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30 THE SCHUBERT CLUB An die Musik The Schubert Club presents Belladonna Margaret Humphrey, baroque violin • Rebecca Humphrey, baroque cello Cléa Galhano, baroque recorders • Barbara Weiss, harpsichord with Maria Jette, soprano Program “Rhythm and Verse: An Exploration of Pulse through Music and Poetry” Adagio, from Sonata No. 3, BWV 1005 Johann Sebastian Bach (1685–1750), arr. Barbara Weiss “Il Tempo Fugge” from Rappresentatione di anima, et di corpo Emilio de Cavalieri (1550–1602) “His Golden Locks” John Dowland (1563–1626) La Sonnerie de Sainte-Geneviève du Mont à Paris Marin Marais (1656–1728), arr. Cléa Galhano “Addio Roma” from L’incoronazione di Poppea Claudio Monteverdi (1576–1643) Toccata in E minor, BWV 914 J.S. Bach “Lagrimosa Beltà” Giovanni Felice Sances (c. 1600–1679) Folias echa para mi Señora Doña Tarolilla de Carallenos Andrea Falconieri (1585–1656) Jácara Juan Cabanilles (1644–1712), arr. Weiss Intermission Intrada Giovanni Battista Buonamente (1595–1642) The Battell, from Lady Nevell’s Book William Byrd (1540–1623), arr. Weiss The March before the Battell The Soldiers Summons The March of the Footmen The March of the Horsemen The Irish March The Bagpipe and the Drone The March to the Fighte The Retreat The Burying of the Dead Fantasia, from Suite No. 1 in G minor William Lawes (1602–1645), arr. Weiss “Hor ch’e tempo di dormire” Tarquinio Merula (1595–1665), arr. Weiss La Vinciolina, from Sonate a violino solo, Opus 4, No. 6 G.A. Pandolfi Mealli (c.1620–c.1669) Adagio, from Toccata, Adagio and Fugue, BWV 564 Bach, arr. Weiss “Oblivion Soave” from L’incoronazione di Poppea Monteverdi Please turn off all electronic devices.
Belladonna Friday, December 14, 2012 • 7:30 PM Sundin Music Hall Belladonna Maria Jette has appeared with The Saint Paul Chamber Orchestra, Los Angeles Chamber Orchestra, Minnesota Orchestra, Houston, Kansas City, San Luis Obispo, Santa Rosa, Charlotte, Buffalo, Grand Rapids, Austin and San Antonio Symphonies, New York Chamber Symphony and Portland Baroque Orchestra, and for many merry seasons with Ex Machina Antique Music Theatre in the Twin Cities (Minneapolis-St. Paul), where she’s often heard locally with VocalEssence, Chamber Music Society of Minnesota and Lyra Baroque Orchestra. With conductor Helmuth Rilling, she’s sung Bach, Mozart and Haydn around the US, Germany, Spain, Venezuela, Japan and Canada. She’s performed her own production of Seuss/Kapilow’s Green Eggs & Ham for over 40,000 kids around the USA. She has been a regular guest over many seasons at the San Luis Obispo Mozart and Oregon Bach Festivals and the Oregon Festival of American Music, and is often heard on Garrison Keillor’s A Prairie Home Companion. Violinist Margaret Humphrey maintains a freelance schedule based in St. Paul, Minnesota, and performs with orchestras and chamber ensembles around the country. A featured concerto soloist with several local orchestras, Ms. Humphrey is also a core member of the Minnesota Opera Orchestra. Early music being her special focus, she has toured as guest of Tempesta di Mare in Philadelphia, and the Kingsbury Ensemble in St. Louis, and in chamber ensembles in the Ancient Music Series of St. Savin, France. A founding member of Ladyslipper, a Twin Cities-based baroque trio performing a monthly chamber music series, she tours nationally for festivals as well. Ms. Humphrey has recorded on the Chandos label. Brazilian recorder player Cléa Galhano has performed in the United States, Canada, South America and Europe as a chamber musician, collaborating with recorder player Marion Verbruggen, Jacques Ogg, Belladonna, Lanzelotte/Galhano Duo, Galhano/Montgomery Duo, Kingsbery Ensemble, and Blue Baroque Band. As a featured soloist, Galhano has worked with the Saint Paul Chamber Orchestra conducted by Christopher Hogwood, Nicholas McGegan and Emmanuelle Haim, World Symphony, Milwaukee Baroque and Lyra Baroque Orchestra. Ms. Galhano has performed at the Boston Early Music Festival, the Tage Alter Music Festival in Germany and at Wigmore Hall in London, Weill and Merkin Hall in New York and Palazzo Santa Croce in Rome. Galhano regularly conducts workshops across the United States, Europe and Brazil. Currently, Galhano is the Executive Artistic Director of the St. Paul Conservatory of Music and she is on the faculty of Macalester College. Barbara Weiss has been on the faculty of both the Oberlin Conservatory and the Peabody Institute, as well as Concordia College and the University of Minnesota and Pennsylvania. She teaches at summer workshops such as the Oberlin Baroque Performance Institute, the Madison Early Music Festival, and Indiana University’s Recorder Academy. Ms. Weiss has performed at the Boston, San Antonio and Berkeley Early Music Festivals, and the Winnipeg Folk Festival. Her collaborations include Belladonna, the Newberry Consort, Quicksilver, Chatham Baroque, the Smithsonian Chamber Players, the King’s Noyse, Apollo’s Fire, the Chicago Opera Theater and Piffaro. Ms. Weiss has recorded with the Dorian, Flying Fish and Harmonia Mundi labels. She currently lives in Asheville, NC, where she performs with Muses Delight, Pan Harmonia and is teaching at the Mountain Collegium Early Music Workshop, and at Eastern Tennessee State University’s Summer Piano Camp. Rebecca Humphrey moved to Melbourne, Australia in 2009, is a founding member of Pleiades and performs regularly with Eclectus Consort, the Australian Chamber Choir and the Australian Baroque Ensemble. Prior to Melbourne, Rebecca lived in Philadelphia, PA, where she was an active freelancer, performing as a core member of Tempesta Di Mare, and as a founding member of Aurelio and The Merion Trio. She spent much of her time playing in Washington DC with the Washington Bach Consort, in Baltimore with the Handel Singers of Baltimore, and in New York City with Rebel and Quicksilver. Rebecca lived in Switzerland for three years where she was the principal cellist for Kammerensemble Luzerne and in Basel with Capriccio Basel. Her recordings with Tempesta di Mare for Chandos have received wide acclaim. schubert.org 31
Page 1: 130th Anniversary Ad November 1 - D
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Page 12 and 13: Goerne Stephen Program Hough, piano
Page 14 and 15: Program Notes Frédéric Chopin Two
Page 16 and 17: Program Notes continued Carnaval, S
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Page 20 and 21: Program Notes Antonio Vivaldi Of al
Page 22 and 23: Texts and Translations Arias from t
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Page 26 and 27: Photo: Marco Borggreve Calendar of
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Page 32 and 33: Program Notes Beginners in music ar
Page 34 and 35: The Schubert Club Museum Sunday - F
Page 36 and 37: Courtroom Concert November 8, 2012
Page 38 and 39: Courtroom Concert December 6, 2012
Page 40 and 41: Courtroom Concert December 13, 2012
Page 42 and 43: The Schubert Club Annual Contributo
Page 44 and 45: Richard and Mary Ann Pedtke Patrici
Page 46 and 47: The Schubert Club Endowment and The

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