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Identifying Textile Types and Weaves 1750-1950 - Dress and Textile ...

Identifying Textile Types and Weaves 1750-1950 - Dress and Textile ...

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<strong>Identifying</strong> weaves<br />

Basic <strong>Weaves</strong><br />

Twill Weave<br />

Twill weaves can be identified by the marked diagonal<br />

movement across the cloth created by the sequencing of<br />

the weft threads which cross the warps at evenly off-set,<br />

vertical intervals (from left to right or from right to left).<br />

The sequencing of interlacing can vary - this diagram<br />

Plain Weave (a.k.a Tabby Weave)<br />

The simplest <strong>and</strong> most universal weave. Produced by<br />

passing the weft across the warp twice. On the outward<br />

journey it passes over all the odd warps <strong>and</strong> under the<br />

evens: on its return it passes over the evens <strong>and</strong> under the<br />

odds. Texture can be added by way of textured yarn or<br />

using different colour threads (warp or weft) to produce<br />

checks or stripes. [Source: JH]<br />

shows a 3/1 twill which has three wefts passing behind one<br />

warp before it is bound in place by the fourth front cross of<br />

the weft. Denim is the most well-known example of a<br />

twill weave.<br />

Satin Weave<br />

The smooth shiny surface of a satin weave is created by the large<br />

surface area of exposed warp threads which are intermittently<br />

bound on only every fourth cross of the weft (four under, one<br />

over). This sequence can be reversed so that the weft threads<br />

form the dominant surface area of the fabric (four over, one<br />

under) though this type of weave is called „sateen‟. Satin weaves<br />

are frequently used in combination with other weaves to form<br />

„figured‟ cloths. Figured cloths are woven in one colour with<br />

pattern created solely by the use of different textured weaves,<br />

for example damask.<br />

All diagrams, courtesy of Caroline Rendell, from, The National Trust Manual of Housekeeping, Butterworth Heinemann, 2006, p.405<br />

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