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Technique of Stream of Consciousness in Faulkner's The - lapis lazuli

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Lapis Lazuli –An International Literary Journal / Vol.II/ Issue I /SPRING 2012 ISSN 2249-4529<br />

Quent<strong>in</strong> beg<strong>in</strong>s to contemplate suicide so that he will not have to forget the horror he now feels.<br />

He picks up his watch and twists the hands <strong>of</strong> the watch. Quent<strong>in</strong> symbolically tries to stop time<br />

before time allows him to forget his bereavement.<br />

If Mr.Compson is right and all human experience is absurd, then the grief that Quent<strong>in</strong> feels over<br />

Caddy‟s s<strong>in</strong>s is also absurd. <strong>The</strong>n all <strong>of</strong> Quent<strong>in</strong>‟s values are mean<strong>in</strong>gless. But Quent<strong>in</strong> cannot<br />

live without some values; therefore suicide is his only way to escape from the absurdity <strong>of</strong> life.<br />

When Quent<strong>in</strong> sits beside a Negro <strong>in</strong> the streetcar, he remembers Dilsey, the Negro_cook <strong>of</strong> his<br />

house. He th<strong>in</strong>ks <strong>of</strong> the difference between the northern and southern Negroes. <strong>The</strong> thought <strong>of</strong><br />

„home‟ recalls to his m<strong>in</strong>d the say<strong>in</strong>g <strong>of</strong> his mother that Jason is the only one who looks after her<br />

side <strong>of</strong> the family.<br />

“<strong>The</strong> others they are not my flesh and blood like he is, strangers noth<strong>in</strong>g <strong>of</strong> m<strong>in</strong>e and I am afraid<br />

<strong>of</strong> them, I can take Jason and go where we are not known” (<strong>The</strong> Sound and the Fury 79)<br />

Quent<strong>in</strong>‟s thoughts revert aga<strong>in</strong> and aga<strong>in</strong> to „Caddy‟. His meet<strong>in</strong>g with the Italian girl rem<strong>in</strong>ds<br />

him <strong>of</strong> the girl named „Natalie‟ whom Caddy branded as a dirty little girl. Quent<strong>in</strong> is rem<strong>in</strong>ded <strong>of</strong><br />

the day when he told Caddy that he would take care <strong>of</strong> her and Caddy‟s response. “I don‟t give a<br />

Goddam what you do” (<strong>The</strong> Sound and the Fury 106)<br />

Caddy‟s motivation beh<strong>in</strong>d her promiscuity is her <strong>in</strong>ner urge to reject all that Comp sons stand<br />

for. But Quent<strong>in</strong> is surely vexed over the promiscuity <strong>of</strong> Caddy. When his attempts to punish the<br />

seducers <strong>of</strong> Caddy fail, he is depressed over his <strong>in</strong>effectual actions. He decides to commit suicide<br />

to atone for Caddy‟s s<strong>in</strong>s.<br />

As we approach the end <strong>of</strong> Quent<strong>in</strong>‟s section, his memories become more devastat<strong>in</strong>g and<br />

horrible. Thoughts <strong>of</strong> the neurotic mother, the bellow<strong>in</strong>g Idiot Benjy, the cynical father<br />

htpp//www.p<strong>in</strong>tersociety.com

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