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Selfbows<br />

What is a selfbow? One solid piece<br />

of wood, carved from a tree and<br />

finessed into an arc. The journey<br />

to the final product is just as important to me<br />

as the finished bow. That is obviously the<br />

bowyer in me talking. Many people who<br />

shoot selfbows never see the bow in stave<br />

form or have any idea what tools were used<br />

in its construction. I don’t consider myself a<br />

purist by any means. I use many traditional<br />

tools and techniques in making bows,<br />

arrows, and points, but I don’t craft my bows<br />

with flakes of chert or sandstone blocks.<br />

There may be an undefined line between a<br />

“Traditionalist” and a “Purist.” <strong>In</strong> whatever<br />

category I may fall, one thing is for certain—<br />

I love my hand tools!<br />

I see many pictures of folks building<br />

bows with band saws and other power tools.<br />

I don’t shun or put down anyone for using a<br />

power tool. I’m not arrogant enough to tell<br />

someone that they are not doing it correctly.<br />

That which is correct is that which best takes<br />

you down the road to success. I have seen<br />

many a fine bow cut out with a band saw and<br />

even a few cut laser straight on a table saw.<br />

For me, the best approach is through the use<br />

60<br />

and<br />

B y R y a n G i l l<br />

Hand Tools<br />

www.<strong>Primitive</strong><strong>Archer</strong>.com Volume 21 <strong>Issue</strong> 1<br />

of a couple good hand tools, a hatchet, a<br />

machete, and a straight handled<br />

drawknife\scraper. Some would say, “Sure,<br />

it’s easy to say you don’t like a band saw until<br />

you have used one.” Agreed. I do in fact have<br />

one and have used it a few times. There is<br />

something about the whine of the blade and<br />

hum of the motor that is very impersonal to<br />

me. The wood may have taken decades to<br />

grow, and in a few minutes I lop it off with<br />

little effort. Perhaps it’s out of respect for the<br />

wood that I work it by hand. I can appreciate<br />

the wood and the grain as I sweat through<br />

reducing a full stave into shavings and,<br />

eventually, into a floor tillered bow.<br />

The more bows I make, the more I realize<br />

that following the grain is ever important.<br />

Many bows are made with a perfect growth<br />

ring on the back, yet suffer greatly from<br />

excessive grain run-out. <strong>This</strong> is especially<br />

true with Osage. A good bow can actually be<br />

made with a fair amount of grain run-out,<br />

but a better bow would be obtained by<br />

following the grain as closely as possible. I<br />

have noticed that a bow’s “expiration” comes<br />

earlier when the grain is violated. For me,<br />

there is no better way to follow the grain<br />

The right hand side of the stave has been<br />

sawn straight while the left has been hand<br />

split. <strong>This</strong> is often the case with commercially<br />

bought staves. The straight line cut by the saw<br />

clearly cuts through the meandering grain<br />

leaving many places of grain run-out and<br />

encouraging lifted splinters or broken bows.<br />

than with a drawknife. Wood splits off where<br />

it wants to rather than being forced into<br />

compliance with hundreds of sawing teeth. A<br />

stave will tell you a lot if you take time to<br />

watch, feel, and listen.<br />

My favorite way to build a bow is by eye<br />

and feel. I measure a stave and mark center<br />

which can also easily be done with a length<br />

of cordage and dividing it in half. I like a<br />

center mark and that is all. The rest of the<br />

stave won’t have any pencil marks when I<br />

start. I begin by removing the obvious bits<br />

and lengths that will not be in my bow. I use<br />

a sharp machete or a hatchet if the wood is<br />

extra tough. I take plenty of time to “eye<br />

ball” the stave from different directions and<br />

remove wood slowly. As the stave takes a<br />

closer-to-finished form, I switch to the<br />

straight handled drawknife. The slow pull of<br />

the knife should follow the grain well.<br />

Although a dull knife is a great<br />

inconvenience, I have found too sharp a<br />

drawknife will cut through the grain instead<br />

of following it. There is a happy medium<br />

between bluntly splitting the wood and<br />

cutting it. Nothing but practice will tell you<br />

where that medium is.

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