California), June 2000;<br />

review by staff writer.<br />

1999 Ready-Made for 2000, The Sacramento News and Review, December, 1999; review by<br />

Debra Belt.<br />

1998 The Art of Digital Technology, Artweek, October, 1998, 18-19; review by Glenn Kurtz.<br />

1995 Sh<strong>in</strong>pei Sakakura, Akira Nagasawa, <strong>Patricia</strong> <strong>Olynyk</strong>, Art Issues, September Issue,<br />

1995, 43; review by Michael Anderson.<br />

Par Avion, Galleria Grafica Tokio, L.A. International: Mexico, L.A. Weekly, July 28-<br />

August 3, 1995; review by Peter Frank.<br />

1993 New Works on Paper, Hangwa Geijutsu, Spr<strong>in</strong>g Edition-No. 80, 1993; essay by Akira<br />

Kurosaki.<br />

1992 Glass Houses, Kyoto Sh<strong>in</strong>bun, Kyoto Sh<strong>in</strong>bun Newspaper, 1992; review by staff writer.<br />

1991 Overlays, Kyoto Sh<strong>in</strong>bun, Kyoto Sh<strong>in</strong>bun Newspaper, 1991; review by staff writer.<br />

Selected Catalogues<br />

2008 OSO Bay XV Biennial Exhibition Catalogue, published by Well Gallery, Texas A&M<br />

<strong>University</strong>, Corpus Christi, Texas.<br />

2005 The Objects of my Affection, The Elizabeth R. Rafael Founder's Prize Exhibition<br />

catalogue, published by the Society for Contemporary Craft; essay by Robert Ebendorf.<br />

Open Expression: Contemporary American Pr<strong>in</strong>ts, published by the American<br />

<strong>University</strong> <strong>in</strong> Cairo, concurrent with <strong>in</strong>vitational group exhibition at the American <strong>University</strong><br />

<strong>in</strong> Cairo and the Opera House Gallery, Cairo, Egypt; juried by Karen Kunc.<br />

2004 Sublime Present, published by Musash<strong>in</strong>o <strong>University</strong>, concurrent with <strong>in</strong>ternational<br />

<strong>in</strong>vitational exhibition at Musash<strong>in</strong>o <strong>University</strong> Art Gallery, Musash<strong>in</strong>o <strong>University</strong>, Tokyo,<br />

Japan; juried by curatorial panel.<br />

2003 2003 Contemporary Art Festival Exhibition, published by the Contemporary Art Society<br />

and the Saitama Modern Art Museum, concurrent with <strong>in</strong>ternational group exhibition at the<br />

Saitama Modern Art Museum, Saitama, Japan; juried by curatorial panel.<br />

2002 Digital Pr<strong>in</strong>tmak<strong>in</strong>g Now, published by the Brooklyn Museum, concurrent with curated<br />

Selected Publications<br />

exhibition at the Brooklyn Museum, New York; juried by Marilyn Kushner.<br />

2008 Contribut<strong>in</strong>g Writer for Feature Article, Grapheion Arts Magaz<strong>in</strong>e, Fall 2008.<br />

2005 Cover: Nature Medic<strong>in</strong>e, Volume 11 No 3, March 2005.<br />

2004 Dissolv<strong>in</strong>g Discipl<strong>in</strong>es: Art Education for the 21st Century, Graphic Impressions,<br />

Southern Graphics Newsletter, Spr<strong>in</strong>g 2004.<br />

2003 New Terra<strong>in</strong>s, Graphic Impressions, Southern Graphics Newsletter, Summer 2003.<br />

<strong>Olynyk</strong> 8

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