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Interactive Reading

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240<br />

250<br />

Ola left without a word of thanks. He felt too weary<br />

to speak. He stumbled down the mountain, and it was<br />

many weeks before he had the strength to take up his<br />

fiddle again.<br />

But when he did . . .<br />

Years later, a special performance took place in Bergen’s<br />

concert hall. People came from all over Scandinavia to hear<br />

Ole Bull, Norway’s most famous violinist. All the critics<br />

agreed, “Ole Bull has no peer. He is the finest musician in<br />

Scandinavia. The best in Europe. The greatest in the world.”<br />

At the reception afterward a small, odd-looking man<br />

with a mottled green complexion was seen heaping his<br />

plate at the smorgasbord in back of the hall. A Swedish<br />

countess asked him, “Did you enjoy the concert? It<br />

astonishes me that a human being can possess such<br />

natural talent.”<br />

To which the odd little man replied, “Talent? Bah! It’s<br />

courage, dedication, and hard work. Ola couldn’t play a<br />

note when we began. You’ve no idea what I went through<br />

just to teach him to tune his fiddle!”<br />

The fosse-grim is a creature<br />

of fantasy, but how is the<br />

relationship between the<br />

fosse-grim and Ola realistic?<br />

The concluding section of the<br />

story in Bergen’s concert hall<br />

contains a mix of fact and<br />

fantasy. What do you think is<br />

actually true here?<br />

Ola and the Grim 327

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