Preparing for Headshots - suzanne mclaren photography
Preparing for Headshots - suzanne mclaren photography
Preparing for Headshots - suzanne mclaren photography
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For B&W Shots<br />
• light tones (white, cream or pale pastels) look clean and bright <strong>for</strong> a commercial look<br />
• dark tones (black, navy blue or dark brown) appear to be more dramatic<br />
• when a layered look is used, combining very dark and light tones works well<br />
For Colour Shots<br />
• choose colours that compliment your hair, eye and skin colouring<br />
• jewel tones such as rich reds, blues, purples and greens work <strong>for</strong> a film/television shot<br />
• bright, intense colours such as orange, turquoise and fuschia are vibrant and youthful<br />
and suit a commercial shot<br />
• neutrals can work if they compliment your colouring (i.e. olive green to bring out the<br />
eyes, caramel that matches the highlights in your hair)<br />
• avoid pastels which will ‘wash out’ and very dark tones such as navy which will appear<br />
too drab<br />
Come prepared—plan a few days in advance to get enough sleep so you’ll look and feel<br />
rested. Drink plenty of water and moisturize your skin, especially in the dry winter weather.<br />
It’s key to looking younger and healthier. Most people need a week or two <strong>for</strong> their hair to<br />
settle down after it’s cut. Factor this time in when scheduling your appointments. Come to<br />
the shoot with your hair styled as you would normally wear it. Eat a meal be<strong>for</strong>e you arrive<br />
or bring a power bar to keep your energy up through the shoot. Most shoots go on <strong>for</strong> 2<br />
to 3 hours (or more) so be prepared to use up lots of energy!<br />
Suzanne McLaren is a Toronto based headshot photographer. Her work can be viewed on<br />
her web-site at www.<strong>suzanne</strong><strong>mclaren</strong>.com or by contacting her at 416-879-6053.<br />
© 2005 Suzanne McLaren<br />
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