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Best<br />
NYC<br />
EmErging<br />
Artists<br />
2012<br />
oF<br />
F rom<br />
#8 Ava Luna<br />
Led by ex-<strong>Deli</strong> aspiring intern Carlos<br />
Hernandez (he showed up one day!) avantsoul<br />
six-piece Ava Luna, after their first<br />
full-length release in March 2012, found<br />
themselves literally “pasted” on the cover of<br />
<strong>The</strong> <strong>Deli</strong>’s winter 2012 issue. Often described<br />
as “nervous soul,” the band’s music brings<br />
together opposites from the sonic spectrum:<br />
gritty sounds, distorted parts and menacing<br />
arrangements keep things tense and edgy,<br />
while pitch perfect three-part harmonies from<br />
their stellar backing singers sooth your ears.<br />
Call them a NYC paradox. (Paolo De Gregorio)<br />
#27 Zambri<br />
“Crash, bang, thud” go experimental pop<br />
outfit Zambri’s loud arrangements. <strong>The</strong> sisters<br />
Cristi Jo and Jessica Zambri surely spent<br />
many a rainy afternoon as children drumming<br />
incessantly on anything around them as their<br />
music is partially defined by their large scale<br />
percussion sections. Underneath the punishingly<br />
thumped drums lie dark, sinister synth<br />
arpeggios and wicked pop melodies, which<br />
blend together beautifully on their debut album<br />
House of Baasa, an accomplished and truly<br />
original piece among the recent flood of New<br />
York electronic records. (Dean Van Nguyen)<br />
#32 Illumntr<br />
Illumntr exists (mentally and audibly) on a different<br />
planet. Like a tripped out sonic loom,<br />
their combination of sounds and ideas produces<br />
a multicolored patchwork where vocals<br />
weave in and out, mingling with echoes, bells<br />
and jangles, timpani and synths. <strong>The</strong>se are not<br />
songs with hooks, meant to be easily digested<br />
and regurgitated. Instead, they are carefully<br />
constructed suites – pieces melding into one<br />
another with orchestral grace. (allison levin)<br />
#69 Xenia Rubinos<br />
Studio magic was not necessary to reveal<br />
Xenia Rubinos’ talent on her debut album<br />
Magic Trix. <strong>The</strong> record is charmingly do-it-yourself,<br />
and Rubinos proficiently and seamlessly<br />
bounds from genres and styles as she does<br />
from English to Spanish – sampling soul, funk,<br />
hip hop, rock, pop and Spanish folk. <strong>The</strong> eclectic<br />
songs effectively display the range of her<br />
pliant voice as she sweetly croons one moment<br />
and spits out blasting rhymes the next over<br />
minimalistic instrumentation. (Nancy Chow)<br />
#77 Cuddle Magic<br />
Composed entirely by classically trained musi-<br />
the deli_32 Spring 2012<br />
avant indie<br />
+ noise rock<br />
<strong>The</strong> Velvet Underground to Sonic Youth to Dirty Projectors, the<br />
NYC scene has always been known for its forward-looking tendencies.<br />
<strong>The</strong>se two genres group the more experimental NYC artists.<br />
In One Wind<br />
XeNia Rubinos<br />
cians (6 of them) Cuddle Magic has been<br />
spreading their fascinating music through the<br />
world since 2008. <strong>The</strong>ir latest release, Info<br />
Nymph, is a piece of art full of stories, literature<br />
and artwork, wrapped into an unusual<br />
take on traditional songwriting. <strong>The</strong> band is<br />
both intense and soft, wrapping you snuggly<br />
with their mellow vocals while keeping you<br />
interested and connected through their quirky<br />
orchestrations. (Christina Morelli)<br />
#84 In One Wind<br />
Blending and often juxtaposing elements of<br />
pretty much any genre out there, from pop<br />
to doo-wop jazz, from Americana to math<br />
rock, and using all sorts of instruments<br />
to do so, Brooklyn’s In One Wind can be<br />
described as a big musical carousel. This<br />
is obviously a group of musicians, who are<br />
trying to find new sonic paths within the pop<br />
realm, and their compositions succeed in<br />
being at once entertaining and interesting,<br />
which both pop and experimental music<br />
often fail to achieve. (Mike Levine)<br />
Photo: Shervin Lainez<br />
#97 YVETTE<br />
Marrying the rediscovery of ritual music with<br />
noise rock, industrial duo YVETTE carves<br />
out their tribal energy with religious devotion<br />
and knife-stabbing intensity. <strong>The</strong>ir debut selftitled<br />
EP is a primal meditation without all the<br />
psychedelic trappings. Making no apologies<br />
to analog originalists, their construction of<br />
LOUD, grinding, sawtooth synths is all digital.<br />
However, I doubt anyone will mind how<br />
they’ve built their saturated, washy textures. In<br />
a town blanketed in beach bands, YVETTE is<br />
a much-needed wake-up call. (Mike Levine)<br />
#100 Happy New Year<br />
Happy New Year doesn’t worry about making<br />
a noisy mess; things will work themselves out<br />
eventually. In the opener to her two-track EP<br />
Twins, singer/songwriter/noise-maker Eleanor<br />
Logan allows a deep bed of noise to envelope<br />
her airy vocals entirely for a good minute and<br />
a half prior to the drums kicking in. But once<br />
things get going, her works take on a life all<br />
their own. (Mike Levine)<br />
illumntr<br />
Photo: Chris Becker<br />
Avant Indie<br />
/Noise Rock Top 20<br />
<strong>The</strong> <strong>Deli</strong>’s<br />
Web Buzz Charts<br />
1. Animal Collective<br />
2. Black Dice<br />
3. Sonic Youth<br />
4. Grizzly Bear<br />
5. Dirty Projectors<br />
6. Yeasayer<br />
7. Yo La Tengo<br />
8. Department of Eagles<br />
9. Gang Gang Dance<br />
10. A Place to Bury Strangers<br />
11. Thurston Moore<br />
12. Kaki King<br />
13. <strong>The</strong> Fiery Furnaces<br />
14. Rasputina<br />
15. Avey Tare<br />
16. Son Lux<br />
17. Mice Parade<br />
18. Zs<br />
19. Rubblebucket<br />
20. Marnie Stern<br />
Check out our<br />
self-generating online charts:<br />
thedelimagazine.com/charts