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Making Memory Space: Recollection and Reconciliation in Post ...

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Built form <strong>and</strong> the twilight of memory<br />

The assertion that built form can contribute to collective recollection <strong>and</strong> contemporary production of<br />

self-image is articulated by Robert Bevan who comments, ‘[A]rchitecture has become a proxy by<br />

which other ideological ethnic <strong>and</strong> nationalist battles are still be<strong>in</strong>g fought today.’ 19 This notion<br />

recognises the role that architecture can play <strong>in</strong> the ma<strong>in</strong>tenance <strong>and</strong> production of national<br />

narratives, which <strong>in</strong> turn give rise to the creation <strong>and</strong> establishment of national identity. Thus the<br />

conscious construction of museums <strong>and</strong> memorials <strong>in</strong> a society actively shap<strong>in</strong>g its national identity<br />

can contribute significantly to how that identity emerges. In this respect memory becomes a palpable<br />

entity <strong>in</strong> the present.<br />

The German theorist Andreas Huyssen identifies memory as a state of be<strong>in</strong>g: between liv<strong>in</strong>g the event<br />

<strong>and</strong> the act of recall<strong>in</strong>g it. He def<strong>in</strong>es this state as a ‘twilight’ exist<strong>in</strong>g <strong>in</strong> the nexus between the past<br />

<strong>and</strong> its recollection. Acknowledg<strong>in</strong>g this state renders memory a contemporary act dependent on a<br />

past that is understood <strong>and</strong> altered accord<strong>in</strong>g to perception, time <strong>and</strong> representation. 20 The act of<br />

<strong>in</strong>terpretation <strong>and</strong> translation that must occur between the recollection of a past event <strong>and</strong> its<br />

<strong>in</strong>carnation <strong>in</strong> physical form necessitates a mediated perspective on the past, the beg<strong>in</strong>n<strong>in</strong>g of the<br />

process of shap<strong>in</strong>g the recollection accord<strong>in</strong>g to social agendas, or political expediency. This thesis<br />

argues that it is the mechanisms of address<strong>in</strong>g this state of be<strong>in</strong>g that <strong>in</strong> many respects forms the<br />

basis for the production of memory space <strong>in</strong> South Africa. The country is held taut between<br />

recollections of the past, <strong>and</strong> its shadow <strong>in</strong> the present. The cont<strong>in</strong>ued existence of memory <strong>in</strong><br />

contemporary society forms the basis for collective memory <strong>in</strong> South Africa. Unlike other countries that<br />

have overturned a dictator, or overthrown a regime by violent means, the dismantl<strong>in</strong>g of Apartheid was<br />

peacefully negotiated between the government <strong>and</strong> the ANC. This situates the past <strong>and</strong> the usual<br />

characterisations of regime <strong>and</strong> accompany<strong>in</strong>g term<strong>in</strong>ology of ‘perpetrators’ <strong>and</strong> ‘victims’ <strong>in</strong> a differ<strong>in</strong>g<br />

light. The demise of Apartheid has not resulted <strong>in</strong> a radical change of lifestyle for much of the<br />

population. Although the period of Apartheid is described by def<strong>in</strong>itive historical dat<strong>in</strong>g it began <strong>in</strong><br />

essence long before it was codified <strong>and</strong> its ramifications cont<strong>in</strong>ue to be felt <strong>in</strong> the present day. 21<br />

Consequently, memories of trauma are well entrenched <strong>and</strong> the boundaries between past, present<br />

<strong>and</strong> future less easily determ<strong>in</strong>ed.<br />

<strong>Memory</strong> <strong>and</strong> history – narratives of the past<br />

History <strong>in</strong> Apartheid South Africa was carefully constructed to produce a specific k<strong>in</strong>d of memory. In<br />

some respects history becomes a form of collective memory or vice versa, where both history - as the<br />

19 Robert Bevan, The Destruction of <strong>Memory</strong>: Architecture at War (London: Reaktion, 2006), p.185.<br />

20 Andreas Huyssen, Twilight Memories: Mark<strong>in</strong>g Time <strong>in</strong> a Culture of Amnesia (London <strong>and</strong> New York: Routledge, 1995), p.2.<br />

21 At times it has been considered politically expedient to attempt to differentiate Apartheid from colonialism, a dist<strong>in</strong>ction that is<br />

problematic <strong>in</strong> how it characterises history. The complexities of this are discussed <strong>in</strong> Chapter Two.<br />

14

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