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<strong>Cinema</strong><br />
March – April 2013
welcome<br />
We criss-cross the globe with this guide, taking in the<br />
Chilean desert, a Brazilian high-rise complex, a remote<br />
Moldovian nunnery and a war-torn Pacific Island before<br />
ending up (somewhat surprisingly) on a Miami beach for<br />
spring break. The sheer variety of stories and filmmaking<br />
styles is staggering; from austere and challenging to<br />
downright outrageous and fun. This period, post-Oscars<br />
and pre-summer blockbusters, is often the best time of<br />
year to discover unexpected cinematic gems.<br />
This guide also sees the welcome return of some great<br />
filmmaking talents including Steven Soderbergh (rumoured<br />
to be heading into retirement), documentary genius Alex<br />
Gibney, the cheeky François Ozon and American indie<br />
favourite Derek Cianfrance. And who could forget<br />
everyone's favourite clownfish? That little guy called<br />
Nemo celebrates his tenth birthday this year. One of the<br />
milestones in Pixar's long history of quality storytelling for<br />
children, Finding Nemo deserves to be seen again on the<br />
big screen. Keep swimming...<br />
Alice Black<br />
Head of <strong>Cinema</strong><br />
Contributors: Brian Hoyle, Christopher O’Neill, James Mulvey,<br />
Jamie Neish, Mike Tait, Simon Lewis<br />
Contents<br />
New Films<br />
Beyond the Hills 5<br />
Finding Nemo 3D 4<br />
Good Vibrations 7<br />
In the House 6<br />
A Late Quartet 8<br />
Love Is All You Need 11<br />
Mea Maxima Culpa 5<br />
Neighbouring Sounds 8<br />
The Place Beyond the Pines 9<br />
Post Tenebras Lux 7<br />
Side Effects 4<br />
Spring Breakers 10<br />
Thursday Till Sunday 11<br />
Trance 6<br />
Reality 9<br />
Rebellion 10<br />
Documentary<br />
First Position 14<br />
The Road 14<br />
Side by Side 14<br />
The Spirit of ’45 14<br />
Discovery Family Film Club<br />
Finding Nemo 3D 15<br />
Oz the Great and Powerful 3D 15<br />
The Wizard of Oz 15<br />
Performance Screenings<br />
Live from the Met: Giulio Cesare 16<br />
Manet: Portraying Life 16<br />
Vintage Film<br />
The Gospel According to St. Matthew 17<br />
Point Blank 17<br />
Theorem 17<br />
Italian Film Festival<br />
Dormant Beauty 18<br />
Every Blessed Day 18<br />
Me and You 18<br />
Nina 19<br />
The Son Did It 19<br />
Stromboli 19<br />
2013 BAFTA Shorts 20<br />
Dundee Comics Expo<br />
Judge Minty 20<br />
Lose Your Head at DeeCAP! 20<br />
<strong>Cinema</strong> Republic<br />
Shallow Grave 21<br />
Artists Film and Video<br />
9 Intervals 21<br />
Babeldom 21<br />
Dundead<br />
Maniac 22<br />
3
New Films<br />
Finding Nemo<br />
Fri 29 March – Thu 11 April<br />
While the words ‘3D retrofit’ might strike terror into the hearts of<br />
most purists, we can’t think of a better film to get this special<br />
treatment than Finding Nemo. Celebrating its tenth birthday this<br />
year, this classic animation never gets old. It will be wonderful to<br />
see a new generation of children introduced to its charms.<br />
Little Nemo is clownfish who is starting his first day of school.<br />
Despite his over-protective dad Marlin watching cautiously<br />
nearby, Nemo is kidnapped and forced on an unexpected<br />
journey of survival. He is helped along the way by some<br />
unexpected friends, including a nosy pelican and Bruce the<br />
shark. Meanwhile Marlin teams up with the scatterbrained Dory<br />
to search desperately for his son across Australia’s Great Barrier<br />
Reef.<br />
You’ll be entranced by the beautiful sea colours and creatures as<br />
much as the heart-warming story at the heart of Finding Nemo.<br />
Told with action and excitement and suitable for the whole<br />
family, the film also features some of the best voice work since<br />
Toy Story with a cast including Albert Brooks, Geoffrey Rush,<br />
Barry Humphries (aka Dame Edna Everage), Ellen DeGeneres<br />
and Willem Dafoe.<br />
Dirs: Andrew Stanton, Lee Unkrich<br />
USA 2003 / 1h40m / Digital 3D / U<br />
Bring a Baby screening Thu 11 April, 10:30<br />
4 www.dca.org.uk<br />
Side Effects<br />
Fri 29 March – Thu 4 April<br />
Steven Soderbergh has announced that Side<br />
Effects is the last film he plans to direct before<br />
turning his creative talents to painting, writing,<br />
theatre and television. Fans of his astute social<br />
commentary and taut filmmaking style won’t be<br />
disappointed by his swan song, a gripping film<br />
about the complex relationship between<br />
doctors, patients and the industry built up<br />
around anti-depressants in the United States.<br />
The enigmatic Rooney Mara (star of the English<br />
language version of The Girl with the Dragon<br />
Tattoo) plays Emily, a young woman with<br />
anxiety issues. Her husband has just been<br />
released from prison after a stint for insider<br />
trading. Emily has lost everything: a baby, the<br />
life of luxury her husband promised her and her<br />
joy for life. A failed suicide attempt brings her<br />
into the care of psychiatrist Jonathan Banks<br />
(Jude Law), who quickly prescribes a new drug<br />
which initially seems to have a miraculous<br />
effect. But when Emily commits a violent act<br />
while sleepwalking, it is Doctor Banks’ world<br />
that begins to fall apart.<br />
A well crafted psychological thriller which<br />
poses some provocative questions about our<br />
drug-dependent society, Side Effects is full of<br />
surprises, including Catherine Zeta-Jones in a<br />
dramatic role. We certainly hope this isn’t the<br />
last we see of Soderbergh’s storytelling talents.<br />
Dir: Steven Soderbergh<br />
USA 2013 / 1h46m / Digital / 15
Beyond the Hills<br />
Dupa dealuri<br />
Fri 29 March – Thu 4 April<br />
Cristian Mungiu put Romanian filmmaking on the map with the<br />
gruelling 4 Months, 3 Weeks and 2 Days. He makes a welcome<br />
return to our screens with Beyond the Hills, an astonishing<br />
portrait of a young nun whose life is thrown into turmoil by the<br />
appearance of an old childhood friend, disrupting the cloistered<br />
community she lives in. Slowly and methodically, Mungiu uses<br />
the daily life of the religious order to explore the schism which<br />
exists between the spiritual and the secular as well as the<br />
tension between individual freedom and group mentality.<br />
Situated in a remote Moldavian landscape, the monastery where<br />
the action takes place consists of a simple chapel and a few<br />
huts without electricity or running water. The nuns are supervised<br />
by a stern priest whom they refer to as ‘Papa’. Voichita<br />
(Cosmina Stratan) is one of the most devoted of the group, but<br />
her faith is tested by the arrival of Alina (Cristina Flutur) who has<br />
returned from Germany and tries to convince her to leave the<br />
order. The girls, who grew up together in an orphanage, have a<br />
deep and complicated bond. Alina refuses to submit to the<br />
order’s request for piety and penance, and the judgement and<br />
punishment handed down to her by those in power is shocking.<br />
The film’s visual look, attention to detail, pacing and naturalistic<br />
performances all combine to create a very real sense of the lives<br />
led by these religious women. Based on a real-life incident,<br />
Beyond the Hills is as gripping as any horror film and as<br />
rewarding as any drama you will see this year. The two lead<br />
actresses (both in their debut performances) deservedly shared<br />
the Best Actress prize at Cannes last year.<br />
Dir: Cristian Mungiu<br />
Romania / France / Belgium 2012 / 2h17m / Digital / 12A<br />
Romanian with English subtitles<br />
Mea Maxima Culpa:<br />
Silence in the House Of God<br />
Fri 29 March – Thu 4 April<br />
Oscar-winning documentary filmmaker Alex<br />
Gibney (Taxi to the Dark Side) tackles the<br />
uncompromising, silent facade of the Vatican<br />
and its response to claims of sexual abuse in<br />
this powerful new work. The film opens with the<br />
case of Father Lawrence Murphy, the director<br />
of St John’s School for the Deaf in Milwaukee.<br />
Four of his ex-pupils recall their numerous<br />
attempts to notify the Church and local<br />
authorities of the abuse they suffered at his<br />
hands while attending the school. Their early<br />
attempts to expose clerical abuse to local law<br />
agencies were met with scepticism and<br />
disregarded. Their repeated efforts to highlight<br />
their plight to Vatican authorities were met with<br />
a universal response of silence, secrecy and<br />
suppression.<br />
Gibney deftly moves from the microcosm of<br />
Milwaukee to explore a macrocosm of global<br />
clerical abuse, all serving to reveal a familiar<br />
pattern of concealment, vehement denial and<br />
on occasion reluctant admission. Through a<br />
number of interviews Gibney shows how the<br />
church conducts itself in the wake of<br />
accusations, tracing responses damningly<br />
upwards through the Vatican’s hierarchy of<br />
offices.<br />
This is a poignant, shocking film that<br />
demonstrates the power of the documentary<br />
form. Following the retirement of Pope<br />
Benedict XVI, Mea Maxima Culpa reveals the<br />
challenges his successor will face if he is to<br />
tackle the culture of silence and complicity<br />
within the Vatican.<br />
Dir: Alex Gibney<br />
USA 2012 / 1h46m / Digital / 15<br />
Senior Citizen Kane Club screening<br />
Thu 4 April, 10:30<br />
Tickets 01382 909 900 5
New Films<br />
Trance<br />
Fri 5 – Thu 18 April<br />
Danny Boyle has been busy since his last film<br />
127 Hours was released in 2010. He directed<br />
Frankenstein for the National Theatre as well as<br />
a small event you might have seen last summer:<br />
the opening ceremony of the Olympic Games.<br />
We’re glad to see him return to filmmaking with<br />
Trance, a slick thriller co-written by his long-time<br />
collaborator John Hodge (Shallow Grave,<br />
Trainspotting).<br />
Fine art auctioneer Simon (James McAvoy), in<br />
league with a gang led by underworld boss<br />
Franck (Vincent Cassel), plots the audacious theft<br />
of a masterpiece by Goya from a major public<br />
auction. When Simon double-crosses the gang<br />
during the robbery, Franck retaliates violently and<br />
knocks him unconscious. In the aftermath of the<br />
heist, Simon sticks sticks stubbornly to his claim<br />
that the violent trauma has left him with no<br />
memory of where he stashed the artwork. Unable<br />
to coerce the painting’s location from Simon,<br />
Franck and his associates reluctantly join forces<br />
with a charismatic hypnotherapist (Rosario<br />
Dawson) in a bid to get him to talk.<br />
Boyle doesn’t often put female characters at the<br />
heart of his films, so it’s refreshing to see such an<br />
important role for Rosario Dawson. Boyle’s<br />
trademark style – frenetic camera work, great<br />
soundtrack and sheer excitement – are all still<br />
there in abundance. A slick, elegant thriller, Trance<br />
is the perfect way to start the spring blockbuster<br />
season.<br />
Dir: Danny Boyle<br />
UK 2013 / 1h41m / Digital / 15<br />
Bring a Baby screening Thu 18 April, 10:30<br />
Soft subtitled screenings Mon 8 April, 20:30 &<br />
Tue 15 April, 15:15<br />
6 www.dca.org.uk<br />
In the House<br />
Dans la maison<br />
Fri 5 – Thu 18 April<br />
After the runaway success of Potiche two years ago, François<br />
Ozon (France’s answer to Pedro Almodóvar) is back with an<br />
intriguing new film about storytelling based on a play by Juan<br />
Mayorga (The Boy in the Back Row).<br />
World-weary literature professor Germain (The Women on the<br />
6th Floor’s Fabrice Luchini) discovers a wonderful pupil in his<br />
class. A routine ‘how I spent my weekend’ assignment by<br />
student Claude turns out to be a fascinating glimpse into the<br />
private life of one of Germain’s old school chums. When the<br />
story ends with the words ‘to be continued…’, Germain and<br />
his wife Jeanne (Kristin Scott Thomas), who has also read the<br />
story, are hooked. Hilarity ensues as the tales Claude spins<br />
become as addictive to the viewer as they do to the couple<br />
reading them.<br />
Filled with film references (amongst them Pasolini’s Theorum,<br />
which we’re showing on Sun 20 April – see p17 for details)<br />
and literary nods, In the House cleverly treads the dangerous<br />
line between fiction and reality. Buzzing with wit and<br />
intelligence, this is really something special and absolutely<br />
one of Ozon’s finest works to date.<br />
Dir: François Ozon<br />
France 2012 / 1h45m / Digital / 15<br />
French with English subtitles<br />
Senior Citizen Kane Club screening Thu 11 April, 10:30
Post Tenebras Lux<br />
Fri 5 – Thu 11 April<br />
This new film from director Carlos Reygadas<br />
(Battle in Heaven, Silent Light) won him the<br />
award for Best Director in Cannes last year. It’s<br />
a gorgeous, allusive masterpiece that examines<br />
marriage, poverty, class, gender, our place in<br />
nature and how evil lives with us in the most<br />
intimate and ordinary of places.<br />
The film is largely non-linear in its structure,<br />
showing instead a series of striking images<br />
from the past, present and possible futures, but<br />
it still has a clear centre. Juan (Adolfo Jiménez<br />
Castro) is a wealthy industrialist who has<br />
chosen to live with his wife and two children<br />
away from the trappings of wealth and the city.<br />
Yet isolation in this superficially idyllic rural<br />
landscape seems to have brought little peace<br />
to his world. Juan’s marriage to Natalia<br />
(Nathalia Acevedo) is suffering under the strain<br />
of sexual ennui, the banal routine of bringing up<br />
young children and living in a community where<br />
he is clearly an outsider.<br />
Post Tenebras Lux’s central theme, signposted<br />
quite literally in an audacious manner very early<br />
on, is Juan’s struggle to morally navigate the<br />
welter of everyday decisions we are all forced<br />
to make in life. However, what lingers long after<br />
this dense mood piece is not only its striking,<br />
much-discussed images, but also its take on<br />
the subtler aspects of family life, the tender<br />
fragility of childhood and marriage, and some<br />
of the most beautifully haunting representations<br />
of nature ever committed to film.<br />
Dir: Carlos Reygadas<br />
Mexico / France / Netherlands / Germany<br />
2012 / 2h / Digital / 18<br />
Spanish with English subtitles<br />
Good Vibrations<br />
Fri 12 – Thu 18 April<br />
Good Vibrations, an entertaining biopic of the ‘Godfather of<br />
Belfast Punk’ Terri Hooley, might tread some familiar territory for<br />
a music film – but it what it lacks in subtlety it more than makes<br />
up for in energy and enthusiasm. Fancy a feel-good night out at<br />
the pictures with some belly laughs and terrific tunes? This film is<br />
for you.<br />
The scene is 1970s Belfast at the height of the Troubles. Hooley<br />
(the charismatic Richard Dormer) is working as a pub DJ for a<br />
very uninterested audience. When he meets Ruth (Jodie<br />
Whittaker) and opens up his first record shop (the titular Good<br />
Vibrations) his life begins to improve. He becomes the manager<br />
of local punk band The Outcasts, whose success quickly leads<br />
to him managing another unknown group, The Undertones: the<br />
rest is history.<br />
Despite its subject matter of missed opportunities and gallons of<br />
cheap lager, this rags-to-riches-back-to-rags tale is wonderfully<br />
evocative of a period of music history which was ripe for<br />
cinematic treatment. The power of music in the middle of a war<br />
zone is nothing new, but Good Vibrations shines a light on the<br />
men and women who made life bearable during a period of<br />
extended conflict and depression. Without wanting to overplay<br />
the metaphors, you’ll leave with a smile on your face and a song<br />
in your heart.<br />
Dirs: Lisa Barros D'Sa, Glenn Leyburn<br />
UK / Ireland 2012 / 1h43m / Digital / 15<br />
Senior Citizen Kane Club screening Thu 18 April, 10:30<br />
Tickets 01382 909 900 7
New Films<br />
Neighbouring Sounds<br />
O som ao redor<br />
Fri 12 – Tue 16 April<br />
From the moment Neighbouring Sounds’<br />
opening credits start to roll, you’ll be aware<br />
that this is no ordinary feature film debut.<br />
Critic-turned-filmmaker Kleber Mendonça Filho<br />
is an audacious and extraordinary new voice in<br />
the cinema world.<br />
Accompanied by a cacophony of city sounds,<br />
the film opens with a montage of Brazil’s divided<br />
society, setting the stage for this epic, energetic,<br />
terrifying drama. The action takes place in the<br />
middle-class suburb of Recife, where rich and<br />
poor live and work side by side. Most of the<br />
area’s real estate is owned by Seu Francisco<br />
(W.J. Solha) who acts, along with his son João<br />
(Gustavo Jahn) as a powerful, but largely benign<br />
local ruler. When a series of burglaries start to<br />
spook the tenants, Francisco brings in security<br />
expert Clodoaldo (Irandhir Santos) and his gang<br />
of henchmen to calm the situation down. As we<br />
meet various residents, it soon becomes clear<br />
that these tower blocks are anything but normal<br />
and the colourful cast of characters who live in<br />
them are as idiosyncratic as the film itself.<br />
Utilising techniques learned from horror movies<br />
including rumbling low-level noise and effective,<br />
unexpected shocks, Filho’s anxiety-inducing style<br />
is perfectly suited to Neighbouring Sounds’<br />
desire to explore socio-political issues through a<br />
unique cinematic vision. This film truly is like<br />
nothing you’ve ever seen before.<br />
Dir: Kleber Mendonça Filho<br />
Brazil 2012 / 2h11m / Digital / 15<br />
Portuguese with English subtitles<br />
8 www.dca.org.uk<br />
A Late Quartet<br />
Fri 19 – Thu 25 April<br />
Director Yaron Zilberman has assembled a top calibre cast to<br />
tell this story about a group of classical musicians struggling<br />
with the onset of middle age. Zilberman skillfully dramatises a<br />
rarified world more often seen in documentary, set in New<br />
York during a snowy winter.<br />
An accomplished string quartet finds itself in jeopardy when<br />
the eldest of its number (Christopher Walken) is diagnosed<br />
with Parkinson’s disease. The discovery turns out to be a<br />
catalyst for the group to question their relationships, their<br />
hopes and their future. As roles within the group are<br />
challenged, so too are the personal choices of the characters.<br />
Unspoken conflicts come to the fore, the positions of first<br />
and second violin are contested, tempers are raised and<br />
passions (not just of the musical variety) are pursued.<br />
The tension that exists between the musicians is well<br />
observed and masterfully played. Philip Seymour Hoffman<br />
and Catherine Keener, as the married couple at the heart of<br />
the quartet, believably communicate the commitment and<br />
temperament needed to be first class performers, while<br />
Imogen Poots’ turn as the couple’s daughter signposts her as<br />
an actress to look out for in future. Christopher Walken’s<br />
honest performance in the film’s quiet crescendo is poignant<br />
and touching.<br />
Dir: Yaron Zilberman<br />
USA 2012 / 1h45m / Digital / 15<br />
Soft subtitled screening Tue 23 April, 15:45<br />
Bring a Baby Screening Thu 25 April, 10:30
Reality<br />
Mon 22 – Thu 25 April<br />
In 2008 Matteo Garrone burst onto the scene<br />
with Gommorah, his reinvention of the Sicilian<br />
gangster film as a naturalistic, almost<br />
documentary-style drama. With Reality he<br />
changes register completely and adopts an<br />
over-the-top style that seems to be channelling<br />
Fellini to look at the way an obsession with<br />
celebrity culture has shaped contemporary<br />
Italy.<br />
At the heart of Naples lives Luciano (Aniello<br />
Arena), a larger-than-life fishmonger whose<br />
exuberant personality has given him some<br />
special status in the community. Encouraged<br />
by his children, he auditions for the Italian<br />
version of Big Brother and in an instant becomes<br />
fixated on winning. Convinced that<br />
giving away his possessions (and those of his<br />
family) might give him a chance of winning,<br />
Luciano soon divorces himself from reality,<br />
losing sight of his friends, family and work in his<br />
desire to shape his fate and find fame and<br />
fortune.<br />
Arena, a semi-professional actor currently<br />
serving a life sentence for murder who was let<br />
out of prison for filming, is incredibly watchable<br />
as the man whose life is overturned by a<br />
chance at stardom. But as much as the film is a<br />
treatise on empty dreams, its real charm lies in<br />
the colourful community of family and friends<br />
who inhabit Luciano’s real world.<br />
Dir: Matteo Garrone<br />
Italy / France 2012 / 1h56m / Digital / 15<br />
Italian with English subtitles<br />
Senior Citizen Kane Club screening<br />
Thu 25 April, 10:30<br />
The Place Beyond The Pines<br />
Fri 19 April – Thu 2 May<br />
Reuniting with star Ryan Gosling after his emotionally crippling<br />
directorial debut Blue Valentine, director Derek Cianfrance ups<br />
the ante with The Place Beyond the Pines. This crime thriller<br />
stretches over multiple generations and co-stars Eva Mendes,<br />
Bradley Cooper, Rose Byrne and Dane DeHaan.<br />
Luke (Gosling) is a motorcycle stunt rider whose life is<br />
immediately changed when he re-connects with former flame<br />
Romina (Mendes) and discovers an infant son he didn’t know he<br />
had. Determined to provide for his newfound family, Luke<br />
ditches the stunts and instead turns to robbing banks, which<br />
puts him on a collision course with ambitious cop Avery Cross<br />
(Cooper).<br />
With a narrative that stretches over three acts, The Place Beyond<br />
the Pines is far more ambitious in scope that Blue Valentine, yet<br />
equally as gripping and wrought with emotion. Much of this is to<br />
do with its central theme of relationships and how sins are<br />
passed from generation to generation, providing a connection<br />
between each of the characters.<br />
Gosling, as usual, is on top form as Luke, while Cooper plays the<br />
ambiguous Avery with a subtle finesse that continues his growth<br />
as an actor. But the real skill lies with Cianfrance, who not only<br />
directs with flair, but also carves a narrative with depth, heart<br />
and some truly unexpected twists and turns.<br />
Dir: Derek Cianfrance<br />
USA 2012 / 2h16m / Digital / 15<br />
Bring a Baby screening Thu 2 May, 10:30<br />
Tickets 01382 909 900 9
New Films<br />
Spring Breakers<br />
Fri 19 – Thu 25 April<br />
Boundary-pushing American writer and director<br />
Harmony Korine (Gummo, Julien Donkey-Boy)<br />
returns with Spring Breakers. In it he not only taps<br />
into the undercurrent of modern day society’s<br />
idea of the American Dream, but also lets his<br />
audience experience the wildest, most extreme<br />
spring break of their fantasies.<br />
Four experimental college girls – Brit (Ashley<br />
Benson), Candy (Vanessa Hudgens), Cotty<br />
(Rachel Korine) and Faith (Selena Gomez, former<br />
Disney sweetheart) – steal from their local<br />
chicken shop and embark on the ultimate spring<br />
break in Florida. After a heavy night of alcohol<br />
and drugs sends them to prison, they’re bailed<br />
out by local gangster-cum-rapper Alien (James<br />
Franco), who promises them a trip they’ll never<br />
forget.<br />
Light on narrative but full of visual excess and<br />
substance abuse (there’s no wonder it’s an 18<br />
certificate), Spring Breakers finds Korine<br />
constantly pushing and pulling his audience into<br />
uncomfortable areas by blurring the boundaries<br />
between what’s fun and what’s damaging. It’s an<br />
insight into the dark side of a party-hard, sex<br />
obsessed youth generation.<br />
Yet it’s not to be taken too seriously, and<br />
continually mocks itself. If you’re willing to throw<br />
caution to the wind and put yourself under<br />
Korine’s hypnotic spell, then Spring Breakers<br />
is ludicrously entertaining 94 minute party.<br />
It’s one not to be missed.<br />
Dir: Harmony Korine<br />
USA 2012 / 1h34m / Digital / 18<br />
10 www.dca.org.uk<br />
Rebellion<br />
L’ordre et la morale<br />
Fri 26 April – Thu 2 May<br />
Just as he did with his debut film La Haine, Mathieu Kassovitz<br />
has once again produced a strong, hard-hitting film which<br />
sheds light on a controversial subject in France today. This<br />
time his focus is on the role and responsibilities of the military<br />
in former colonial states. Rebellion is based on a book by<br />
one of the soldiers at the heart of the story: its French title<br />
translates as Order and Morality and makes ironic reference<br />
to the part played by powerful nations in unknown wars.<br />
In 1988, a group of indigenous Kanaks storms a police station<br />
on Ouvea, one of the Pacific islands that make up New<br />
Caledonia, officially a French territory. They kill four gendarmes<br />
and take 20 hostages. A team of elite police from the GIGN<br />
Intervention Group, led by specialist negotiator Capitaine<br />
Legorjus (Kassovitz), flies to the islands. However, by the time<br />
they arrive the mission has been given to the army, who<br />
have orders to end the uprising quickly, using any means<br />
necessary. The French presidential elections are underway<br />
and neither of the competing candidates, Jaques Chirac<br />
and Francois Mitterand, wants to look weak.<br />
A deeply personal project for Kassovitz, who spent years<br />
gaining consent from the families of those killed in the<br />
operation, Rebellion is a superb film. Thought-provoking and<br />
unforgettable, it exposes the lack of respect and concern<br />
shown by those in power for the lives affected by political<br />
decisions made on distant shores.<br />
Dir: Mathieu Kassovitz<br />
France 2013 / 2h16m / Digital / 15<br />
French with English subtitles
Love Is All You Need<br />
Den skaldede frisør<br />
Fri 26 April – Thu 2 May<br />
On paper Susanne Bier's new film sounds like it might be a<br />
euro pudding mess (a Danish romantic comedy starring<br />
Pierce Brosnan) but in fact it is a very likeable, warm and funny<br />
film about love and starting over.<br />
Hairdresser Ida (Trine Dyrholm) returns home after being<br />
given the all clear from her recent battle with cancer to find<br />
her husband Leif (The Bridge’s Kim Bodnia) engaged in a<br />
non-work related activity with a colleague on the living room<br />
sofa. Devastated, she sets out to attend her daughter’s<br />
wedding in Italy alone. When she runs (literally) into her<br />
soon-to-be-son-in-law’s father Phillip (Brosnan) at the airport,<br />
things seem to go from bad to worse. But despite his gruff<br />
exterior, Phillip turns out to be just the friend she might need.<br />
In turn, Ida’s strength and compassion spark something in him<br />
which has been dormant for many years.<br />
While the plot might seem predictable and the initial sight of<br />
Brosnan in a Danish-speaking environment somewhat hilarious,<br />
Love Is All You Need is also multi-layered and unexpectedly<br />
moving. If you fancy a life-affirming film set against the beautiful<br />
backdrop of Sorrento which doesn't condescend to its<br />
audience, this bittersweet comedy is just the ticket.<br />
Dir: Susanne Bier<br />
Denmark / Sweden / Italy / France / Germany 2012 / 1h56m /<br />
Digital / 15<br />
Danish & Italian with English subtitles<br />
Senior Citizen Kane Club screening Thu 2 May, 10:30<br />
Thursday Till Sunday<br />
De jueves a domingo<br />
Mon 29 April – Thu 2 May<br />
The Chilean film industry is going from strength<br />
to strength at the moment: following closely on<br />
the heels of Pablo Larraín’s No, which featured<br />
in our last guide, we are delighted to bring you<br />
this understated gem. Writer-director Dominga<br />
Sotomayor’s debut feature is very different in<br />
tone to No and uses an ordinary camping<br />
holiday to explore the drama of family life.<br />
Set almost entirely within the confines of the<br />
family car, the film focuses on ten year-old<br />
Lucia (Santi Ahumada), our witness as we<br />
travel through the Chilean landscape from<br />
Santiago to her family’s vacation spot in the<br />
north. As tensions mount between her parents<br />
in the front seats, Lucia's intelligent and<br />
sensitive response devastatingly captures the<br />
effect a marital breakup can have on children.<br />
Sotomayor’s quietly poignant coming-of-age<br />
story is a universal one anchored by an<br />
astonishing performance by the young<br />
Ahumada. Stunningly shot by cinematographer<br />
Bárbara Álvarez (The Headless Woman), the<br />
deserted landscape is the perfect backdrop<br />
for this beautifully measured story exploring<br />
the turmoil of family relationships.<br />
Dir: Dominga Sotomayor Castillo<br />
Chile / Netherlands 2012 / 1h36m / Digital /<br />
cert tbc<br />
Spanish & French with English subtitles<br />
Tickets 01382 909 900 11
diary<br />
Day / Film<br />
Fri 29 March<br />
Times<br />
Finding Nemo 3D 12:00/14:15/16:30/18:00<br />
Beyond the Hills 12:30/20:15<br />
Mea Maxima Culpa 15:30<br />
Side Effects 18:30/20:45<br />
Sat 30 March<br />
Beyond the Hills 12:30/20:15<br />
Finding Nemo 3D 13:00/15:15/18:00<br />
Mea Maxima Culpa 15:30<br />
Judge Minty 18:00<br />
DeeCAP! 19:00<br />
Side Effects 20:45<br />
Sun 31 March<br />
Finding Nemo 3D 10:30/12:00/14:15/16:30<br />
Mea Maxima Culpa 12:45<br />
The Gospel According to St. Matthew 15:00<br />
Beyond the Hills 17:45/20:45<br />
Side Effects 18:30/20:45<br />
Mon 1 April<br />
Finding Nemo 3D 12:00/14:15/15:30/16:30<br />
Mea Maxima Culpa 12:30/18:00<br />
Side Effects 18:30/20:45<br />
Beyond the Hills 20:15<br />
Tue 2 April<br />
Finding Nemo 3D 12:00/14:15/15:30/16:30<br />
Beyond the Hills 12:30/17:45<br />
Side Effects 18:30/20:45<br />
Mea Maxima Culpa 20:45<br />
Wed 3 April<br />
Finding Nemo 3D 12:00/14:15/15:30/16:30<br />
Mea Maxima Culpa 13:00/18:00<br />
Side Effects 18:30/20:45<br />
Beyond the Hills 20:15<br />
Thu 4 April<br />
Mea Maxima Culpa 10:30/13:00/18:00<br />
Finding Nemo 3D 12:00/14:15/15:30/16:30<br />
Side Effects 18:30/20:45<br />
Beyond the Hills 20:15<br />
Fri 5 April<br />
Finding Nemo 3D 12:00/15:45<br />
In the House 13:15/18:00<br />
Trance 14:15/18:30/20:45<br />
The Spirit of ’45 16:15<br />
Post Tenebras Lux 20:15<br />
Sat 6 April<br />
Finding Nemo 3D 12:00/15:45<br />
Post Tenebras Lux 13:15/20:15<br />
Trance 14:15/20:45<br />
In the House 16:15/18:30<br />
The Spirit of ’45 18:00<br />
12 www.dca.org.uk<br />
Key<br />
Bring a Baby screening<br />
Senior Citizen Kane Club screening<br />
Performance Screening<br />
Discovery Family Film Club<br />
Soft Subtitled screening<br />
Day / Film<br />
Sun 7 April<br />
Times<br />
Finding Nemo 3D 10:30/12:30/15:30<br />
Trance 10:30/14:45/18:00<br />
The Spirit of ‘45 13:00<br />
Post Tenebras Lux 17:45<br />
<strong>Cinema</strong> Republic: Shallow Grave 20:15<br />
In the House 20:30<br />
Mon 8 April<br />
Finding Nemo 3D 12:00/15:30/18:15<br />
Post Tenebras Lux 13:00/20:15<br />
Trance 14:15/20:30<br />
In the House 16:15/18:00<br />
Tue 9 April<br />
Finding Nemo 3D 12:00/15:30/18:15<br />
In the House 13:00/16:15<br />
Trance 14:15/20:30<br />
Side by Side 18:00<br />
Post Tenebras Lux 20:00<br />
Wed 10 April<br />
Finding Nemo 3D 12:00/15:30/18:15<br />
Post Tenebras Lux 13:00<br />
Trance 14:15/20:30<br />
In the House 16:15/20:00<br />
Babeldom 18:00<br />
Thu 11 April<br />
In the House 10:30/20:30<br />
Finding Nemo 3D 10:30/12:30/15:30/17:00<br />
Babeldom 13:00<br />
Trance 14:30/21:00<br />
Post Tenebras Lux 18:00<br />
Manet: Portraying Life 19:00<br />
Fri 12 April<br />
In the House 13:00/18:00<br />
Neighbouring Sounds 13:15/20:15<br />
Trance 15:15/20:30<br />
Babeldom 16:00<br />
Good Vibrations 18:00<br />
Sat 13 April<br />
In the House 13:00/18:00<br />
The Wizard of Oz 13:00<br />
Trance 15:15/20:30<br />
Neighbouring Sounds 15:15/20:15<br />
Good Vibrations 18:00<br />
Sun 14 April<br />
In the House 13:00/18:00<br />
Neighbouring Sounds 13:15/20:15<br />
Trance 15:15/20:30<br />
Point Blank 16:00<br />
Good Vibrations 18:00
Day / Film<br />
Mon 15 April<br />
Times<br />
In the House 13:00/18:00<br />
Neighbouring Sounds 13:15/18:00<br />
Trance 15:15/20:30<br />
Good Vibrations 15:45/20:45<br />
Tue 16 April<br />
In the House 13:00/18:00<br />
The Road: A Story of Life and Death 13:00/19:30<br />
Good Vibrations 14:45/21:15<br />
Trance 15:15/20:30<br />
Neighbouring Sounds 17:00<br />
Wed 17 April<br />
In the House 13:00/18:00<br />
Good Vibrations 13:15/15:30/20:15<br />
Trance 15:15/20:30<br />
Dormant Beauty 18:00<br />
Thu 18 April<br />
Good Vibrations 10:30/13:15/15:30/20:15<br />
Trance 10:30/15:15/20:30<br />
In the House 13:00/18:00<br />
Me and You 18:00<br />
Fri 19 April<br />
A Late Quartet 13:00/18:00<br />
Spring Breakers 13:00/15:15/20:30<br />
The Place Beyond the Pines 15:15/20:15<br />
Every Blessed Day 18:00<br />
Sat 20 April<br />
A Late Quartet 13:00/18:00<br />
Stromboli 13:15<br />
The Place Beyond the Pines 15:15/20:30<br />
Theorum 15:30<br />
Nina 18:00<br />
Spring Breakers 19:45<br />
Maniac 21:45<br />
Sun 21 April<br />
A Late Quartet 10:30/15:45/18:00<br />
The Place Beyond the Pines 10:30/13:00/15:15/20:15<br />
Spring Breakers 13:15/20:00<br />
The Son Did It 18:00<br />
Mon 22 April<br />
A Late Quartet 13:00/18:00<br />
Reality 13:15/18:00<br />
The Place Beyond the Pines 15:15/20:15<br />
Spring Breakers 15:45/20:30<br />
Tue 23 April<br />
The Place Beyond the Pines 13:00/18:00<br />
Reality 13:15/18:00<br />
A Late Quartet 15:45/20:45<br />
Spring Breakers 15:45/20:30<br />
Wed 24 April<br />
The Place Beyond the Pines 13:00/18:00<br />
Reality 13:15/18:00<br />
A Late Quartet 15:45/20:45<br />
Spring Breakers 15:45/20:30<br />
Day / Film<br />
Thu 25 April<br />
Times<br />
A Late Quartet 10:30/13:00/18:00<br />
Reality 10:30/14:45/17:00<br />
2013 Bafta Shorts 12:45/19:15<br />
The Place Beyond the Pines 15:15/20:15<br />
Spring Breakers 21:15<br />
Fri 26 April<br />
The Place Beyond the Pines 12:30/18:00<br />
First Position 13:00/18:00<br />
Rebellion 15:15/20:45<br />
Love Is All You Need 15:30/20:00<br />
Sat 27 April<br />
The Place Beyond the Pines 12:00/18:15<br />
Oz the Great and Powerful 13:00<br />
First Position 14:45<br />
Rebellion 15:30/21:45<br />
Live from the Met: Giulio Cesare 17:00<br />
Love Is All You Need 21:00<br />
Sun 28 April<br />
First Position 10:30/13:15/18:00<br />
Rebellion 10:30/15:15/20:45<br />
The Place Beyond the Pines 12:30/18:00<br />
Love Is All You Need 15:30/20:00<br />
Mon 29 April<br />
Rebellion 12:30/18:00<br />
Thursday Till Sunday 13:00/18:00<br />
The Place Beyond the Pines 15:15/20:45<br />
Love Is All You Need 15:30/20:00<br />
Tue 30 April<br />
Rebellion 12:30/18:00<br />
Thursday Till Sunday 13:00/18:00<br />
The Place Beyond the Pines 15:15/20:45<br />
Love Is All You Need 15:30/20:00<br />
Wed 1 May<br />
The Place Beyond the Pines 12:30/18:00<br />
Love Is All You Need 13:00/18:00<br />
Rebellion 15:15/20:45<br />
Thursday Till Sunday 15:30/20:00<br />
Thu 2 May<br />
Love Is All You Need 10:30/13:15/18:00<br />
The Place Beyond the Pines 10:30/12:30/18:00<br />
Rebellion 15:15/20:45<br />
Thursday Till Sunday 15:45/20:30<br />
Tickets 01382 909 900 13
Documentary<br />
The Spirit of ‘45<br />
Fri 5 – Sun 7 April<br />
Ken Loach’s touching documentary about a unique moment<br />
in Britain’s history returns to DCA by popular demand. Using<br />
film from Britain’s regional and national archives, alongside<br />
sound recordings and contemporary interviews, Loach<br />
creates a rich political and social narrative about the<br />
unprecedented period of social change after the Second<br />
World War. The Spirit of ‘45 illuminates and celebrates a<br />
period of unprecedented community spirit in the UK, the<br />
impact of which endured for many years and which may<br />
yet be rediscovered today.<br />
Dir: Ken Loach<br />
USA 2012 / 1h30m / Digital / U<br />
The Road: A Story of Life<br />
and Death<br />
Tue 16 April<br />
The latest film from acclaimed documentarian Marc Isaacs<br />
offers a fascinating and intimate insight into the lives of<br />
people who have come to London from afar and struggled to<br />
make the city their home. Isaacs introduces a diverse group<br />
of characters who have made their way to London from all<br />
over the world in order to seek a better life. A highly affecting<br />
study of immigration, The Road: A Story of Life and Death is<br />
infused with wonderful flashes of humour and equally<br />
heartbreaking moments where broken dreams are revealed.<br />
Dir: Marc Isaacs<br />
UK 2012 / 1h28m / Digital / PG<br />
14 www.dca.org.uk<br />
Join us for a free tour of DCA’s Projection Room<br />
before or after Side by Side to see how the <strong>Cinema</strong>’s<br />
magic happens. Find out more on our website.<br />
Side by Side<br />
Tue 9 April, 18:00<br />
Movies used to be shot, edited and projected using<br />
photochemical film. But over the last two decades a digital<br />
process has emerged to challenge photochemical<br />
filmmaking. Side by Side, a new documentary produced by<br />
Keanu Reeves, takes an in-depth look at this revolution.<br />
Through interviews with leading directors (including Martin<br />
Scorsese and George Lucas), cinematographers, film<br />
students, producers, technologists and editors, the film<br />
examines all aspects of filmmaking to explore what has<br />
been gained, what is lost, and what the future might bring.<br />
Dir: Christopher Kenneally<br />
USA 2012 / 1h39m / Digital / 15<br />
First Position<br />
Fri 26 – Sun 28 April<br />
Every year, thousands of aspiring dancers enter one of the<br />
world’s most prestigious ballet competitions: the Youth<br />
America Grand Prix, where lifelong dreams are at stake. In<br />
the final round, with hundreds competing for only a handful<br />
of elite scholarships and contracts, nothing short of<br />
perfection is acceptable. Bess Kargman’s award-winning,<br />
box office hit documentary First Position follows six<br />
extraordinary dancers as they prepare for the chance to<br />
enter the world of professional ballet, struggling through<br />
bloodied feet, near exhaustion and debilitating injuries, all<br />
while navigating the drama of adolescence.<br />
Dir: Bess Kargman<br />
USA 2011 / 1h34m / Digital / U
Discovery Family Film Club<br />
Tickets are £4.50 for under 21s / £5.50 for adults, or a family ticket for four costs £15. Workshops are free<br />
with your cinema ticket, but places are limited so please book in advance on 01382 909 900. Children under<br />
the age of 12 must be accompanied in the <strong>Cinema</strong> by a parent or guardian.<br />
Finding Nemo 3D<br />
Sat 30 March, 13:00<br />
Little Nemo is a clownfish who is<br />
starting his first day of school.<br />
Despite his over-protective dad Marlin<br />
watching cautiously nearby, Nemo<br />
is kidnapped and forced on an<br />
unexpected journey of survival.<br />
He is helped along the way by some<br />
unexpected friends, including a nosy<br />
pelican and Bruce, a very large shark.<br />
Marlin teams up with the<br />
scatterbrained Dory as he desperately<br />
searches for his son across Australia’s<br />
Great Barrier Reef.<br />
You’ll be entranced by the beautiful<br />
sea colours and creatures as much as<br />
the heart-warming story at the core of<br />
Finding Nemo. Told with action and<br />
excitement suitable for the whole<br />
family, the film also features some of<br />
the best voice work since Toy Story<br />
with a cast including Albert Brooks,<br />
Geoffrey Rush, Barry Humphries (aka<br />
Dame Edna Everage), Ellen DeGeneres<br />
and Willem Dafoe.<br />
Dirs: Andrew Stanton, Lee Unkrich<br />
USA 2003 / 1h40m / Digital 3D / U<br />
Workshop: 12:00<br />
Help create an underwater mural<br />
filled with creatures of your own<br />
design, then help yourself in our<br />
very own fishy takeaway!<br />
The Wizard Of Oz<br />
Sat 13 April, 13:00<br />
Although it’s over 70 years old, The<br />
Wizard of Oz remains one of the great<br />
family films of all time, and returns to<br />
DCA in a sparkling, digitally restored<br />
version that puts the ruby well and<br />
truly back into those famous slippers.<br />
Based on L. Frank Baum’s fantastical<br />
novel, the film sees Dorothy whirled<br />
up by a terrifying tornado from a<br />
colourless farm in Kansas and<br />
transported to the magical world of<br />
Oz. During her travels, Dorothy meets<br />
scatterbrained scarecrows, heartless<br />
tin men and cowardly lions (as well as<br />
a very green witch) and learns the<br />
important lesson that there is indeed<br />
“no place like home”.<br />
Winner of a recent Discovery Film<br />
Festival poll for Dundee’s favourite<br />
family film, The Wizard of Oz is a great<br />
opportunity to refresh some memories<br />
ahead of our forthcoming screening of<br />
the new Disney film Oz the Great and<br />
Powerful.<br />
Dir: Victor Fleming<br />
USA 1939 / 1h41m / Digital / U<br />
Workshop: 12:00<br />
Who will you take with you down<br />
the Yellow Brick Road? Create and<br />
design your own group of brave<br />
friends to travel with you to the<br />
magical land of Oz.<br />
Oz the Great and<br />
Powerful 3D<br />
Sat 27 April, 13:00<br />
Audiences are now very familiar with<br />
Dorothy’s arrival and adventures in the<br />
land of Oz – but how did the Wizard get<br />
there?<br />
Director Sam Raimi (Spider-Man) goes<br />
back to the original L. Frank Baum<br />
stories to show how Oscar Diggs<br />
(James Franco), a small time-circus<br />
magician, suffers a similar twist of fate<br />
to Dorothy, taking him from Kansas to<br />
Oz. He soon finds plenty of<br />
opportunities for fame and fortune as<br />
everyone thinks he is a famous wizard<br />
whose arrival had been foretold. But<br />
three witches, Theodora (Mila Kunis),<br />
Evanora (Rachel Weisz), and Glinda<br />
(Michelle Williams), are suspicious and<br />
it will take all his magician’s skills to<br />
survive in this new world.<br />
Using the best of modern technology,<br />
Raimi creates a fantasy land full of<br />
towering waterfalls, lush forests and a<br />
truly Emerald City, whilst not forgetting<br />
the magic of the earlier film. It’s not a<br />
remake but a prequel – and following<br />
the yellow brick road is still a journey<br />
worth making!<br />
Dir: Sam Raimi<br />
USA 2013 / 2h10m / Digital 3D / PG<br />
Workshop: 12:00<br />
Create a wonderful world of magic<br />
and make your own wizard effects<br />
by transforming tiny puppets into<br />
huge shadow creatures on the big<br />
screen!<br />
Tickets 01382 909 900 15
Performance Screenings<br />
Live from the Met:<br />
Giulio Cesare<br />
Manet: Portraying Life<br />
Thu 11 April, 19:00<br />
This acclaimed exhibition at the Royal Academy of Arts<br />
is the first ever major exhibition in the UK devoted to<br />
the portraiture of Edouard Manet. Spanning the entire<br />
career of this enigmatic, sometimes controversial artist,<br />
Manet: Portraying Life brings together great works from<br />
across Europe, Asia and the USA.<br />
The exhibition consists of more than 50 works;<br />
including masterpices like Music in the Tuileries,<br />
Olympia, Luncheon on the Grass and The Railway. Also<br />
featured are portraits of Manet’s most frequent sitter,<br />
his wife Suzanne Leenhoff, luminaries of the period and<br />
scenes from everyday life revealing Manet’s forwardthinking,<br />
modern approach to portraiture. Host Tim<br />
Marlow, along with expert guests, will explore the<br />
exhibition and reveal exclusive behind-the-scenes<br />
moments from the run-up to the show. This footage<br />
will be interweaved with a detailed, superbly crafted<br />
biography of Manet and 19th century Paris.<br />
Approximate running time: 2h<br />
16 www.dca.org.uk<br />
Sat 27 April, 17:00<br />
Manet: Portraying Life £12 (£10 under 15s) Met Opera £20 (£10 under 21s)<br />
David McVicar’s second new production of the season<br />
is this dynamic staging of Giulio Cesare, a hit at the<br />
Glyndebourne Festival in 2005, which incorporates<br />
elements of Baroque theatre and 19th century British<br />
imperialism to illuminate the opera’s themes of love, war<br />
and empire building.<br />
“Giulio Cesare is a kaleidoscope of an opera – a semicomic,<br />
semi-tragic adventure story. You get romance, you<br />
get drama, you get moments of political wheeling-anddealing,<br />
complex family relationships – as well as real<br />
emotion and tragedy,” McVicar says. “It’s a miracle, and it<br />
has enabled me to express everything I feel is important<br />
about opera.” David Daniels stars as the title character,<br />
opposite Natalie Dessay in her Met role debut as the<br />
bewitching Cleopatra, Alice Coote as Sesto, Patricia<br />
Bardon as Cornelia, Christophe Dumaux as Tolomeo,<br />
and Guido Loconsolo in his Met debut as Achilla.<br />
Approximate running time: 4h45m<br />
New Live from the Met Season Announced<br />
From timeless classics of the romantic repertoire to fairytale adventures<br />
and a satirical story about literally cutting off your nose to spite your face,<br />
the 2013–14 season of Live from the Met promises to be another<br />
glittering showcase of world-class opera. Starting in October with a new<br />
production of Russian classic Eugene Onegin by acclaimed director<br />
Deborah Warner, the ten performances include a chance to see an<br />
innovative production of Shostakovich’s The Nose; Renée Fleming in<br />
Rusalka, one of her greatest roles; a new production of Werther by British<br />
director Richard Eyre starring Jonas Kauffman; and Franco Zefirelli’s<br />
much-loved production of La Boheme. Tickets for the season will go on<br />
sale in April; keep an eye on our website for news and updates.
Vintage film<br />
The Gospel According<br />
to St. Matthew<br />
Il vangelo secondo Matteo<br />
Sun 31 March, 15:00<br />
Pasolini remains one of the most<br />
controversial figures in post-war Italian<br />
culture, and an artist of fascinating<br />
contradictions. He was a Marxist<br />
atheist who was thrown out of the<br />
Communist party and attacked more<br />
than once by the Catholic Church. Yet<br />
he is also responsible for The Gospel<br />
According to St. Matthew, which even<br />
the Vatican has named the greatest of<br />
all films about Christ. Shooting on<br />
location in Southern Italy, using nonprofessional<br />
actors and eschewing<br />
special effects, Pasolini strips the story<br />
down to its essentials, avoids the false<br />
piety of Hollywood biblical epics, and<br />
presents Christ as an angry,<br />
revolutionary figure. But this is also a<br />
film about 2,000 years of artistic<br />
representations of Christ, and it is<br />
saturated in references to religious<br />
paintings, from Giotto to Georges<br />
Rouault, and features a stunning score<br />
of spiritual music, from Bach to<br />
African-American spirituals. One of the<br />
great achievements of Italian film.<br />
Dir: Pier Paolo Pasolini<br />
Italy / France 1964 / 2h17m / Digital /<br />
PG<br />
Italian with English subtitles<br />
Point Blank<br />
Sun 14 April, 16:00<br />
It is hard to imagine that Point Blank<br />
was dismissed by many upon its<br />
initial release as a straightforward<br />
crime film. The story – which was later<br />
filmed as Payback and the upcoming<br />
Jason Statham vehicle, Parker – is<br />
admittedly the stuff of hardboiled pulp:<br />
a thief is double crossed and left to die<br />
but returns to regain his lost money.<br />
However, the telling of the tale is<br />
anything but conventional. Director<br />
John Boorman presents us with a kind<br />
of surreal dream (with hints that the<br />
protagonist may in fact be dead),<br />
complete with experimental use of<br />
flashbacks, extraordinary sets and<br />
otherworldly LA locations. And then<br />
there is Lee Marvin’s monumental<br />
central performance, which neither Mel<br />
Gibson or the Stath can come within a<br />
million miles of replicating. There’s no<br />
doubt about it: Point Blank is a<br />
masterpiece.<br />
Dir: John Boorman<br />
USA 1967 / 1h34m / 35mm / 15<br />
Theorum<br />
Sat 20 April, 15:30<br />
The dark flip-side to The Gospel<br />
According to St. Matthew, Theorum<br />
sees Terrence Stamp on tremendous<br />
form as a messianic (or demonic)<br />
figure who mysteriously ingratiates<br />
himself with a wealthy Italian family,<br />
seduces everyone under the roof and<br />
then leaves as quickly as he came.<br />
Pasolini was a uniquely divisive<br />
filmmaker and this sees him at his<br />
most provocative. The film was<br />
derided in some circles as<br />
blasphemous, while others have<br />
viewed it as a highly moral<br />
commentary on the decadence of the<br />
1960s. Similarly, some have seen the<br />
film as being wilfully obscure and even<br />
incomprehensible; yet the film, with its<br />
often surreal imagery, was also<br />
embraced by the hippy generation as<br />
a prime example of expanded<br />
consciousness cinema. However you<br />
read it, Pasolini’s allegorical fable<br />
remains a uniquely strange and<br />
enigmatic experience, but it is never<br />
less than compelling, and it will leave<br />
you thinking about it for days.<br />
Dir: Pier Paolo Pasolini<br />
Italy 1968 / 1h45m / Digital / 15<br />
English and Italian with<br />
English subtitles<br />
Tickets 01382 909 900 17
Benvenuti to the 20th edition of the Italian Film Festival, curated by Allan Hunter and Richard Mowe: this<br />
year we bring you six screenings covering everything from contemporary romance to timeless classics.<br />
Throughout the festival Jute Café Bar are offering special bruschetta sharing boards for £10 or for £15<br />
with two glasses of Pinot Grigio.<br />
Dormant Beauty<br />
Bella addormentata<br />
Wed 17 April, 18:00<br />
The case of Eluana Englaro became<br />
a lightning rod for the debate about<br />
euthanasia in Italy. Englaro was<br />
injured in a car accident and spent<br />
17 years in a vegetative state as her<br />
father fought a legal battle to end her<br />
life. Marco Bellocchio's complex,<br />
compelling feature<br />
explores the case and its<br />
implications through three fictional<br />
stories: a senator grapples with his<br />
conscience before a crucial<br />
parliamentary vote on the right to life;<br />
a devoutly Catholic actress<br />
abandons her career to care for her<br />
stricken child and a methadone<br />
addict begs to end her life as a<br />
doctor strives to sustain it. A chilly<br />
Isabelle Huppert, Toni Servillo and a<br />
wonderfully lugubrious Roberto<br />
Herlitzka head an impressive cast in<br />
a powerful, thought-provoking<br />
reflection on matters of life and<br />
death.<br />
Dir: Marco Bellocchio<br />
Italy 2012 / 1h50m / Digital / 15<br />
Italian with English subtitles<br />
18 www.dca.org.uk<br />
Me and You<br />
Io e te<br />
Thu 18 April, 18:00<br />
It has been almost a decade since<br />
Bernardo Bertolucci’s last film, but<br />
Me and You shows that the great<br />
Italian auteur has lost none of his<br />
mastery. Lorenzo (Jacopo Olmo<br />
Antinori) is a 14 year-old wrestling<br />
with his self-consciousness through<br />
sessions with his therapist and<br />
mother. In a striking show of<br />
independence, he decides to skip a<br />
week-long class ski trip and hole up<br />
alone in the family’s storage<br />
basement. However, Lorenzo’s<br />
dream of a week of solitary escape<br />
is interrupted by the unexpected<br />
appearance of his half-sister Olivia<br />
(Tea Falco), who discovers his<br />
hideout while rummaging around in<br />
the cellar. Though Olivia vows to<br />
keep Lorenzo’s secret safe, she also<br />
brings a new set of complications<br />
into this strange situation: she is a<br />
junkie who has decided it’s time to<br />
go cold turkey.<br />
Dir: Bernardo Bertolucci<br />
Italy 2012 / 1h43m / Digital / 15<br />
Italian with English subtitles<br />
Every Blessed Day<br />
Tutti i santi giorni<br />
Fri 19 April, 18:00<br />
Paulo Virzi's delightful romantic<br />
comedy has been a huge box office<br />
hit in Italy and helped to establish<br />
Luca Marinelli as one of the country's<br />
rising stars. Marinelli plays Guido, a<br />
shy, unassuming intellectual who<br />
works as a night porter in Rome. He<br />
is besotted with Antonia, a restless,<br />
unpredictable young woman who<br />
dreams of becoming a singer and<br />
works for a car rental company. Jobs<br />
and lifestyles mean they only see<br />
each other early in the morning as<br />
Guido returns from work and<br />
prepares breakfast. They are a<br />
perfectly happy couple until they<br />
decide that the one thing that would<br />
make their lives complete is a baby.<br />
A tender, touching comedy unfolds,<br />
made all the more appealing by its<br />
fairytale feel and talented cast.<br />
Dir: Paolo Virzi<br />
Italy 2012 / 1h42m / Digital / 15<br />
Italian with English subtitles
Stromboli<br />
Sat 20 April, 13:15<br />
Sadly, Stromboli is best known as<br />
the film which lured Ingrid Bergman<br />
from Hollywood and marked the<br />
beginning of her tempestuous affair<br />
with director Roberto Rossellini. The<br />
perceived immorality of the couple<br />
prompted the American distributors<br />
to mutilate the film. However, shown<br />
in its original form as it is here, this is<br />
clearly a major work which is ripe for<br />
rediscovery. The plot is simple: a<br />
wartime refugee marries an Italian<br />
fisherman but finds life with him on a<br />
volcanic island difficult. However, the<br />
film’s brilliance lies in its naturalistic<br />
details, including a superb sequence<br />
depicting the fishermen at work; the<br />
unadorned dialogue, which often<br />
grew out of improvisation; the<br />
superb performances, with Bergman<br />
working brilliantly with a cast of nonprofessionals;<br />
and the potent<br />
symbolism of the volcano, which<br />
towers over the film. Moreover, far<br />
from being immoral, this is one of the<br />
great films about the spiritual quests<br />
of ordinary people.<br />
Dir: Roberto Rossellini<br />
Italy 1950 / 1h21m / Digital / 15<br />
Italian with English subtitles<br />
Nina<br />
Sat 20 April, 18:00<br />
Elisa Fuksas' much-admired debut<br />
feature provides a plum role for<br />
Diane Fleri as Nina, a lost soul<br />
drifting through life in a sun-bleached<br />
Rome that everyone else has<br />
abandoned for the summer. Nina<br />
has agreed to spend the sweltering<br />
months house-sitting a friend's<br />
apartment and caring for his<br />
hamster, aquarium and depressed<br />
dog. She has no plans, no<br />
relationship and no great ambitions<br />
other than a desire to visit China. As<br />
she strolls the streets, whizzes<br />
around on a vespa and satisfies her<br />
sweet tooth, Nina's niggling<br />
existential angst makes her the<br />
modern equivalent of a character in<br />
an Antonioni film. Her friendship with<br />
10 year-old Ettore and the<br />
acquisition of an admirer in shaggyhaired<br />
cellist Fabrizio set her on the<br />
road to a summer she will never<br />
forget.<br />
Dir: Elisa Fuksas<br />
Italy 2012 / 1h20m / Digital / 15<br />
Italian with English subtitles<br />
The Son Did It<br />
È stato il figlio<br />
Sun 21 April, 18:00<br />
Daniele Cipri's rowdy, bittersweet<br />
comedy is like a cross between<br />
Shameless and exuberant grand<br />
opera as it charts the life of the<br />
spectacularly dysfunctional Ciraulo<br />
family. Toni Servillo is on top form as<br />
the head of a clan struggling to<br />
survive in the crumbling ruins of a<br />
housing estate on the outskirts of<br />
Palermo. They scrape by even as the<br />
water runs out and the television<br />
goes on the blink. A family tragedy<br />
threatens to make them rich with<br />
compensation money but merely<br />
sows the seeds for further woes. A<br />
vulgar, scathing satire on the cruel<br />
ironies of life in the Mafia-dominated<br />
Italian South, Cipri's first solo feature<br />
was one of the prime Italian prizewinners<br />
at the most recent Venice<br />
Film Festival.<br />
Dir: Daniele Cipri<br />
Italy 2012 / 1h30m / Digital / 18<br />
Italian with English subtitles<br />
Tickets 01382 909 900 19
Dundee Comics Expo<br />
Dundee Comics Expo takes place on Sat 30 March 2013 at the University of Dundee and features a range<br />
of talks, signings and workshops from up-and-coming and well-known comics creators, including David<br />
Lloyd (V for Vendetta) and Bryan Talbot (Alice in Sunderland). We’re pleased to be hosting two special<br />
events as part of the Expo. To find out more about what’s happening on the day, visit the Dundee Comics<br />
Expo page on Facebook.<br />
Judge Minty<br />
Sat 30 March, 18:00<br />
Judge William Minty (Edmund Dehn) has spent his entire<br />
adult life policing the violent streets of Mega-City One – and<br />
now he's slowing down. When a lapse of judgement almost<br />
ends his life he knows that it's time to quit. He can choose<br />
to teach in the Academy or he can leave the city and walk<br />
alone out into the anarchy of the cursed earth, taking law to<br />
the lawless.<br />
Judge Minty is a not-for-profit fan film, directed by Steven<br />
Sterlacchini and shown with the kind permission of 2000 AD<br />
and Rebellion. Judge Dredd ® is a registered trademark,<br />
© Rebellion A/S ® , all rights reserved. Judge Dredd is the<br />
creation of John Wagner and Carlos Ezquerra.<br />
Tickets to Judge Minty are free, but please book in advance<br />
on 01382 909 900.<br />
Dir: Steven Stelacchini<br />
UK 2012 / 27m / Digital / ages 15 +<br />
2013 BAFTA Shorts<br />
Thu 25 April, 12:45<br />
20 www.dca.org.uk<br />
Lose your head at DeeCAP!<br />
Sat 30 March, 19:00<br />
Join us for a chance to see a feature length selection of short live action and animated films<br />
from this year’s EE British Academy Film Awards (BAFTA). The selection includes Here to<br />
Fall, about a journey through a chaotic world; a Moroccan tale about a woman who is<br />
captured by a small boy; and a look at the lives of two teenage girls living in London.<br />
There’s also another chance to see Swimmer, Lynne Ramsay’s journey through Britain’s<br />
waterways, which we first showed as part of the London 2012 Festival. You can read blogs<br />
from the directors of the BAFTA nominated shorts at www.guru.bafta.org/blog.<br />
Dir: Various<br />
Various countries 2012 / 1h48m / Digital / cert tbc<br />
DeeCAP (Dundee Comics/Art/Performance) is a new<br />
evening of comics and zine-based entertainment. Artists<br />
and writers will bring their strips to life by interacting<br />
alongside a visual slideshow. They might be interpreting<br />
dialogue or adding sound effects and music to the visuals,<br />
in an exciting cross between comics and theatre. DeeCAP<br />
is inspired by Robert Sikoryak’s popular evenings of<br />
‘Cartoon Slide Shows and Other Projected Pictures’<br />
in New York.<br />
Tickets to DeeCAP are free, but please book in advance<br />
on 01382 909 900.<br />
Dirs: Nick Higgins with 121 Co-Directors<br />
Scotland 2013 / 1h38m / Digital / cert tbc
<strong>Cinema</strong> Republic<br />
<strong>Cinema</strong> Republic is DCA’s wild card slot which<br />
is by the people, for the people. Look out for our<br />
call-outs on Facebook and Twitter and let us<br />
know what you’d like to see!<br />
To coincide with the release of Danny Boyle’s<br />
Trance (see p6) we asked you to tell us your<br />
favourite of his films. It was a very close contest,<br />
but Shallow Grave was the winner!<br />
Shallow Grave<br />
Sun 7 April, 20:15<br />
Danny Boyle’s debut feature Shallow Grave is a<br />
dark, hip, Generation X comedy about a trio of<br />
Edinburgh roommates whose narcissistic greed<br />
fuels murder and betrayal. Boisterous journalist Alex<br />
(Ewan McGregor), flirtatious doctor Juliet (Kerry Fox),<br />
and meek accountant David (Christopher Eccleston)<br />
are very different, but share a mutual, self-absorbed<br />
cynicism. Seeking a fourth flatmate, they cruelly<br />
dismiss several candidates before settling on Hugo<br />
(Keith Allen), whose air of detachment meets their<br />
standard of coolness. Hugo's reserve masks<br />
criminal involvement, as they discover when he’s<br />
found dead in bed with a suitcase containing<br />
enormous amounts of cash. Faced with a moral<br />
quandary over what to do with the body and the<br />
money, the group’s friendship is pushed to the limits.<br />
Dir: Danny Boyle<br />
UK 1994 / 1h32m / Digital / 18<br />
Artists Film<br />
and Video<br />
Babeldom<br />
Wed 10 – Fri 12 April<br />
Babeldom is a city so massive, growing at such a speed<br />
that soon, it is said, light itself will not escape its<br />
gravitational pull. How can two lovers communicate, one<br />
from inside the city and one from outside? In his debut<br />
feature film, award-winning British experimental animator<br />
and filmmaker Paul Bush presents an elegy to urban life.<br />
Against the backdrop of a city of the future, a portrait is<br />
assembled from film shot in modern cities all around the<br />
world and collected from the most recent research in<br />
science, technology and architecture.<br />
Dir: Paul Bush<br />
UK 2012 / 1h20m / Digital / 15<br />
9 Intervals<br />
March – May 2013<br />
9 Intervals is a new multi-episode digital film work designed<br />
for the cinema auditorium by Dublin-based contemporary<br />
artist Aurelien Froment. The work takes the seated position<br />
of the cinema viewer as its starting point, meditating upon<br />
the relationship between design and body, viewer and<br />
image. Nine short episodes will be shown before a selected<br />
film each Monday, intervening in the conventional role<br />
played by the cinema spectator to ask “are you sitting<br />
comfortably?” Each week a new episode will appear<br />
between the trailers before specific films, with an omnibus<br />
screening of all nine parts on Mon 6 May at 18:00. For more<br />
details of individual screenings please check our website.<br />
Dir: Aurelien Froment<br />
Dirs: Nick Higgins with 121 Co-Directors<br />
Scotland 2013 / 1h38m / Digital / cert tbc<br />
Tickets 01382 909 900 21
Maniac<br />
Sat 20 April, 21:45<br />
For his feature-length directorial debut Franck Khalfoun pulls off<br />
the impossible – a remake that not only equals the original, but<br />
tells the same tale in a unique and original way. William Lustig’s<br />
notorious 1980 picture, which followed an emotionally-scarred<br />
serial killer with a fixation on scalping and mannequins, took<br />
place on the grimy streets of New York City. The setting has<br />
been effectively relocated to downtown Los Angeles for the 2012<br />
picture, and almost the entire film’s camera imagery is from the<br />
point of view of the killer. In a career re-defining role, Elijah Wood plays Frank, the maniac of the title. He prowls the streets<br />
at night looking for potential victims, but his violent impulses are torn between this and the sensitive feelings he has for a<br />
young photographer (Nora Arnezeder). Both savage and beautiful in its imagery, Maniac is backed by an eerie electronic<br />
score by Rob (reminiscent of both 80s Giorgio Moroder and Cliff Martinez's soundtrack to Drive) to produce a disturbingly<br />
visceral experience.<br />
Dir: Franck Khalfoun<br />
France / USA 2012 / 1h29m / Digital / English / 18<br />
22 www.dca.org.uk
Access<br />
DCA welcomes everyone and we are committed to making our programme<br />
and facilities accessible. We accept the CEA card. Application forms and further<br />
details are available from Box Office as well as large print copies of DCA print<br />
material. Guide Dogs are welcome in our cinemas. Details of audio-described<br />
and subtitled screenings are listed in our print and online at our website.<br />
For further information on access please contact us on 01382 909 900.<br />
DCA <strong>Cinema</strong> is supported by:<br />
DCA follows BBFC recommendations. For further details about film classification or for extended film<br />
information, please refer to www.bbfc.co.uk<br />
Tickets 01382 909 900 23
Bookings:<br />
01382 909 900<br />
www.dca.org.uk<br />
DCA Box Office is open Mon – Sat from 10:00 and Sun from<br />
12:00 until 15 minutes after the start of the final film.<br />
All week<br />
£5.50 before 17:00<br />
£6.50 from 17:00*<br />
£1.50 additional fee for all 3D films*<br />
Special Prices**<br />
Seniors<br />
Mon £4.50 all day<br />
Tue – Fri £4.50 before 17:00<br />
Students & Under 15s<br />
Sun £4.50 all day<br />
Mon – Fri £4.50 before 17:00<br />
Un-waged<br />
Mon £4.50 all day<br />
Mon – Fri £4.50 before 17:00<br />
Disability<br />
Free carer’s ticket on production of valid CEA card<br />
* There are some pricing exceptions, please see film information for further information<br />
**Please bring proof of your status to DCA when purchasing or picking up reduced tickets.<br />
Special Screenings:<br />
Senior Citizen Kane Club<br />
A chance for older cinema-goers to gather and enjoy film together – £4.50<br />
Bring a Baby Screenings<br />
For those with babies under 12 months old – £4.50<br />
Discovery Family Film Club<br />
£4.50 under 21s<br />
£5.50 over 21s<br />
Family ticket for four people £15.00<br />
Tickets cannot be exchanged or refunded after purchase except in the case<br />
of a cancelled performance.<br />
Ticket offers are subject to availability and may not be used in conjunction with any other offer.<br />
All tickets must be paid for at point of booking.<br />
Whilst every effort is taken to ensure the accuracy of information within this guide, mistakes<br />
do happen. DCA reserves the right to make changes to the programme as necessary.<br />
DCA reserves the right to refuse admission.<br />
DCA asks all customers to refrain from using mobile phones in the cinema.<br />
Customers are welcome to take their drinks into our <strong>Cinema</strong>s, but are asked to refrain from going<br />
back to the bar during the screening.<br />
Dundee Contemporary Arts<br />
152 Nethergate<br />
Dundee DD1 4DY<br />
Tel 01382 909 900<br />
Email dca@dca.org.uk<br />
Web www.dca.org.uk<br />
Registered Charity no: SC026631<br />
The Place Beyond The Pines, p9