DISTURBIA - Daily Script

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1 CONTINUED: (2) 1 All becomes silent save for Jeff and Kale's heavy breathing. Kale winds the empty line back to the boat, shoots a glance to Jeff, then throws the rod aside in mock disgust. Jeff takes a seat in the captain's chair. JEFF (CONT'D) Throw me a -- Kale is already in the cooler. He throws Jeff a Coke. Both sit in silence for a beat. Then -- JEFF (CONT'D) Hey, at least the weather's great... we're spending quality time together. KALE (grabbing pole) That fish is going down. JEFF (not missing a beat) Let's nab the bastard. They both cast their lines -- 2 EXT. HIGHWAY 395 - NORTHERN SIERRA MOUNTAINS - EVENING 2 An amber glow sets the mountainside ablaze as Jeff's SUV winds through the serpentine pass. 3 INT. SUV - EVENING - CONTINUOUS - MOVING 3 Jeff drives. Kale's on his cell: KALE (cont'd) (into phone as needed) Hey mom, it's us. Listen, fire up the grill 'cause the Bassmasters are headed home! Jeff slaps Kale five as he veers the SUV into the left lane, passing a slow-moving PATHFINDER... 3. INTERCUT WITH: 4 INT. KALE'S HOUSE - KITCHEN - DAY - CONTINUOUS 4 Kale's attractive mom, JULIE, 40, on cordless, preps dinner. JULIE You're kidding. So I can actually put the burgers away this time? KALE Yes, be gone with the red meat! (CONTINUED) D.J. Caruso
4 CONTINUED: 4 Julie smiles. Jeff grabs the phone from Kale. JEFF (into phone as needed) We're having fish for a week. Kale smiles as a LINCOLN NAVIGATOR PICK-UP zooms past in the right lane, swerves back in the left lane in front of them. JEFF (CONT'D) (over the above) I'd say an hour. Love you, too. Jeff flips the phone shut, tosses it to Kale. They exchange smiles. A silent moment passes. They both turn to face the road as -- THE NAVIGATOR PICK-UP suddenly SWERVES back into the right lane, revealing a STALLED MINI-VAN directly in front of them! DAD -- KALE Jeff instinctively reaches his arm in front of Kale as he SWINGS the wheel hard right and SLAMS ON THE BRAKES. But it's not in time. The SUV clips the mini-van's right rear bumper, SMASHING it into the left lane concrete barricade. The SUV spins into the right lane where that SLOW-MOVING PATHFINDER suddenly BROADSIDES IT with such FORCE that it FLIPS the SUV up and over. It TUMBLES off the highway, barreling into... 5 EXT. VACANT CLIFFSIDE PULLOFF/VIEWING AREA - EVENING - CONT 5 A couple of final, METAL-CRUNCHING FLIPS send the SUV's undercarriage CRASHING to a violent stop on top of a rickety wood beam-mounted GUARDRAIL. A silent beat. Then -- steam billows from the hood... 6 INSIDE THE SUV 6 Airbags deflate. Dust settles. Blood streams from Jeff's hairline. His eyes flutter open. (CONTINUED) 4. D.J. Caruso
Page 1 and 2: DISTURBI A By Christopher Landon Re
Page 3: 1 CONTINUED: 1 Kale and Jeff watch
Page 7 and 8: 7 CONTINUED: 7 The SUV ROCKS VIOLEN
Page 9 and 10: 11 CONTINUED: 11 RONNIE Quizás no.
Page 11 and 12: 10. 12 CONTINUED: 12 Kale, a little
Page 13 and 14: 12. 14 INT. KALE'S BEDROOM - NIGHT
Page 15 and 16: 14. 17 CONTINUED: 17 He powers up t
Page 17 and 18: 16. 24 CONTINUED: 24 Kale points to
Page 19 and 20: 18. 29 CONTINUED: 29 KALE (CONT'D)
Page 21 and 22: 20. 35 EXT. KALE'S YARD - DAY - CON
Page 23 and 24: 22. 38 CONTINUED: 38 Kale opens the
Page 25 and 26: 24. 44 CONTINUED: 44 RONNIE (CONT'D
Page 27 and 28: 26. 44 CONTINUED: (3) 44 Kale slaps
Page 29 and 30: 28. 48 CONTINUED: 48 KALE'S POV - p
Page 31 and 32: 30. 48 CONTINUED: (3) 48 ASHLEY (qu
Page 33 and 34: 32. 52 CONTINUED: 52 KALE'S POV - A
Page 35 and 36: 34. 53 CONTINUED: 53 BINOCULAR POV
Page 37 and 38: 36. 53 CONTINUED: (3) 53 No. KALE N
Page 39 and 40: 38. 54 CONTINUED: (2) 54 Kale trade
Page 41 and 42: 40. 55 CONTINUED: (2) 55 ASHLEY The
Page 43 and 44: 42. 56 CONTINUED: 56 Silence. Kale
Page 45 and 46: 44. 57 CONTINUED: (2) 57 ASHLEY Som
Page 47 and 48: 46. 57 CONTINUED: (4) 57 KALE What
Page 49 and 50: 48. 58 CONTINUED: 58 KALE What were
Page 51 and 52: 50. 58 CONTINUED: (3) 58 ASHLEY'S P
Page 53 and 54: 52. 62 INT. KALE'S BEDROOM - NIGHT
Page 55 and 56:
54. 62 CONTINUED: (2) 62 Kale final
Page 57 and 58:
56. 62 CONTINUED: (4) 62 KALE Anyth
Page 59 and 60:
58. 65 CONTINUED: (2) 65 JULIE Oh c
Page 61 and 62:
60. 65 CONTINUED: (4) 65 Kale quick
Page 63 and 64:
62. 66 CONTINUED: (2) 66 ASHLEY (sk
Page 65 and 66:
64. 67 CONTINUED: 67 Ashley mouths
Page 67 and 68:
66. 76 CONTINUED: 76 ASHLEY Back of
Page 69 and 70:
68. 76 CONTINUED: (3) 76 KALE (CONT
Page 71 and 72:
70. 78 CONTINUED: (2) 78 KALE Three
Page 73 and 74:
72. 79 CONTINUED: 79 GILES suddenly
Page 75 and 76:
74. 80 CONTINUED: (2) 80 But we als
Page 77 and 78:
76. 80 CONTINUED: (4) 80 BINOCULAR
Page 79 and 80:
78. 80 CONTINUED: (6) 80 ASHLEY Oka
Page 81 and 82:
80. 81 CONTINUED: (2) 81 ASHLEY It'
Page 83 and 84:
82. 83 CONTINUED: 83 Kale eyes Ronn
Page 85 and 86:
84. 84 CONTINUED: (2) 84 RONNIE (V.
Page 87 and 88:
86. 85 EXT. KALE'S BACK YARD - NIGH
Page 89 and 90:
88. 87 CONTINUED: (2) 87 UNIFORM #1
Page 91 and 92:
90. 88 CONTINUED: (2) 88 KALE (quie
Page 93 and 94:
92. 90 CONTINUED: 90 Nearly hyperve
Page 95 and 96:
94. 90 CONTINUED: (3) 90 RONNIE No,
Page 97 and 98:
96. 93 CONTINUED: 93 Kale grabs his
Page 99 and 100:
98. 99 CONTINUED: 99 Like a quarter
Page 101 and 102:
100. 103 CONTINUED: (2) 103 GILES (
Page 103 and 104:
102. 105 CONTINUED: 105 Ashley and
Page 105 and 106:
104. 107 CONTINUED: 107 Kale drops
Page 107 and 108:
106. 113 CONTINUED: 113 ASHLEY She
Page 109 and 110:
108. 116 CONTINUED: 116 - Kale hand
Page 111:
110. 124 CONTINUED: 124 KALE (CONT'
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DISTURBIA - Daily Script

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