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Natural Plant Dyeing

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‘NATURAL QYEING =- ’ ,’<br />

IN THE CLASSROOM -- - -. ‘-<br />

Advice -f or~*indi&lual Begintiers, too-’<br />

M-ollie -Harker Rodriguez<br />

ACH T&E the ‘Brooklyn Botanic In autumn, berries, roots and usiall)<br />

Garden offers a course in dyeing some leaves are availab!e. (See page 7).<br />

with plaht materials, among the stu’dents *The time of collect&n will alter the<br />

are a few instruc@s in elementary or colors produced, as ~-31. the location, of<br />

secondary %ools who have come td learn the plant _Ll relation to’ sunlight, rain, :,<br />

a new craft to use in their own class- wind, soil and seasonal weather condi- =,<br />

rooms. Their interest and inquiries,’ cou- tigns. 911 of these factors contribute to<br />

pled wit5 the Garden’s desire to hel; ,the .tGe chpracter of the plglt and therefore to ’<br />

individual beginru>r in t!lis tield, have A the coJ~rs achieved in dyeing. Each time<br />

prompted us to share our experience with . yet; dye wit\1 vcgtitable -tliuterinls it ‘is an<br />

readers. t csperiri$it because *every, ,collection of \<br />

I)ytlin: .l>litIltS is x11 i!ltl:ipuing rrnft. plants. iS> tiniqnc. Repeatcd use 05 the<br />

Ili5tl~ric*:~lli” lll:~llt5 ‘XPIY the Ilt:iin same dye uff will prove how varied the<br />

’ source for tlir produc~tiol1 ;~nd m:4iuf$c- -resulls caA/ e.<br />

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tllW Of :111 ktlf? tlyC5 IlSPd to color fill&J:iCS ’ -’<br />

?*,<br />

UIllil tlir rllitl(lltl of the 19th century. Wool 3<br />

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Totlay :I ,gf:owing IlLllllbr~~ of people ilIT<br />

Most natural’ dyes yield more brrl’liant<br />

~tItll~;c.I,\.tAI:ill~-tltis art :tli(l ilre allsious to<br />

2nd lasting colors if used with*wool. Wool<br />

i1))/'1! it to f:lhr’ics ;LS :1 Substitute-for the<br />

is mind tissue and ‘!lue to-tlie substazrces<br />

:trliltIkv (I>.(>.- wtlic*lk :II‘(’ now ~01111110111~<br />

in its cell w’~lls, the molecules of the mar- 9 ’<br />

114.<br />

There are IIKXI~ possibilities here to<br />

dants and dyes are bound rhore easily to<br />

stimulate the plinds -of young people. For<br />

it than- to the celluloid constitu&ts sf .<br />

children, it is learning how to use plants<br />

plant fibers. However, to make compariin<br />

the same ways as did their ancestors:<br />

sons you might add to the dyebath a small ’<br />

Experiments in dyeing might accompany<br />

~picre of cotton sheet or jersey along with r. ’<br />

work in history or social studies courses,<br />

the yarn.<br />

Or comple&ent aIf art course, especially if I. For classroom use, 2-ply ‘yain is very a<br />

jhere is a field trip scheduled to a museum satisfnctory because it,.dyes quickly and<br />

exhibiting tapestries or weavings. Aqoth- is easy to handle. If possible, natural ,m- ’ a<br />

er approach is to include dyei’ng methods bleached wool should be used but bleached<br />

! as part of a study of the economic uses of wool can be substiMed if it is ,more readplants.<br />

3 ily available. The yarn should be tied in$o<br />

skeins with white cotton twipe for mati-<br />

__ Co!lecting the <strong>Plant</strong>s 2 ageabili_ty in the dyepbt, as shown on u<br />

-<br />

Collecting the plant tnatertal is done<br />

when the pari-icular type of plant desired<br />

for use ii “ready,” that is! when mosi of<br />

the dye-producin g substances are concenpage<br />

12 of Handbook 012 Dye <strong>Plant</strong>s and<br />

TIl/e;)lq. Wash the wool in several solutions<br />

of mild ,soapy warm water and rinse<br />

it wrll hrfore dyeing. Y<br />

trated in the part you want to collect. Work with small quantities of wool ‘ai’<br />

’ Barks and young shoots can be gathered such as l/Z oz. dry -height skeins. They - :<br />

in early spring. Throughout spring and, req,tii& a minimum of plant material and<br />

‘summer there will’be leaves and fl0weS-s to only a.‘qunrt or so 6f dyebath solution. .*<br />

use fresh or to cut and de for later use. Good corog“samples. can be obtained-with<br />

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