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The Moon and Sixpence - Penn State University

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<strong>The</strong> <strong>Moon</strong> <strong>and</strong> <strong>Sixpence</strong><br />

stales one’s admiration for him: the Cretan, sen- which succeeding writers, with more or less dosual<br />

<strong>and</strong> tragic, proffers the mystery of his soul cility, have followed. For a long time no critic has<br />

like a st<strong>and</strong>ing sacrifice. <strong>The</strong> artist, painter, poet, enjoyed in France a more incontestable author-<br />

or musician, by his decoration, sublime or beauity, <strong>and</strong> it was impossible not to be impressed by<br />

tiful, satisfies the aesthetic sense; but that is akin the claims he made; they seemed extravagant;<br />

to the sexual instinct, <strong>and</strong> shares its barbarity: but later judgments have confirmed his estimate,<br />

he lays before you also the greater gift of him- <strong>and</strong> the reputation of Charles Strickl<strong>and</strong> is now<br />

self. To pursue his secret has something of the firmly established on the lines which he laid<br />

fascination of a detective story. It is a riddle which down. <strong>The</strong> rise of this reputation is one of the<br />

shares with the universe the merit of having no most romantic incidents in the history of art. But<br />

answer. <strong>The</strong> most insignificant of Strickl<strong>and</strong>’s I do not propose to deal with Charles Strickl<strong>and</strong>’s<br />

works suggests a personality which is strange, work except in so far as it touches upon his char-<br />

tormented, <strong>and</strong> complex; <strong>and</strong> it is this surely acter. I cannot agree with the painters who claim<br />

which prevents even those who do not like his superciliously that the layman can underst<strong>and</strong><br />

pictures from being indifferent to them; it is this nothing of painting, <strong>and</strong> that he can best show<br />

which has excited so curious an interest in his his appreciation of their works by silence <strong>and</strong> a<br />

life <strong>and</strong> character.<br />

cheque-book. It is a grotesque misapprehension<br />

It was not till four years after Strickl<strong>and</strong>’s which sees in art no more than a craft compre-<br />

death that Maurice Huret wrote that article in hensible perfectly only to the craftsman: art is a<br />

the Mercure de France which rescued the un- manifestation of emotion, <strong>and</strong> emotion speaks a<br />

known painter from oblivion <strong>and</strong> blazed the trail language that all may underst<strong>and</strong>. But I will al-<br />

4

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