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Power of Place — Strength of Being - The Oneida Nation of Wisconsin

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02<br />

Foreword:<br />

Amazing. That is what people feel when they see Samuel Thomas’s<br />

beadwork and especially amazing are the pieces <strong>of</strong> beadwork created<br />

in his latest project <strong>Power</strong> <strong>of</strong> <strong>Place</strong> – <strong>Strength</strong> <strong>of</strong> <strong>Being</strong>. <strong>The</strong> authors <strong>of</strong><br />

the essays in this publication clearly agree as you will see when you read<br />

what they have written about Sam and his ambitious project. In addition,<br />

the essay writers, internationally recognized artists, pr<strong>of</strong>essors, and<br />

museum pr<strong>of</strong>essionals, are pretty amazing people themselves. All<br />

are experts on Haudenosaunee art including beadwork, many have<br />

published on various aspects <strong>of</strong> this increasingly appreciated art form.<br />

Most have followed Sam’s career for twenty-five years or more. <strong>The</strong>y<br />

not only see Sam’s artwork as amazing, they see his career from a selftaught<br />

teenager from the Six <strong>Nation</strong>s <strong>of</strong> the Grand River Reserve to a<br />

world traveler as amazing also.<br />

Sam visited six places <strong>of</strong> power, created six pieces <strong>of</strong> beadwork inspired<br />

by those six places, and includes six essays in this publication. Each<br />

essay describes the writer’s impressions <strong>of</strong> the beadwork that Sam<br />

created during his journeys to powerful places in Africa, Europe, and<br />

the Americas.<br />

Shelley Niro, who like Sam, calls the Six <strong>Nation</strong>s <strong>of</strong> the Grand River<br />

Reserve home, is a talented Mohawk artist who recognizes the art form<br />

and both the historical and contemporary aspects <strong>of</strong> his work. Dr. Trudy<br />

Nicks, Senior Curator for the Royal Ontario Museum’s Department <strong>of</strong><br />

World Cultures, points out the common experiences <strong>of</strong> indigenous<br />

people, including the Haudenosaunee and those people native to<br />

the places Sam visited. Dr. Ruth Phillips, Canada Research Chair in<br />

Modern Culture, Carleton University, a cosmopolitan herself, and an<br />

internationally acclaimed academician praises the broad scope <strong>of</strong> this<br />

cross-cultural project. Richard Green, <strong>of</strong> the Birmingham Museums<br />

& Art Gallery, Birmingham, England, expresses his appreciation <strong>of</strong><br />

Sam’s project in light <strong>of</strong> his own international expertise in the globewide<br />

history <strong>of</strong> beadwork and trade. And Dr. Susan M. Hill, Assistant<br />

Pr<strong>of</strong>essor <strong>of</strong> Indigenous Studies & Contemporary Studies at Wilfrid<br />

Laurier University, who shares Sam’s Haudenosaunee philosophy <strong>of</strong><br />

life, emphasizes the importance <strong>of</strong> places <strong>of</strong> power throughout time. In<br />

the sixth essay, Sam describes his vision <strong>of</strong> <strong>Power</strong> <strong>of</strong> <strong>Place</strong> – <strong>Strength</strong><br />

<strong>of</strong> <strong>Being</strong>, a project that allowed him to explore places <strong>of</strong> power to<br />

create these amazing pieces <strong>of</strong> bead art.<br />

Dolores N. Elliott<br />

Binghamton, New York.

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