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45-page sworn declaration - Business Insider

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Mitchell<br />

Silberberg &<br />

Knupp LLP<br />

Case 2:11-cv-10294-MMM-JCG Document 117 Filed 11/13/12 Page 27 of <strong>45</strong> Page ID<br />

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• A main character who is a veteran. (In Wind Warriors he was a<br />

World War I vet.)<br />

• A jungle setting. (In Wind Warriors, it was the Amazon rainforest.)<br />

• Industrialist villains seeking a rare alien metal and willing to destroy<br />

the jungle and the native local cultures to get it. (In Wind Warriors,<br />

the villain was a German industrialist with a private army.)<br />

• Mercenaries fighting against the natives and protagonists in the<br />

jungle.<br />

• The natives fighting the more powerful military with primitive<br />

weaponry (e.g. bows and arrows).<br />

• An air battle over the jungle. (In Wind Warriors, it was a zeppelin; in<br />

Avatar, it’s the Dragon Gunship.)<br />

83. I do not mean to suggest that Wind Warriors was the same as, or even<br />

very similar to, Avatar. They are completely different projects and tell far different<br />

stories. But Wind Warriors (from the late 1980s) contained certain settings,<br />

characters, and themes that were of interest to me and that I revisited in Avatar.<br />

Avatar<br />

84. As stated previously, I wrote the scriptment for Avatar in 1995. The<br />

impetus for this was my desire to make a motion picture that would showcase the<br />

work of Digital Domain, a digital special effects company that I had founded, and<br />

allow it to push the envelope in terms of computer graphics. Therefore, it was<br />

important that the story be full of imaginary creatures and characters. My goal was<br />

to have them appear on screen as realistic and believable – in a way that had never<br />

been done before.<br />

85. As detailed above, many of the core concepts and elements that I used<br />

in Avatar to accomplish that goal came from my prior work and ideas, including<br />

27<br />

DECLARATION OF JAMES CAMERON

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