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HWM programme - Counterparts.org.uk

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last century in recital. In 2002 she took<br />

part as a soloist in two community based<br />

contemporary musical works under the<br />

direction of Helen Porter, ‘Otter’ and<br />

‘Music for the river Stour’.<br />

andrew morton’s<br />

recent operatic<br />

appearances include<br />

Joe in Graham<br />

Treacher’s Darwin’s<br />

Dream at the Royal<br />

Albert Hall, Professor<br />

Winklebeam in<br />

Pinocchio for the<br />

Royal Opera House,<br />

Fenton in Falstaff for<br />

Capriol Films, Balakin<br />

in The Enchantress<br />

for Grange Park Opera and Paris in La<br />

Belle Hélene, Nanki Poo in The Mikado<br />

and Ralph in Pinafore for Opera della<br />

Luna at Buxton Opera House. He also<br />

played Remendado in Carmen for Garden<br />

Opera in Kenya and Nemorino in L‘Elisir<br />

for Pegasus Opera. In contemporary opera<br />

he appeared in BAC’s notorious gay<br />

thriller Black and Blue, in Maxwell Davies'<br />

classic Eight Songs for a Mad King at the<br />

Royal Concert Hall in Glasgow and most<br />

recently for Opera Circus in their on-going<br />

Bosnian collaboration with Nigel Osborne,<br />

which opens in Sarajevo in 2007. He has<br />

sung as a soloist with a number of leading<br />

contemporary ensembles including the<br />

Hebrides Ensemble, Paragon Ensemble<br />

and the Fibonacci Sequence and at<br />

Grange Park and Longborough Festivals.<br />

robert gildon studied<br />

at the Manhattan<br />

School of Music<br />

(MSM) in New York<br />

for three years. He<br />

attended the Aspen<br />

Music Festival (2000)<br />

singing the lead role<br />

in John Casken’s<br />

Golem conducted by<br />

Diego Masson and<br />

performed the role of<br />

Amantio in Gianni<br />

Schicchi under Julius<br />

Rudel. He was a student at the<br />

Tanglewood Music Center in 1996 and<br />

returned as a Fellow in 1999, performing<br />

in Gianni Schicchi under Robert Spano. At<br />

MSM he participated in Argento’s<br />

Postcards from Morocco, Purcell’s Dido<br />

and Aeneas, Handel’s Lotario. Robert<br />

made his professional debut with Opera<br />

Restor’d, singing the role of Aeneas at the<br />

Bruges Early Music Festival.<br />

9<br />

Robert recently made his London<br />

Symphony Orchestra and Barbican debut<br />

performing the baritone solos in Dave<br />

Brubeck’s La Fiesta de la Posada, a piece<br />

he also performed with the<br />

Staatsphilharmonie Rheinland-Pfalz at the<br />

Philharmonie in Munich and in<br />

Ludwigshafen. Upcoming engagements<br />

include a recital of Faure, Kosma and<br />

Jonathan Harvey with Jeff Cohen and<br />

Benny Sluching and Haydn’s Seven Last<br />

Words with the Maggini Quartet.<br />

Robert attended the Centre International<br />

de la Mélodie Franaise in Tours (2004)<br />

working with Franois le Roex, Jeff Cohen<br />

and Noel Lee and recently worked with<br />

Andreas Scholl at the Britten Pears School<br />

in Aldeburgh. In April 2005 Robert was a<br />

prize winner in the ‘Concours de Musique<br />

de chambre Musiciens entre Guerre et<br />

Paix’ in Paris.<br />

Jeremy Birchall was<br />

a choirboy at Oxford,<br />

won a music scholarship<br />

to Radley<br />

College and subsequently<br />

studied Music<br />

at Durham University.<br />

After a period working<br />

for BBC Radio, he<br />

left to study singing<br />

with Lyndon<br />

Vanderpump. He has<br />

sung with groups<br />

specialising both in early and in contemporary<br />

music, including the<br />

Taverner Consort, Deller Consort,<br />

English Concert, Singcircle, London<br />

Sinfonietta Voices and Groupe Vocal de<br />

France; he has recently recorded The Play<br />

of Daniel with Andrew Lawrence-King’s<br />

Harp Consort. Recent concerts include<br />

Haydn’s The Creation at the Greenwich<br />

Festival, Haydn’s Heiligmesse in üçrich<br />

and Berne, and Ligeti’s Requiem in<br />

London, Paris and Berlin. He made his<br />

Proms debut in 1985 in Janäcek’s Rikadla.<br />

In recent years he has given concert performances<br />

with Sir Andrew Davis and the<br />

BBC Symphony Orchestra, singing a role<br />

in Strauss’s Daphne and performing the<br />

breathing part in Tippett’s Fourth<br />

Symphony at the Proms. In 2002 he performed<br />

Uns<strong>uk</strong> Chin’s Kal… with Johannes<br />

Kalitzke and the BBC Symphony Orchestra<br />

and Chorus. His unusually low voice has<br />

been used in concert and on record in<br />

many works by Sir John Tavener: in 1994<br />

he recorded and produced a tape for<br />

Theophany; he sang in The Apocalypse at<br />

the 1994 Proms; and in 2003 he sang in<br />

The Veil of The Temple. He has appeared<br />

photo: Gerald Place

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