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Crab Orchard Review Vol. 12, No. 2, our

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Jim Daniels<br />

They watch the last dance<br />

—evening pomp turned into ragged<br />

romp—then shuffle out toward clumsy coats,<br />

the bride and groom long gone,<br />

the dj packing up. In the dim hallway<br />

they help each other into slack sleeves.<br />

They’re still visible amid the singular shadows<br />

of their quiet street—the groom, their neighbors’<br />

youngest, the last boy on the entire block—<br />

and still in love nights like this, their backs<br />

leaning into each other as they laugh<br />

at someone else’s jokes.<br />

He opens the door for her<br />

as they step out into the dirty snow<br />

of the floodlit parking lot. <strong>No</strong>, they<br />

won’t make love tonight, nor snuggle<br />

like spoons, nor rattle like forks.<br />

Perhaps they will kiss before heading<br />

for their separate rooms. Exhausted<br />

from the long public night, they may<br />

forget. They danced one song—held<br />

each other’s hands as they spun<br />

like wobbly planets. Others made room<br />

for them as they had once made room<br />

for others.<br />

In the silence of their vows,<br />

the car drifts.<br />

34 ◆ <strong>Crab</strong> <strong>Orchard</strong> <strong>Review</strong>

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