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The Burning Up Times - Strangled.co.uk

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<strong>Burning</strong> <strong>Up</strong> <strong>Times</strong> Issue 3<br />

<strong>The</strong> Old Knoll, Eliot Hill, Blackheath, SE13<br />

<strong>The</strong> Old Knoll dates from 1798 and was dissected<br />

into two in 1903. Inside, the lobby is<br />

palatial: fl oor-tiled in mosaics and bordered by<br />

great stone <strong>co</strong>lumns encapsulating Georgian<br />

charm. Trevor Rogers’ eerie red and green hue<br />

shot for Rattus is a fuzzy memory. <strong>The</strong> present<br />

incumbent scribbles a note: it’s the number of<br />

the previous owner, antiques dealer Warner Dailey,<br />

who was here in 1977. As I leave, I call – but<br />

he’s about to go out. All the same, he agrees to<br />

meet me at his home providing I can get there<br />

in thirty minutes. A South Circular gumball rally<br />

leaves me with a minute to spare.<br />

“I registered <strong>The</strong> Old Knoll with a fi lm location<br />

agent in 1975 when I moved in. <strong>The</strong> Stranglers’<br />

session was a stills session – the booking would<br />

have been between £200 and £500 – I can’t<br />

recall precisely how much now. But it was a<br />

morning shoot.”<br />

At the forefront of Warner’s recall, more famous<br />

house guests take centre spot: Mona Lisa,<br />

starring Bob Hoskins and Michael Caine; Bad<br />

Timing with Harvey Keitel and Julian Temple’s<br />

famous Sex Pistols’ fi lm, <strong>The</strong> Great Rock ‘n’ Roll<br />

Swindle.<br />

“We had problems with that one. <strong>The</strong>y nearly<br />

set fi re to the house when they lit the chimney<br />

for one scene. But with <strong>The</strong> Stranglers, well, they<br />

were unknown at that point, weren’t they? So I’m<br />

afraid, it all passed me by. But after the album<br />

came out, I took more of an interest when my<br />

nephews and nieces, and their friends, found<br />

out about it. <strong>The</strong> props in the shot were all mine.<br />

<strong>The</strong>y’ve all been sold over the years: the Grandfather<br />

clock, which was my grandfather’s originally;<br />

the little girl mannequin and the spears<br />

too. <strong>The</strong> fox heads went to a Stranglers fan who<br />

came down from the Wirral, some years back.”<br />

Details are hazy, but Warner is sure <strong>The</strong><br />

Stranglers had a good session:<br />

“<strong>The</strong>y must have, because they returned to<br />

do the Midnight Summer Dream video in 1986.”<br />

36

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