Vol. 16, No. 9 September 2012 - Carolina Arts
Vol. 16, No. 9 September 2012 - Carolina Arts
Vol. 16, No. 9 September 2012 - Carolina Arts
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ASSEMBLY<br />
MAIN<br />
A USC Coliseum<br />
B SC State Capital<br />
C USC Horseshoe<br />
D McKissick Museum<br />
E SC State Library<br />
F<br />
G<br />
H<br />
USC<br />
Area<br />
Gervais<br />
Taylor<br />
BLOSSOM<br />
BULL<br />
HUGER<br />
SUMTER<br />
Page <strong>16</strong> - <strong>Carolina</strong> <strong>Arts</strong>, <strong>September</strong> <strong>2012</strong><br />
A<br />
C<br />
D<br />
PENDLETON<br />
E<br />
HUGER<br />
B<br />
SENATE<br />
GERVAIS<br />
ASSEMBLY<br />
MAIN<br />
SUMTER<br />
MARION<br />
BULL<br />
�<br />
Maps of Columbia, SC’s<br />
Commercial & Institutional Gallery Spaces<br />
Assembly<br />
Main Street<br />
Lady<br />
Main Street Area<br />
Gervais to Taylor<br />
Assembly<br />
Main Street<br />
3<br />
Blanding<br />
Main Street Area<br />
Taylor to Elmwood<br />
Washington<br />
Laurel<br />
1<br />
2<br />
1<br />
Hampton<br />
2<br />
Richland Co. Public Library<br />
Columbia Museum of Art<br />
Calhoun<br />
3 Tapp’s <strong>Arts</strong> Center<br />
Gallery V in Columbia, SC<br />
continued from Page 15<br />
director, Virginia Scotchie, each artist was<br />
given a volume of an oversized trade journal<br />
(Thomas Register of American Manufacturers<br />
Products and Services), which<br />
was retrieved from the curb outside the<br />
Orangeburg County Library by fiber artist<br />
Susan Livingston. The artists, who include<br />
art professors, potters, fiber artists, graphic<br />
designers, illustrators, painters, photographers<br />
and mixed media artists, were given<br />
total creative freedom for the project.<br />
The University of South <strong>Carolina</strong> Upstate<br />
Curtis R. Harley Gallery in Spartanburg,<br />
SC, will host the exhibit during their 2013-<br />
14 exhibition season.<br />
For further information check our SC<br />
Assembly<br />
Main Street<br />
Assembly<br />
Main Street<br />
Work by Susan Lenz<br />
Commercial Gallery listings, call Virginia<br />
Scotchie at 803/920-7537 or e-mail to (virginiascotchie@hotmail.com).<br />
Vista Studios in Columbia, SC,<br />
Offers Works by Jonathan Callicutt<br />
Vista Studios in Columbia, SC, will<br />
present the exhibit, Full Circle, featuring<br />
works by two dimensional mixed-media<br />
artist Jonathan Callicutt, on view in Gallery<br />
80808, from Sept. 27 through Oct.<br />
2, <strong>2012</strong>. Receptions will be held on the<br />
evenings of Sept. 28 & 29.<br />
“My work is driven by a need to bring<br />
the iconic imagery of the past into the visual<br />
present. Inflected by both the Renaissance<br />
and Rauschenberg, pop culture and<br />
formal training, I look for a new translation<br />
of seemingly disparate styles in a<br />
modern dialect,” said Callicutt.<br />
Full Circle has been conceived as a<br />
tying together of key thematic elements of<br />
Callicutt’s life. A native of Columbia and<br />
exhibitor in 2011’s Florence Biennale, the<br />
artist hopes to join his experience with the<br />
birthplace of the Renaissance to this show<br />
in the city of his origins as an artist. The<br />
past connects to the present connects to<br />
the past, Full Circle.<br />
Callicutt trained at both the SC Governor’s<br />
School for the <strong>Arts</strong> and The University<br />
of Georgia’s BFA Printmaking programs.<br />
His complex and densely layered<br />
mixed media pieces have been exhibited<br />
in Atlanta, Richmond, Los Angeles, San<br />
Francisco, and Florence, Italy. He currently<br />
lives and works in Decatur, GA.<br />
Vista Studios’ Gallery 80808 is a long<br />
standing venue, originally developed by<br />
the Columbia Development Corporation<br />
and the South <strong>Carolina</strong> <strong>Arts</strong> Commission.<br />
The space not only hosts local, regional<br />
and national shows but also houses working<br />
artist’s studios.<br />
For further information check our SC<br />
Commercial Gallery lisitings, call the<br />
Studios at 803/252-6134 or visit<br />
(www.vistastudios80808.com).<br />
The deadline each month to submit articles, photos and ads is the 24th of the month<br />
prior to the next issue. This will be Sept. 24th for the October <strong>2012</strong> issue and Oct. 24 for the<br />
<strong>No</strong>vember <strong>2012</strong> issue. After that, it’s too late unless your exhibit runs into the next month.<br />
Don’t be late - send your info well before the deadline.<br />
Taylor<br />
Elmwood<br />
SENATE<br />
Table of Contents<br />
1<br />
PULASKI<br />
4<br />
GERVAIS<br />
Congaree Vista &<br />
Downtown Area<br />
map not to scale or proportion<br />
D<br />
SENATE<br />
GERVAIS<br />
GERVAIS<br />
�<br />
A<br />
HUGER<br />
1<br />
2<br />
3<br />
4<br />
5<br />
6<br />
7<br />
LINCOLN<br />
PARK<br />
West Columbia Insert<br />
S. MARBLE ST.<br />
STATE ST.<br />
CONGAREE RIVER<br />
�<br />
MEETING ST.<br />
GERVAIS<br />
CONGAREE RIVER<br />
3<br />
LADY<br />
Galleries & Museums of<br />
the Congaree Vista Area<br />
One Eared Cow Glass<br />
Vista Studios/Gallery 80808<br />
CITY ART<br />
The Gallery at <strong>No</strong>nnah’s<br />
A SC State Museum<br />
B Wachovia Gallery/Library<br />
C Columbia Museum of Art<br />
D Columbia Convention Center<br />
GADSDEN<br />
A<br />
8<br />
9<br />
10<br />
2<br />
LADY<br />
ASSEMBLY<br />
MAIN<br />
WASHINGTON<br />
B<br />
HAMPTON<br />
HAMPTON<br />
HAMPTON<br />
C<br />
MAIN<br />
City Art Gallery in Columbia, SC,<br />
Features Works by Dawn Hunter<br />
City Art Gallery, located in the Congaree<br />
Vista area of Columbia, SC, will<br />
present the exhibit, Personified Doubles<br />
& Visual Opposites, a collection of new<br />
drawings and paintings by Dawn Hunter,<br />
on view from Sept. 13 through Oct. 6,<br />
<strong>2012</strong>. A reception will be held on Sept. 13,<br />
from 5-8pm.<br />
Hunter was educated at the Kansas<br />
City Art Institute, Parsons School of<br />
Design, and the Yale University <strong>No</strong>rfolk<br />
program. She received her MFA in art<br />
from the University of California, Davis<br />
and has held residencies at the Cooper<br />
Union in New York and the Royal Academy<br />
of Art in London. Her work has won<br />
many awards and grants, including a Starr<br />
Foundation Fellowship and the Amitage<br />
Prize from Sotheby’s of London. Hunter<br />
is currently an Associate Professor and the<br />
Foundations Coordinator in the Department<br />
of Art at the University of South<br />
<strong>Carolina</strong>, Columbia.<br />
Work by Dawn Hunter<br />
Hunter says, “The work that I am<br />
creating for my sabbatical project explores<br />
the themes of Dusk and Dawn found in<br />
Giovanni Mannozzi’s artwork, Baroque<br />
and Rococo painting compositional styles,<br />
and contemporary fashion iconography.<br />
I explore personifications of Dusk and<br />
Dawn or Vice and Virtue by representing<br />
these female figures in my artwork.<br />
In these works I explore the composition,<br />
symbolism, and allegory of Baroque and<br />
Rococo painting that is often appropriated<br />
within contemporary fashion editorials.”<br />
TAYLOR<br />
TAYLOR<br />
TAYLOR<br />
Work by Dawn Hunter<br />
“I will explore the personification of<br />
Vice (greed, envy, wrath, lust, etc) by<br />
placing this personification in the context<br />
of a manicured garden,” says Hunter.<br />
“Vice will be presented in contest with<br />
Virtue (faith, fortitude, hope, charity, etc).<br />
This environment exists as an exterior<br />
setting or within the context of a lavish interior.<br />
The context of the enclosed garden<br />
or lavish interior is ideal for this theme because<br />
it is a space that reflects high culture<br />
and high culture practices.”<br />
“I am accomplishing my exploratory<br />
concerns by re-contextualizing fashion<br />
iconography in a series of drawings created<br />
in the contrast of saturation of red,<br />
grey, white, black, brown, and lavendar,”<br />
adds Hunter. “The contrast of saturation<br />
introduces a romantic softness to the content<br />
of the imagery, which is intended to<br />
continued on Page 17<br />
The<br />
GALLERY<br />
at<br />
<strong>No</strong>nnah’s<br />
Offering works by local & regional artists<br />
Serving Lunch M-F, 11:30am-2pm<br />
Evening hours: M-Th., 5-11pm<br />
Fri., 5pm-12:30am & Sat., 6pm-12:30am<br />
803/779-9599 • www.nonnahs.com<br />
928 Gervais Street • Columbia, SC