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" 1FSGFDU $JSDMF 1BSBNPSF 8FF[FS %FWP - Drummers.by

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22<br />

This is a side-<strong>by</strong>-side review of the<br />

ultra-compact Pocketrak W24 and<br />

C24, the latest mobile recorders from<br />

Yamaha. The W24 weighs in at 3.25<br />

ounces (AA battery included), and the<br />

C24 tips the scales at 2 ounces (AAA battery<br />

included). Shared features include a<br />

metronome, a tuner, 2GB of internal<br />

memory (expandable with SD memory<br />

cards), a high-pass filter, a peak limiter, a<br />

speed control (MP3 audio only), a set<br />

timer function (delayed record start for<br />

eliminating hand noise while pushing<br />

the record button), and a hold/lockout<br />

button. Both products come with a DVD-<br />

ROM containing Cubase AI 5 software<br />

for editing recorded audio transferred<br />

to your computer using the supplied<br />

USB cable.<br />

NAVIGATION<br />

The controls on the W24 are clearly<br />

marked and easily accessible. On the lefthand<br />

side are the headphone jack and<br />

ALC (automatic level control) and mic<br />

sensitivity (high-low) switches. The faceplate<br />

has the record/pause, stop/esc, and<br />

play/speed buttons, as well as a round<br />

navigation toggle ring, which is used for<br />

setting record and playback levels. In the<br />

center of the ring there’s a menu/enter<br />

button. The right-hand side of the W24<br />

has an external mic/line jack, a hidden SD<br />

memory card compartment, a USB jack,<br />

and buttons for power, delete, and other<br />

functions. The bottom of the device has<br />

a speaker grill, a hold button, and a 1 / 4 "<br />

threaded socket for attaching the unit<br />

to a tripod or mic stand.<br />

The controls on the C24 are more condensed,<br />

requiring a little more care while<br />

navigating through the various functions.<br />

MODERN DRUMMER • June 2011<br />

E L E C T R O N I C R E V I E W<br />

yamaha<br />

POCKETRAK W24 AND C24<br />

HANDHELD RECORDERS<br />

<strong>by</strong> Butch Jones<br />

W24 REMOTE<br />

The C24 and<br />

W24, shown<br />

at actual size<br />

The RC-P1 wireless remote control that comes with<br />

the W24 is a drummer’s delight. Once you’ve found the<br />

hot spot for placing the recorder, you can use the remote<br />

to set your levels and start and pause recording from<br />

behind your drums.<br />

The left-hand side has a headphone jack<br />

and SD memory card slot. The faceplate<br />

has a ring for play, stop, and cursor navigation,<br />

with the record/enter button in<br />

the center. The right-hand side of the C24<br />

has an external mic/line jack, an input<br />

level/speed toggle switch, an ALC/delete<br />

button, and a playback toggle control.<br />

The bottom has a speaker grill, on/off/<br />

hold and line/mic switches, a battery<br />

compartment, and a slide switch for<br />

extending the USB connector out of<br />

the recorder. If you purchase the C24,<br />

you might want to get a USB extension<br />

cable so you don’t need to connect<br />

the recorder directly to your computer.<br />

A mounting clip is included to secure the<br />

C24 to a mic stand, music stand, or other<br />

steady surface.<br />

MICROPHONES<br />

The dual microphones on the W24 are<br />

set in a fixed X/Y configuration behind a<br />

protective wraparound rail. The C24’s<br />

stereo omnidirectional microphones<br />

are designed to cover a wide field of<br />

recording, and they’re recessed in the<br />

casing for protection.<br />

After recording drums, percussion, and<br />

acoustic guitars with both units, I found<br />

the W24 to have great stereo imaging<br />

and impressive room clarity. There was<br />

a slight bump in the higher frequencies,<br />

which gave the sound a nice sheen.<br />

Because of the nondirectional omni<br />

pickup of the C24, its recordings had a<br />

monaural sound, without the same highend<br />

shimmer that I got from the W24.<br />

RECORDING SETUPS<br />

Both units record in the PCM WAV format<br />

at 44.1, 48, 88.2, or 96 kHz, with 16- or 24bit<br />

depths, or in the MP3 format at 32, 64,<br />

128, 192, or 320 kbps.

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