- Page 1 and 2: Procedures of Four-Part Writing Cho
- Page 3: Notation Style
- Page 7 and 8: Notation Style
- Page 9 and 10: Doubling Do not think of “double
- Page 11 and 12: Complete and Incomplete Chords Chor
- Page 13 and 14: Spacing Do not allow more than one
- Page 15 and 16: & 4 ? 2 bb b4 Exercises: Dominant T
- Page 17 and 18: Open and Close Position Open: a cho
- Page 19 and 20: Identifying Close and Open
- Page 21 and 22: Identifying Close and Open
- Page 23 and 24: Identifying Close and Open
- Page 25 and 26: Identifying Close and Open
- Page 27 and 28: Identifying Close and Open
- Page 29 and 30: Identifying Close and Open
- Page 31 and 32: Identifying Close and Open
- Page 33 and 34: Keyboard Style Comes from the old s
- Page 35 and 36: Melodic Motion
- Page 37 and 38: Melodic Motion Conjunct Motion Disj
- Page 39 and 40: Leaps Small leaps (up to about a fi
- Page 41 and 42: Leaps Small leaps (up to about a fi
- Page 43 and 44: Leaps Small leaps (up to about a fi
- Page 45 and 46: Leaps These are all good
- Page 47 and 48: Leaps poor Multiple leaps, som
- Page 49 and 50: Simultaneous Motion Parallel Motion
- Page 51 and 52: Simultaneous Motion Parallel Motion
- Page 53 and 54: Simultaneous Motion
- Page 55 and 56:
Simultaneous Motion Similar
- Page 57 and 58:
Simultaneous Motion
- Page 59 and 60:
Simultaneous Motion
- Page 61 and 62:
Simultaneous Motion Parallel
- Page 63 and 64:
Simultaneous Motion
- Page 65 and 66:
Simultaneous Motion
- Page 67 and 68:
Simultaneous Motion Parallel
- Page 69 and 70:
Simultaneous Motion
- Page 71 and 72:
Simultaneous Motion
- Page 73 and 74:
Simultaneous Motion Trick Ques
- Page 75 and 76:
Simultaneous Motion
- Page 77 and 78:
Simultaneous Motion
- Page 79 and 80:
Simultaneous Motion Contrary
- Page 81 and 82:
Simultaneous Motion
- Page 83 and 84:
Forbidden Parallel Motions
- Page 85 and 86:
Forbidden Parallel Motions Motion b
- Page 87 and 88:
Forbidden Contrary Motions
- Page 89 and 90:
Forbidden Contrary Motions Octaves
- Page 91 and 92:
Hidden (Direct) Motions Fifths
- Page 93 and 94:
Hidden (Direct) Motions
- Page 95 and 96:
Hidden (Direct) Motions Hidden, or
- Page 97 and 98:
Hidden (Direct) Motions Hidden, or
- Page 99 and 100:
Voice Crossing Forbidden for now
- Page 101 and 102:
Overlapping Forbidden for now
- Page 103 and 104:
Practice The following progression
- Page 105 and 106:
Doubled leading tone between bass a
- Page 107 and 108:
Parallel fifths between soprano and
- Page 109 and 110:
Parallel unison between tenor and a
- Page 111 and 112:
Overlap between alto and soprano
- Page 113 and 114:
Parallel fifth between bass and alt
- Page 115 and 116:
Improperly incomplete chord: no 3rd
- Page 117 and 118:
Parallel octaves between bass and s
- Page 119 and 120:
Voice crossing between tenor and al
- Page 121 and 122:
Parallel fifths between bass and te
- Page 123 and 124:
Voice crossing between tenor and al
- Page 125 and 126:
Voice crossing between tenor and al
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