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Lectures On The English Poets William Hazlitt

Lectures On The English Poets William Hazlitt

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65<br />

So that of Spenser:<br />

"<strong>The</strong> noble heart that harbours virtuous thought,<br />

And is with child of glorious great intent,<br />

Can never rest until it forth have brought<br />

<strong>The</strong> eternal brood of glory excellent."<br />

Milton, therefore, did not write from casual impulse, but after a<br />

severe examination of his own strength, and with a resolution to leave<br />

nothing undone which it was in his power to do. He always labours, and<br />

almost always succeeds. He strives hard to say the finest things in the<br />

world, and he does say them. He adorns and dignifies his subject to the<br />

utmost: he surrounds it with every possible association of beauty or<br />

grandeur, whether moral, intellectual, or physical. He refines on his<br />

descriptions of beauty; loading sweets on sweets, till the sense aches<br />

at them; and raises his images of terror to a gigantic elevation, that<br />

"makes Ossa like a wart." In Milton, there is always an appearance of<br />

effort: in Shakespeare, scarcely any.<br />

Milton has borrowed more than any other writer, and exhausted every<br />

source of imitation, sacred or profane; yet he is perfectly distinct<br />

from every other writer. He is a writer of centos, and yet in<br />

originality scarcely inferior to Homer. <strong>The</strong> power of his mind is stamped<br />

on every line. <strong>The</strong> fervour of his imagination melts down and renders<br />

malleable, as in a furnace, the most contradictory materials. In reading<br />

his works, we feel ourselves under the influence of a mighty intellect,<br />

that the nearer it approaches to others, becomes more distinct from<br />

them. <strong>The</strong> quantity of art in him shews the strength of his genius: the<br />

weight of his intellectual obligations would have oppressed any other<br />

writer. Milton's learning has the effect of intuition. He describes<br />

objects, of which he could only have read in books, with the vividness<br />

of actual observation. His imagination has the force of nature. He makes<br />

words tell as pictures.<br />

"Him followed Rimmon, whose delightful seat<br />

Was fair Damascus, on the fertile banks<br />

Of Abbana and Pharphar, lucid streams."<br />

<strong>The</strong> word _lucid_ here gives to the idea all the sparkling effect of the<br />

most perfect landscape.

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