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Introduction to Planned Pooling - Sock Summit 2011

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Finding the magic number for argyle pooling<br />

If you have already found the magic number for a stacked project (see the first half of this handout) you can<br />

just delete one or two stitches from your stitch count and go. Even though the very bold, crisp design that is<br />

found 1 stitch off from the perfect stack is enticing, I usually go down 2 stitches. I do this because the noise<br />

in the color transitions in actual yarn is easier <strong>to</strong> manage if you are allowing yourself <strong>to</strong> advance 2 stitches<br />

on each round instead of just 1.<br />

Keep this in mind: In most projects, the pattern tells you <strong>to</strong> cast on X number of stitches, without<br />

consideration for the color pattern in the yarn. This is where planning for pooling stands typical projects<br />

on their heads. Stitch count is determined by the color pattern—not by the texture or pattern you want <strong>to</strong><br />

make.<br />

Find a nice SIMPLe stitch pattern<br />

For first projects, it might be better <strong>to</strong> focus on watching your colors shift than <strong>to</strong> focus on both that and<br />

a complicated stitch pattern. I frequently use ribbing, or garter or seed stitch. I choose these also because I<br />

hate s<strong>to</strong>ckinette curl! The other advantage of all of these stitches is that they use the same amount of yarn<br />

on each row. As we <strong>to</strong>ld you above, many people use more yarn for purling than for knitting and you don’t<br />

have <strong>to</strong> compensate if you use these stitches.<br />

Casting on for oPTIMAL color placement<br />

I like <strong>to</strong> start my argyle and zig zag pieces with a prominent color stripe beginning at the edge of the piece.<br />

To do this, you have <strong>to</strong> start your knitting at the correct place in the color sequence. Once again we will turn<br />

the traditional cast-on on its head. Options 1 and 3 require circular needles:<br />

Option 1. Allowing a very long tail, create a slip knot stitch in the middle of a prominent color passage.<br />

Using backwards loop, cast on for your magic number of stitches with the tail. Slide cast on stitches <strong>to</strong> the<br />

other end of the circular needle and begin the first row by knitting in<strong>to</strong> the slip knot stitch.<br />

Option 2. You can also use waste yarn and a provisional cast on, or cast on a large (greater than your magic<br />

number) number of stitches, and end when you reach the middle of the chosen color. As you knit back, you<br />

will only use your magic number of stitches and drop the rest.<br />

Option 3. Place a slip knot at the boundary between two colors. Choose the clearest color break you see in<br />

your yarn. Leave a tail that is at least one color repeat long. Cast on the magic number you found in your<br />

initial swatches using the tail and backwards loop. The slip knot and the first stitches you cast on using the<br />

tail should be the same color and the yarn on the other side of the slip knot that connects with your skein<br />

is the beginning of another color. Slide stitches <strong>to</strong> other end of circular needle and begin first knitting row<br />

by knitting in<strong>to</strong> slip knot stitch. You should be knitting that stitch with the first stitch of the color adjacent<br />

<strong>to</strong> the slip knot. Knit all stitches. If you were lucky enough <strong>to</strong> hit the magic number right on the first time,<br />

you should be starting the next row with one or two stitches of the color that comes before the color of the<br />

slip knot. This causes the slip knot color <strong>to</strong> begin at stitch position 2 or 3 instead of at position 1 as it did <strong>to</strong><br />

begin with. This is good news. Knit two more rows (rows 3 and 4).<br />

Check the color shifts. Is the color moving a fairly regular amount with each time through the cycle? How<br />

far is it moving? In the first row or two you can make decisions about adding or dropping a stitch or two,<br />

rip it out and try again <strong>to</strong> fine tune the magic number for you. The good news?! Once you find the magic<br />

number for one colorway in a given yarn, it is likely you won’t have <strong>to</strong> do it again for other colorways of the<br />

same yarn. Once I found the magic number for my Wool of the Andes Blanket (see pho<strong>to</strong> on next page), I<br />

used it for all 6 different colorways.

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