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MICROPHONE TECHNIQUES

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TIPS<br />

FROM THE<br />

PROS<br />

Microphone Techniques<br />

for<br />

DRUMS<br />

“ I love the Beta 56's on the toms when I am on tour because the bigger mic makes my toms<br />

have a fuller sound... engineers love the Beta 52 on the kick both live and in the studio...<br />

That's what they ask for.<br />

Kenny Aronoff<br />

The VP88 Stereo overhead is an amazing mic because it gives you an incredible stereo<br />

image. I have only used it in a live situation and the engineers love the sound quality and<br />

the amazing stereo effect you can get from placing one mic (one source) over the drum kit<br />

to get a stereo effect...”<br />

11

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