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Durand Heritage Foundation Newsletter

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Summer, 2003 <strong>Durand</strong> <strong>Heritage</strong> <strong>Foundation</strong> <strong>Newsletter</strong><br />

I’ve been intrigued lately by a flicker of memory about<br />

something my father once said. In speaking of our<br />

French-Canadian ancestors he said that one of them had<br />

been given an island in the St. Lawrence River for fighting<br />

in a war. Like any kid I wondered if the island was<br />

still in the family and whether it might be named <strong>Durand</strong><br />

Island and whether we might secretly be rich. But<br />

in the atlas at our high school library I could find no <strong>Durand</strong><br />

Island and soon put the matter out of my mind.<br />

While looking at maps on the internet a year or so ago,<br />

however, I noticed a little island situated near the mouth<br />

of the Cap Rouge River, the area that I now know was<br />

where Jean <strong>Durand</strong> dit La Fortune acquired his first<br />

land. What got me looking, I think, was<br />

a passage I had read in Jean <strong>Durand</strong> et<br />

sa Posterité. Discussing the arrangement<br />

that Jean <strong>Durand</strong> made with a<br />

Charles Gautier (who was apparently<br />

Jean's boss for the three years he spent<br />

in military service) we read on page 20:<br />

"…Jean <strong>Durand</strong> receives on a three-year lease, from<br />

Charles Gautier called Boisverdun, a property situated at<br />

Cap-Rouge in the domain of Gaudarville, one part of<br />

which is farm land and the other is thickly wooded; a<br />

fishing location running in front of the land; and a small<br />

fort situated on an island."<br />

We can only speculate about why there was a small<br />

fort on what is a pretty small island, or how long the fort<br />

had been there. Perhaps it was built as a place of refuge<br />

design in case of Indian attack, or perhaps it mounted a<br />

cannon or two to protect the mouth of the Cap Rouge.<br />

Those speculations don't seem nearly as important to<br />

me as the speculation of how my father came to know of<br />

this island. Consider this:<br />

1. Jean <strong>Durand</strong> et sa Posterité had not yet been published,<br />

and chances are that my father would not have<br />

known about such a work-in-progress anyway.<br />

2. So far as I know, my father had never been to the<br />

Cap Rouge area or had any connection with our relatives<br />

there.<br />

3. Having completed only a few grades of school, my<br />

father was not a reader.<br />

So the question has been nagging—how did he know<br />

about that island?<br />

The distance between Jean <strong>Durand</strong> dit La Fortune and<br />

my father was eight generations, and our family line<br />

has, so far as I am aware, no family history that someone<br />

wrote between then and now. So I keep coming<br />

back to the thought that the story of this island must<br />

have been passed down from generation to generation<br />

by word of mouth—by storytelling.<br />

Along the way the story got a little garbled. The island<br />

was not a gift but a lease. And it was awarded to Jean<br />

<strong>Durand</strong> for his military service rather than his participation<br />

in a particular war. But if I'm right and the story of<br />

For What It’s Worth<br />

By John <strong>Durand</strong><br />

19<br />

this little island was indeed passed down in the family<br />

for more than 300 years—well, my jaw kind of dropped<br />

when I had that realization.<br />

Although I couldn’t attend the first meeting of what<br />

has become the <strong>Durand</strong> <strong>Heritage</strong> <strong>Foundation</strong>, I sent<br />

Mike <strong>Durand</strong> some thoughts before the meeting on the<br />

idea that, if we want to preserve our family history, we<br />

really have to start writing things down—stories about<br />

our uncles and aunts and grandparents, who’s who in<br />

the pictures we have, how did such a thing come to pass,<br />

and so on. What I said must have resonated with the 12<br />

people in attendance at that meeting, because they nominated<br />

me in absentia to be the vice-president of an asyet-undefined<br />

organization.<br />

Well, four years later we are a char-<br />

tered not-for-profit corporation with a<br />

certain amount of organization stability,<br />

but we are still trying to solve those<br />

same problems.<br />

• How do we preserve our family<br />

stories?<br />

• How do we preserve our family pictures?<br />

• How do we preserve our important family documents—birth<br />

certificates, marriage licenses,<br />

awards and achievements?<br />

I’m not talking about just the old-timey stuff—black<br />

and white studio portraits of stiff-looking, unsmiling<br />

strangers. I’m talking too about us and our kids and our<br />

grandkids. Let me give you an example of why I still<br />

think this idea is still important.<br />

Last summer I attended a family reunion in Saskatchewan,<br />

Canada of my mother’s family, the first reunion of<br />

that family in decades. A guy from Oklahoma shows up<br />

with a suitcase full of pictures passed down to him by<br />

his father. He had no idea who the people in the pictures<br />

were. Once again my jaw dropped. What he lugged up<br />

to Canada were beautifully preserved pictures of my<br />

parents and brothers and sisters and uncles and aunts<br />

and cousins. Some of these pictures I had never seen.<br />

Once again the lesson to me was that we need a context<br />

for the things we preserve. If we don’t have a context<br />

an old-timey picture isn’t worth much. It’s the stories<br />

about people and things that gives a picture value.<br />

Here’s another example. When my mother was very<br />

old and I began to realize that she was going to die with<br />

a wealth of information about her family, I made an effort<br />

to learn a lot more than I knew about her childhood<br />

and growing up. One of the stories she told me was that<br />

her family had so many chimney fires in their house that<br />

her father nailed a ladder to the roof so that he could<br />

quickly climb up the steep slope with a bucket of water<br />

to pour down the chimney. And sure enough, on several<br />

pictures of their house we see an incongruous metal ladder<br />

on the steep roof pointed towards the chimney. If we<br />

didn’t know why, we could only wonder it was there.

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