animated book image

More documents

Recommendations

Info

EUROPEAN ARMOUR AND ARMS FIG. PAGE 1044. Right arm-piece of a slashed suit, German, first quarter of the • XVIth ........... century. It was apparently never finished. Collection: Ladj' Zouche, Parhani 263 1045. Suit of armour for fighting on foot, Italian (Milanese), School of MissAGLiA, dated 1515. Probably made for Giuliano II or Lorenzo II de' Medici. G 179, Museed'Artillerie, Paris 264 1046. 1047A. Armour made for fighting on foot, Italian (Milanese), School of .......... Negroli, first quarter of the XVIth century. G 178, Musee d'Artillerie, Paris 266 ............. Effigy of the Constable de Montmorenci. Preserved in the Louvre, Paris 267 1047B. The armour of the Constable de Montmorenci in Wilton House. Collection: The Earl of Pembroke and Montgomery .... 267 1047c. The armour of Louis de Bourbon, Due de Montpensier, in Wilton 1047D. House. Collection: The Earl of Pembroke and . . Montgomery 267 The armour of the Constable de Montmorenci, with the helmet worn by him at Dreux. Musde d'Artillerie, Paris .... 267 1047E. Portrait of the Constable de Montmorenci. From Jakob Shrenck von Nozing's series published ... in 160 1 . . . . .271 1048. Suit of armour, said to have been m.\de for Fran.cis I of France, probably the work of one of the Kolmans of Augsburg, about 1530-35. G 117, Museed'Artillerie, Paris. . . - . . 274 1049. Suit of armour, with the mark on the breastplate of one of the Kolmans of Augsburg, about 1540. Wallace Collection (Laking 1050. Catalogue, No. 402) . . . . . . . . . . 274 Suit of armour, made for Lazarus Schwendi, Freiherr von Hohen- landsberg, probably produced at Augsburg, but decorated by ............ Peter Speier of AnnabeRg about 1550-60. Imperial Armoury, Vienna 275 1 05 1. Classically fashioned suit of armour, presented to Charles V 1052. BY GuiDOBALDO II, DuKE OF Urbino, IN 1 546. Made by Bartolommeo Campi of Pesaro in 1546. A 188, Royal Armoury, Madrid . . 277 From a picture attributed to Jacinto Geronimo de Espinosa, in which one OF THE FIGURES IS DEPICTED WEARING THE SUIT ILLUSTRATED IN Fig. 105 1. Collection: the late Sir Charles Robinson, C.B. . . 280 1053. Pair of stirrups made, in the opinion of the author, for the suit ILLUSTRATED IN FiG. 1051. Salting Collection, Victoria and Albert Museum ............ 282 XXX
LIST OF ILLUSTRATIONS IN VOLUME III ^"''- PACE 1054. Breastplate fashioned on classical lines, made by Bartolommeo Cami'i OF Pesaro akout 1540. probably for Duke Guidobaldo II ok Urbino. From ............ the ancient armoury of the Medici. Bargello Museum, Florence 286 1055. Half suit of armour, made for Antonio Martinengo III, Italian (probably Milanese), about 1560. C 11, Royal Armoury, Turin . 1056. Breastplate, Italian (Milanese), about 1540. Signed by Paolo 1057. Negroli. Ex collection : Magniac. Now in the Riggs Collection, 287 ....... Metropolitan Museum, New York 290 Breastplate, taces, and tassets, by Filippo Negroli of Milan, about 1540. Musee du Louvre . . . . . . . . .291 1058. Backplate and garde-de-rein, belonging to the breastplate illustrated in Fig. 1057 292 1059. Half suit of armour. Originally in the collection of the Archduke Ferdinand of Tyrol. Attributed by the late Herr W. Boeheim as the work of Giovanni Battista Serabaglio of Milan. Middle of the XVIth century. Imperial Armoury, Vienna . . . . . 293 1060. UArmure Aux Lions, Italian (probably Milanese), about 1560. G 50, Musee d'Artillerie, Paris . . . . . . ... . 106 1. Suit of armour for a youth, probably of French workmanship under Italian influence, late XVIth or early XVI Ith century. Tower 296 of London ............ 298 1062. Part of a series of suits (all one set), made for the Emperor Charles V by Koloman Kolman of Augsburg in the second quarter OF the XVIth century. A 19, Royal Armoury, Madrid . . . 304 1063. Interchangeable elbow-cops from the suit (fig. 1064). In an English private collection .......... 306 1064. Part of a series of suits (all one set). Made for the Emperor Charles V by the brothers Negroli of Milan and dated 1539. A 139, Royal Armoury, Madrid. . .' 307 1065. Part of a series of suits (all one set), German work, dated 1544. It is known as the Muhlberg armour. Royal Armoury. Madrid 1066. Titian's portrait of the Emperor Charles V at the battle . of 308 Muhlberg. Charles V is portrayed wearing portions of the suit (Fig. 1065). In the Prado, Madrid 309 1067. Reconstruction from Titian's portrait of the Emperor Charles V showing the Emperor wearing the Muhlberg suit. A 164, Royal Armoury, Madrid 309 III xxxi €
Page 7: III
Page 11 and 12: A RECORD OF EUROPEAN ARMOUR AND ARM
Page 13 and 14: CONTENTS OF VOLUME III CHAPTER XIX
Page 15 and 16: CONTENTS OF VOLUME III list of the
Page 17: CONTENTS OF VOLUME III PAf.K — Th
Page 20 and 21: iG. EUROPEAN ARMOUR AND ARMS 743. F
Page 22 and 23: FIG. EUROPEAN ARMOUR AND ARMS j2>oa
Page 24 and 25: FIG EUROPEAN ARMOUR AND ARMS 817. D
Page 26 and 27: FIG. 850. EUROPEAN ARMOUR AND arms:
Page 28 and 29: EUROPEAN ARMOUR AND ARMS flG. PAGE
Page 30 and 31: FIG. 922. 923- 924. 925- 926. 927.
Page 32 and 33: 152
Page 34 and 35: EUROPEAN ARMOUR AND ARMS KIG. PAGE
Page 36 and 37: EUROPEAN ARMOUR AND ARMS FIG. • P
Page 40 and 41: EUROPEAN ARMOUR AND ARMS FIC. PAGE
Page 42 and 43: EUROPEAN ARMOUR AND ARMS ..........
Page 44 and 45: EUROPEAN ARMOUR AND ARMS sider the
Page 46 and 47: EUROPEAN ARMOUR AND ARMS of flatten
Page 48 and 49: EUROPEAN ARMOUR AND ARMS only in a
Page 50 and 51: EUROPEAN ARMOUR AND ARMS the pommel
Page 52 and 53: Fig. 746 Fig. 747 j.
Page 54 and 55: Fig. 754. Da(;ger of basilard type
Page 56 and 57: H < Q
Page 58 and 59: EUROPEAN ARMOUR AND ARMS opinion it
Page 60 and 61: EUROPEAN ARMOUR AND ARMS of 1382, i
Page 62 and 63: EUROPEAN ARMOUR AND ARMS provenance
Page 64 and 65: EUROPEAN ARMOUR AND ARMS that show
Page 66 and 67: EUROPEAN ARMOUR AND ARMS with few e
Page 68 and 69: EUROPEAN ARMOUR AND ARMS bone now m
Page 70 and 71: EUROPEAN ARMOUR AND ARMS simpler co
Page 72 and 73: EUROPEAN ARMOUR AND ARMS in respect
Page 74 and 75: EUROPEAN ARMOUR AND ARMS developed
Page 76 and 77: EUROPEAN ARMOUR AND ARMS and at the
Page 78 and 79: EUROPEAN ARMOUR AND ARMS weapons, t
Page 80 and 81: EUROPEAN ARMOUR AND ARMS Williams'
Page 82 and 83: EUROPEAN ARMOUR AND ARMS all appear
Page 84 and 85: EUROPEAN ARMOUR AND ARMS at length
Page 86 and 87: EUROPEAN ARMOUR AND ARMS lengthways
Page 88 and 89:
EUROPEAN ARMOUR AND ARMS has its gr
Page 90 and 91:
EUROPEAN ARMOUR AND ARMS the famous
Page 92 and 93:
EUROPEAN ARMOUR AND ARMS yataghans
Page 94 and 95:
'iT»«i>r'- Fig. 829. Dagger Itali
Page 96 and 97:
EUROPEAN ARMOUR AND ARMS Hispano-Ar
Page 98 and 99:
'lG. 836. rORTKAIT OF KiNG EDWARD V
Page 100 and 101:
[Fic. 838A Drawings of dagger shkat
Page 102 and 103:
EUROPEAN ARMOUR AND ARMS mention a
Page 104 and 105:
EUROPEAN ARMOUR AND ARMS are fashio
Page 106 and 107:
EUROPEAN ARMOUR AND ARMS critic. Mo
Page 108 and 109:
EUROPEAN ARMOUR AND ARMS The "anela
Page 110 and 111:
Fig. 850. Blade of a cinquedea Show
Page 113 and 114:
THE DAGGER TERMED CINQ.UEDEA limbs
Page 115 and 116:
THE DAGGER TERMED CINQUEDEA Through
Page 117 and 118:
75 00 00 d ^ .5 "a "^ o -J t; ° O
Page 119:
THE DAGGER TERMED CINQUEDEA have bo
Page 122 and 123:
EUROPEAN ARMOUR AND ARMS that delig
Page 124 and 125:
f Fig. 864 EUROPEAN ARMOUR AND ARMS
Page 126 and 127:
EUROPEAN ARMOUR AND ARMS lance assu
Page 128 and 129:
Fig. 870. Swedish feather XVI th an
Page 130 and 131:
i Fig. 871. Wy\K-riAMMER Probably F
Page 132 and 133:
Fk;. 875. Mace head XlVth century (
Page 134 and 135:
EUROPEAN ARMOUR AND ARMS is only th
Page 136 and 137:
. EUROPEAN ARMOUR AND ARMS the reco
Page 138 and 139:
Fig. 886. Knightly poleaxe AND HAM.
Page 140 and 141:
EUROPEAN ARMOUR AND ARMS massive ha
Page 142 and 143:
Fig. 893. From "The History of St.
Page 144 and 145:
EUROPEAN ARMOUR AND ARMS William, E
Page 146 and 147:
EUROPEAN ARMOUR AND ARMS appears; b
Page 148 and 149:
EUROPEAN ARMOUR AND ARMS enrolling
Page 150 and 151:
EUROPEAN ARMOUR AND ARMS lateral bl
Page 152 and 153:
EUROPEAN ARMOUR AND ARMS the nature
Page 154 and 155:
EUROPEAN ARMOUR AND ARMS Collection
Page 156 and 157:
EUROPEAN ARMOUR AND ARMS staff, wit
Page 158 and 159:
EUROPEAN ARMOUR AND ARMS 8, 26, 27,
Page 160 and 161:
EUROPEAN ARMOUR AND ARMS France. In
Page 162 and 163:
EUROPEAN ARMOUR AND ARMS d'Artiller
Page 164 and 165:
CO Q a; w P3 a: vd M
Page 166 and 167:
EUROPEAN ARMOUR AND ARMS must be co
Page 168 and 169:
EUROPEAN ARMOUR AND ARMS a specimen
Page 170 and 171:
EUROPEAN ARMOUR AND ARMS and who is
Page 172 and 173:
EUROPEAN ARMOUR AND ARMS bow and cr
Page 174 and 175:
EUROPEAN ARMOUR AND ARMS can be gau
Page 176 and 177:
EUROPEAN ARMOUR AND ARMS bow, as we
Page 178 and 179:
EUROPEAN ARMOUR AND ARMS nationalit
Page 180 and 181:
EUROPEAN ARMOUR AND ARMS XVIth cent
Page 182 and 183:
EUROPEAN ARMOUR AND ARMS this reaso
Page 184 and 185:
Fig. 943. The double cords as used
Page 186 and 187:
EUROPEAN ARMOUR AND ARMS and there
Page 188 and 189:
EUROPEAN ARMOUR AND ARMS bow staves
Page 190:
EUROPEAN ARMOUR AND ARMS Philip the
Page 193 and 194:
HORSE ARMOUR were imposed upon a bl
Page 195 and 196:
HORSE ARMOUR France apyds Philippe
Page 197 and 198:
155 < J U! a. -r; G H < « OS W o 0
Page 199 and 200:
157 < a: u > O u H H M o D O H U W
Page 201 and 202:
159 X < U a. < X u si w X o 5 OS (-
Page 203 and 204:
THE BIT Eresby, of 1395, in which t
Page 205 and 206:
THE BIT of its fashion and manufact
Page 207 and 208:
SPURS bronze, the neck and heel str
Page 209 and 210:
SPURS of the Orville example, final
Page 211 and 212:
^< SPURS thoiif(h certainly familia
Page 213 and 214:
THE SADDLE shield with the arms of
Page 216 and 217:
EUROPEAN ARMOUR AND ARMS The second
Page 218 and 219:
EUROPEAN ARMOUR AND ARMS perspiring
Page 220 and 221:
EUROPEAN ARMOUR AND ARMS small and
Page 222 and 223:
EUROPEAN ARMOUR AND ARMS mainder of
Page 224 and 225:
EUROPEAN ARMOUR AND ARMS of Nurembe
Page 226 and 227:
Fig. 993. Equestrian armour Composi
Page 228 and 229:
EUROPEAN ARMOUR AND ARMS The chanfr
Page 230 and 231:
EUROPEAN ARMOUR AND ARMS We next il
Page 232 and 233:
EUROPEAN ARMOUR AND ARMS which are
Page 234 and 235:
EUROPEAN ARMOUR AND ARMS Dillon, th
Page 236 and 237:
EUROPEAN ARMOUR AND ARMS which assu
Page 238 and 239:
EUROPEAN ARMOUR AND ARMS direct spe
Page 240 and 241:
EUROPEAN ARMOUR AND ARMS ordinarily
Page 242 and 243:
Fig. loio. Model of a German jousti
Page 244 and 245:
EUROPEAN ARMOUR AND ARMS the horse
Page 246 and 247:
EUROPEAN ARMOUR AND ARMS Armoury of
Page 248 and 249:
EUROPEAN ARMOUR AND ARMS these we i
Page 250 and 251:
EUROPEAN ARMOUR AND ARMS or and arg
Page 252 and 253:
EUROPEAN ARMOUR AND ARMS substantia
Page 254 and 255:
EUROPEAN ARMOUR AND ARMS globose br
Page 256:
EUROPEAN ARMOUR AND ARMS state not
Page 259 and 260:
THE TOWER OF LONDON ARMOURY Norman
Page 261 and 262:
Fk;. 1016. Sun ui- armulk I'Kkskntk
Page 263 and 264:
THE TOWER OF LONDON ARMOURY Henry V
Page 265 and 266:
Fig. ioi8. Suit ok armour for fight
Page 267 and 268:
THE TOWER OF LONDON ARMOURY The Hen
Page 269 and 270:
THE TOWER OF LONDON ARMOURY We ascr
Page 271 and 272:
THE TOWER OF LONDON ARMOURY continu
Page 273 and 274:
THE TOWER OF LONDON ARMOURY glory,
Page 275 and 276:
THE TOWER OF LONDON ARMOURY and the
Page 277 and 278:
235 c Q c w ^2 -5 1) 2 > O '^ c nj
Page 279 and 280:
THE TOWER OF LONDON ARMOURY the two
Page 281 and 282:
THE TOWER OF LONDON ARMOURY (Fig. 1
Page 283 and 284:
THE MAXIMILIAN SCHOOL period. Durin
Page 285 and 286:
THE MAXIMILIAN SCHOOL date was the
Page 287 and 288:
THE MAXIMILIAN SCHOOL of the previo
Page 289 and 290:
THE MAXIMILIAN SCHOOL worn in the b
Page 291 and 292:
THE MAXIMILIAN SCHOOL formerly in P
Page 293 and 294:
THE MAXIMILIAN SCHOOL of the XVth c
Page 295 and 296:
Fig. 1037. Suit of armour (composit
Page 297 and 298:
Fk;. 1039. Suit of armour (slightly
Page 299 and 300:
THE MAXIMILIAN SCHOOL salient; but
Page 301 and 302:
Fig. 1040. Suit of armour Said to l
Page 303 and 304:
Fig. 1041. Slashed armour [/'/totog
Page 305 and 306:
THE MAXIMILIAN SCHOOL slashed ornam
Page 307 and 308:
THE MAXIMILIAN SCHOOL These have be
Page 309 and 310:
Fig. 104715. The armour of THE Cons
Page 311 and 312:
THE MAXIMILIAN SCHOOL Dear Lord Pem
Page 313 and 314:
THE MAXIMILIAN SCHOOL The two suits
Page 315 and 316:
LANDSKNECHT TYPE OF ARMOUR historic
Page 317 and 318:
LANDSKNECHT TYPE OF ARMOUR of the s
Page 319 and 320:
xvith century armour under classica
Page 321 and 322:
Page 323 and 324:
Page 325 and 326:
XVlTH CENTURY ARMOUR UNDER CLASSICA
Page 327 and 328:
XVIm CENTURY ARMOUR UNDER CLASSICAL
Page 329 and 330:
Page 331 and 332:
XVIm CENTURY ARMOUR UNDER CLASSICAL
Page 333 and 334:
Page 335 and 336:
Page 337 and 338:
Page 339 and 340:
Page 341 and 342:
Page 343 and 344:
Page 345 and 346:
ARMOUR TERMED "SPANISH" make our ch
Page 347 and 348:
ing ARMOUR TERMED "SPANISH" the cha
Page 349 and 350:
ARMOUR TERMED "SPANISH" must, as we
Page 351 and 352:
as O a, Z < U fe £ u ^^ as H CO Z
Page 353 and 354:
ARMOUR TERMED "SPANISH" difficulty,
Page 355 and 356:
ARMOUR TERMED "SPANISH" and on the
Page 357 and 358:
ARMOUR TERMED "SPANISH" restrained
Page 359 and 360:
ARMOUR TERMED "SPANISH" armour of a
Page 361 and 362:
ARMOUR TERMED "SPANISH" arms which
Page 363 and 364:
ARMOUR TERMED "SPANISH" circular pa
Page 365 and 366:
ARMOUR TERMED " SPANISH " the initi
Page 367 and 368:
ARMOUR TERMED "SPANISH" belonged to
Page 369 and 370:
ARMOUR TERMED "SPANISH" with band.s
Page 371 and 372:
ARMOUR TERMED "SPANISH" pieces, j^a
Page 373 and 374:
F"l(;. 1082. A HALK SUIT OF ARMOUR
Page 375 and 376:
THE SCHOOL OF LUCIO PICININO collar
Page 377 and 378:
THE SCHOOL OF LUCIO PICININO "that
Page 379 and 380:
THE SCHOOL OF LUCIO PICININO figure
Page 381 and 382:
THE SCHOOL OF LUCIO PICININO Currie
Page 383 and 384:
THE SCHOOL OF LUCIO PICININO with i
Page 385 and 386:
Fig. 1089. ARMOUR TERMED " FRENCH "
Page 387 and 388:
Fig. 1090. Suit ok armour that belo
Page 389 and 390:
Fig. 1 09 1. Suit ov armour Made fo
Page 391 and 392:
ARMOUR TERMED "FRENCH" Beaten out o
Page 393 and 394:
the points of comparison which woul
Page 395 and 396:
the armourers of Munich which are c
Page 397 and 398:
Fig. 1096. CiiANFRON and saddle ste
Page 399 and 400:
ARMOUR TERMED "FRENCH " we have lit
Page 401:
LONDON: CHARLES WHITTINGHAM AND GRI
show all

animated book image

Create successful ePaper yourself

Delete template?

Save as template?