HWM programme - Counterparts.org.uk
HWM programme - Counterparts.org.uk
HWM programme - Counterparts.org.uk
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last century in recital. In 2002 she took<br />
part as a soloist in two community based<br />
contemporary musical works under the<br />
direction of Helen Porter, ‘Otter’ and<br />
‘Music for the river Stour’.<br />
andrew morton’s<br />
recent operatic<br />
appearances include<br />
Joe in Graham<br />
Treacher’s Darwin’s<br />
Dream at the Royal<br />
Albert Hall, Professor<br />
Winklebeam in<br />
Pinocchio for the<br />
Royal Opera House,<br />
Fenton in Falstaff for<br />
Capriol Films, Balakin<br />
in The Enchantress<br />
for Grange Park Opera and Paris in La<br />
Belle Hélene, Nanki Poo in The Mikado<br />
and Ralph in Pinafore for Opera della<br />
Luna at Buxton Opera House. He also<br />
played Remendado in Carmen for Garden<br />
Opera in Kenya and Nemorino in L‘Elisir<br />
for Pegasus Opera. In contemporary opera<br />
he appeared in BAC’s notorious gay<br />
thriller Black and Blue, in Maxwell Davies'<br />
classic Eight Songs for a Mad King at the<br />
Royal Concert Hall in Glasgow and most<br />
recently for Opera Circus in their on-going<br />
Bosnian collaboration with Nigel Osborne,<br />
which opens in Sarajevo in 2007. He has<br />
sung as a soloist with a number of leading<br />
contemporary ensembles including the<br />
Hebrides Ensemble, Paragon Ensemble<br />
and the Fibonacci Sequence and at<br />
Grange Park and Longborough Festivals.<br />
robert gildon studied<br />
at the Manhattan<br />
School of Music<br />
(MSM) in New York<br />
for three years. He<br />
attended the Aspen<br />
Music Festival (2000)<br />
singing the lead role<br />
in John Casken’s<br />
Golem conducted by<br />
Diego Masson and<br />
performed the role of<br />
Amantio in Gianni<br />
Schicchi under Julius<br />
Rudel. He was a student at the<br />
Tanglewood Music Center in 1996 and<br />
returned as a Fellow in 1999, performing<br />
in Gianni Schicchi under Robert Spano. At<br />
MSM he participated in Argento’s<br />
Postcards from Morocco, Purcell’s Dido<br />
and Aeneas, Handel’s Lotario. Robert<br />
made his professional debut with Opera<br />
Restor’d, singing the role of Aeneas at the<br />
Bruges Early Music Festival.<br />
9<br />
Robert recently made his London<br />
Symphony Orchestra and Barbican debut<br />
performing the baritone solos in Dave<br />
Brubeck’s La Fiesta de la Posada, a piece<br />
he also performed with the<br />
Staatsphilharmonie Rheinland-Pfalz at the<br />
Philharmonie in Munich and in<br />
Ludwigshafen. Upcoming engagements<br />
include a recital of Faure, Kosma and<br />
Jonathan Harvey with Jeff Cohen and<br />
Benny Sluching and Haydn’s Seven Last<br />
Words with the Maggini Quartet.<br />
Robert attended the Centre International<br />
de la Mélodie Franaise in Tours (2004)<br />
working with Franois le Roex, Jeff Cohen<br />
and Noel Lee and recently worked with<br />
Andreas Scholl at the Britten Pears School<br />
in Aldeburgh. In April 2005 Robert was a<br />
prize winner in the ‘Concours de Musique<br />
de chambre Musiciens entre Guerre et<br />
Paix’ in Paris.<br />
Jeremy Birchall was<br />
a choirboy at Oxford,<br />
won a music scholarship<br />
to Radley<br />
College and subsequently<br />
studied Music<br />
at Durham University.<br />
After a period working<br />
for BBC Radio, he<br />
left to study singing<br />
with Lyndon<br />
Vanderpump. He has<br />
sung with groups<br />
specialising both in early and in contemporary<br />
music, including the<br />
Taverner Consort, Deller Consort,<br />
English Concert, Singcircle, London<br />
Sinfonietta Voices and Groupe Vocal de<br />
France; he has recently recorded The Play<br />
of Daniel with Andrew Lawrence-King’s<br />
Harp Consort. Recent concerts include<br />
Haydn’s The Creation at the Greenwich<br />
Festival, Haydn’s Heiligmesse in üçrich<br />
and Berne, and Ligeti’s Requiem in<br />
London, Paris and Berlin. He made his<br />
Proms debut in 1985 in Janäcek’s Rikadla.<br />
In recent years he has given concert performances<br />
with Sir Andrew Davis and the<br />
BBC Symphony Orchestra, singing a role<br />
in Strauss’s Daphne and performing the<br />
breathing part in Tippett’s Fourth<br />
Symphony at the Proms. In 2002 he performed<br />
Uns<strong>uk</strong> Chin’s Kal… with Johannes<br />
Kalitzke and the BBC Symphony Orchestra<br />
and Chorus. His unusually low voice has<br />
been used in concert and on record in<br />
many works by Sir John Tavener: in 1994<br />
he recorded and produced a tape for<br />
Theophany; he sang in The Apocalypse at<br />
the 1994 Proms; and in 2003 he sang in<br />
The Veil of The Temple. He has appeared<br />
photo: Gerald Place