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The D-Monster written & directed by Kinga Suto

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writer & director: kinga suto<br />

DIRECTOR’S STATEMENT<br />

afi’s directing workshop for women presents: the d-monster<br />

Over ten years ago I was an intern on a major studio lot.<br />

I’d watched the academy awards every year and<br />

dreamed one day I’d be working in the film business.<br />

<strong>The</strong> excitement wore off on my first day at work. I found<br />

myself working long hours in a dark dirty basement<br />

racing forty other college interns to a red phone for the<br />

chance to run a beverage to a paid executive upstairs.<br />

Once upstairs I was submerged into an office culture that<br />

exhibited irrational behavior: execs firing assistants for<br />

giving them the wrong soda. Higher-ups expecting<br />

assistants to decipher their inaudible mumblings,<br />

becoming irate if someone asked them to repeat<br />

themselves and bosses firing assistants for using the<br />

restroom.<br />

When we are just starting out we are most vulnerable if<br />

placed in a morally unscrupulous environment, yet this<br />

is when most of us enter the workforce. How would you<br />

know that a superior has crossed the line, even if you<br />

instinctively felt it was wrong, if the entire office culture<br />

has deemed their bad behavior not only acceptable but<br />

also an attribute of their success, would you still question<br />

it? Lack of life experience puts you at a moral<br />

disadvantage, how do you weigh the costs of your choices<br />

when you are not fully formed as an adult?<br />

I wanted to go back to that time, when I was starting out,<br />

when I was impressionable and morally ambiguous. I<br />

remember feeling that things were inherently wrong but<br />

I questioned myself: maybe it wasn’t them, maybe I didn’t<br />

know how adults behaved.<br />

I was intoxicated <strong>by</strong> the Barbie-esque executives: young,<br />

successful and popular. I had never seen women like<br />

these before. I wanted badly to be one of them; I ignored<br />

the little voice in my head that questioned their<br />

behavior. I told myself I would never be like them, I<br />

needed to make it because I was gonna be successful<br />

and nice. But <strong>by</strong> moving up in an environment like that<br />

absorption of some bad behavior is inevitable.<br />

Years later, as an executive myself, on an incredibly<br />

difficult day, riding on lack of sleep, too much coffee and<br />

low blood sugar, my intern walked in with a salad. It<br />

had croutons in it. I hated croutons. How could he not<br />

know? I lost it. I threw the salad at the wall and fired<br />

the intern. When you do wrong, on a certain level - you<br />

know it instinctively, yet you don’t always admit it, you<br />

placate yourself and fabricate an embellished version of<br />

the event, a “story,” that makes it out to be the right<br />

choice. Bad people don’t think they are bad; they create<br />

their own version of the story, one where they are the<br />

heroes. But not even I could spin this in a good light. I<br />

stared at the mosaic of creamy crushed lettuce and<br />

croutons as they slid down the wall and realized I was at<br />

a true low point in my life. It made me question myself:<br />

was it the environment that had pressured me to<br />

change? Or was I a bad person to begin with?<br />

In making the d-monster I wanted to explore the idea of<br />

nature verses nurture. Can an environment really<br />

change someone, forcing them to choose to adapt or be<br />

fired? Or do we have a natural affinity for<br />

environments that allow our true self to come out?<br />

- <strong>Kinga</strong> <strong>Suto</strong>, April 2010

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