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Herman Leonard's Stolen Moments June 6,7,8 - New Jersey Jazz ...

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HERMAN LEONARD<br />

continued from page 11<br />

Lester Young’s Hat, NYC, 1948, LSY03. © <strong>Herman</strong> Leonard Photography, LLC<br />

THE STORIES<br />

BEHIND THE PHOTOS<br />

page 1: Ella Fitzgerald singing to Duke Ellington, Benny Goodman and Richard<br />

<strong>Jersey</strong>Articles<strong>Jazz</strong><br />

Rogers, NYC, 1949, ELF03. “This was another example of the decisive moment.<br />

It was Ella’s birthday party, and everyone was there — Nat Cole, Dizzy, Miles.<br />

Duke was sitting at the front table. I went onstage behind Ella to shoot the<br />

audience, not paying attention to who was where. When I got home and<br />

printed the shot, I realized I had gotten this expression of reverence on<br />

Duke’s face.”<br />

page 10 left: Frank Sinatra, Monte Carlo, 1958, FRS01. Leonard is famous for<br />

his “faceless” photographs, in which the subject is positioned or has turned<br />

away from the camera. A good example is this photo of Frank Sinatra. “That’s<br />

my favorite shot of Sinatra,” Leonard says. “His body language there — the<br />

cigarette held in the air with a light trail of smoke epitomizes his singing and<br />

expresses the man.” Leonard relates a story that demonstrates the power of<br />

his photos to imprint themselves in peoples’ memories. “One day many years<br />

later, Quincy Jones invited asked me to come with him to see Sinatra in Palm<br />

Springs, and I took that print with me. Sinatra had never seen the picture, but<br />

when I showed it to him, he looked at it and said, ‘That’s Monte Carlo, 1958.’”<br />

continued on page 14<br />

Duke Ellington, Paris, Olympia Theater, 1958, DKE02.<br />

© <strong>Herman</strong> Leonard Photography, LLC<br />

Miles Davis, Montreux, 1991, MLD10.<br />

© <strong>Herman</strong> Leonard Photography, LLC<br />

12 __________________________________ <strong>June</strong> 2008

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