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for money; you do it because it saves you from feeling bad.<br />

A man or woman able to turn his or her back on something<br />

like that is just a monkey, that’s all. The story paid me by<br />

letting me get back to sleep when I felt as if I couldn’t. I paid<br />

the story back by getting it concrete, which it wanted to be.<br />

The rest is just side effects.<br />

3<br />

I hope you’ll like this book, Constant Reader. I suspect you<br />

won’t like it as well as you would a novel, because most <strong>of</strong><br />

you have forgotten the real pleasures <strong>of</strong> the short story.<br />

Reading a good long novel is in many ways like having a<br />

long and satisfying affair. I can remember commuting<br />

between Maine and Pittsburgh during the making <strong>of</strong><br />

Creepshow, and going mostly by car because <strong>of</strong> my fear <strong>of</strong><br />

flying coupled with the air traffic controllers’ strike and Mr.<br />

Reagan’s subsequent firing <strong>of</strong> the strikers (Reagan, it<br />

appears, is really only an ardent unionist if the unions in<br />

question are in Poland). I had a reading <strong>of</strong> The Thorn<br />

Birds, by Colleen McCullough, on eight cassette tapes, and<br />

for a space <strong>of</strong> about five weeks I wasn’t even having an<br />

affair with that novel; I felt married to it (my favorite part was<br />

when the wicked old lady rotted and sprouted maggots in<br />

about sixteen hours).<br />

A short story is a different thing altogether—a short story<br />

is like a quick kiss in the dark from a stranger. That is not,

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