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Building Memories – A Study of Pop Venues in Hong Kong

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Yiu Fai Chow and Jeroen de Kloet<br />

sold and shared with others on the Internet. <strong>Pop</strong> venues, as prime sites <strong>of</strong> this emotive, audio-visual<br />

form <strong>of</strong> popular culture, <strong>of</strong>fer one way <strong>of</strong> see<strong>in</strong>g, hear<strong>in</strong>g and understand<strong>in</strong>g the<br />

fast-chang<strong>in</strong>g city <strong>in</strong> the 21 st century: to seek temporality <strong>–</strong> the pass<strong>in</strong>g <strong>of</strong> time, the memory,<br />

the emotion, the sound, the fluid <strong>–</strong> <strong>in</strong> stability, or build<strong>in</strong>gs that stay. <strong>Pop</strong> venues anchor<br />

pop, someth<strong>in</strong>g which is temporal and <strong>in</strong> flux. Probably more than the skyscrapers that<br />

we see on all the postcards <strong>of</strong> <strong>Hong</strong> <strong>Kong</strong>, more than the monumental colonial build<strong>in</strong>gs<br />

that ask for preservation, it is the <strong>Hong</strong> <strong>Kong</strong> Coliseum that helps the city to remember itself.<br />

It is a place, simply put, where you must have been, if you consider yourself a <strong>Hong</strong><br />

<strong>Kong</strong> citizen.<br />

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Rock,” <strong>in</strong> Critical Studies <strong>in</strong> Media Communication 22/4, pp. 321-38.<br />

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423-48.<br />

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Music, PhD Thesis, University <strong>of</strong> <strong>Hong</strong> <strong>Kong</strong>.<br />

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