Patterns of Culture Tibor Reich - International Textiles Archive ...
Patterns of Culture Tibor Reich - International Textiles Archive ...
Patterns of Culture Tibor Reich - International Textiles Archive ...
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1. Introduction<br />
Woven fabrics in a room are equally important in the larger entity <strong>of</strong><br />
architecture as the colour <strong>of</strong> the walls, the furniture and household<br />
equipment. They have to serve their “purposes”, have to be integrated, and<br />
have to fulfil with ultimate precision the requirements we place on colour,<br />
material, and texture. The possibilities are unlimited.<br />
[Stölzl, 1931]<br />
Plate 1A: <strong>Tibor</strong> <strong>Reich</strong>.<br />
Born in Budapest in 1916, <strong>Tibor</strong> <strong>Reich</strong> became one<br />
<strong>of</strong> the foremost designers <strong>of</strong> the twentieth century.<br />
Working from a base in Britain he designed textiles<br />
for domestic and contract use, employing innovative<br />
colour palettes and exploiting developments in new<br />
technology. His Company, <strong>Tibor</strong> Ltd., made its<br />
name by providing cutting-edge modern designs that<br />
were popular with both the public and major<br />
businesses. This publication traces the stages <strong>of</strong> his<br />
career, from his time as a student at the University<br />
<strong>of</strong> Leeds, which laid the foundation for the<br />
development <strong>of</strong> his skills and talents, to his rise to<br />
the pinnacle <strong>of</strong> British design in the decades<br />
following the end <strong>of</strong> the Second World War.<br />
Plate 1B: The University <strong>of</strong> Leeds Textile Department, Session 1940-41.<br />
<strong>Tibor</strong> Plate 1B: <strong>Reich</strong> The is on University the far left, <strong>of</strong> Leeds third row Textile fromDepartment, front. Session 1940-41.<br />
<strong>Tibor</strong> <strong>Reich</strong> is on the far left, third row from front.