THE BATTLE OF THE LABYRINTH Percy Jackson ... - No one's invited.
THE BATTLE OF THE LABYRINTH Percy Jackson ... - No one's invited.
THE BATTLE OF THE LABYRINTH Percy Jackson ... - No one's invited.
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Generated by ABC Amber LIT Converter, http://www.processtext.com/abclit.html<br />
She faltered, because we’d arrived at a set of metal double doors. Inscribed in the steel, at eye level,<br />
was a large blue Greek ?.<br />
“We’re here,” Rachel announced.“Daedalus’sworkshop.”<br />
***<br />
Annabeth pressed the symbol on the doors and they hissed open.<br />
“So much for ancient architecture,” I said.<br />
Annabeth scowled. Together we walked inside.<br />
The first thing that struck me was the daylight—blazing sun coming through giant windows. <strong>No</strong>t the kind<br />
of thing you expect in the heart of a dungeon. The workshop was like an artist’s studio, with thirty-foot<br />
ceilings and industrial lighting, polished stone floors, and workbenches along with windows. A spiral<br />
staircase led up to a second-story loft. Half a dozen easels displayed hand-drawn diagrams for buildings<br />
and machines that looked like Leonardoda Vinci sketches. Several laptop computers were scattered<br />
around on the tables. Glass jars of green oil—Greek fire—lined one shelf. There were inventions,<br />
too—weird metal machines I couldn’t make sense of. One was a bronze chair with a bunch of electrical<br />
wires attached to it, like some kind of torture device.In another corner stood a giant metal egg about the<br />
size of a man. There was a grandfather clock that appeared to be made entirely of glass, so you could<br />
see all the gears turning. And hanging on the wall were several sets of bronze and silver wings.<br />
“Diimmortals,”Annabeth muttered. She ran to the nearest easel and looked at the sketch. “He’s a genius.<br />
Look at the curves on this building!”<br />
“And an artist,” Rachel said in amazement. “These wings are amazing!”<br />
The wings looked more advanced than the ones I’d seen in my dreams. The feathers were more tightly<br />
interwoven. Instead of wax seals, self-adhesive strips ran down the sides.<br />
I kept my hand on Riptide. Apparently Daedalus was not at home, but the workshop looked like it had<br />
been recently used. The laptops were running their screen savers. A half-eaten blueberry muffin and a<br />
coffee cup sat on a workbench.<br />
I walked to the window. The view outside was amazing. I recognized the Rocky Mountains in the<br />
distance. We were high up in the foothills, at least five hundred feet, and down below a valley spread out,<br />
filled with a tumbled collection of red mesas and boulders and spires of stone. It looked like some huge<br />
kid had been building a toy city with skyscraper-size blocks, and then decided to knock it over.<br />
“Where are we?” I wondered.<br />
“Colorado Springs,” A voice said behind us.“The Garden of the Gods.”<br />
Standing on the spiral staircase above us, with his weapon drawn, was our missing sword master<br />
Quintus.<br />
***