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In the World of Men: Tagore's Arrival in the Spiritual Domain of ...

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439 Rupkatha Journal Vol 2 No 4<br />

For <strong>the</strong> time be<strong>in</strong>g <strong>the</strong> struggle cont<strong>in</strong>ues. <strong>In</strong> a letter dated 28 th March,<br />

1894, he writes:<br />

I am overwhelmed by this awareness <strong>of</strong> <strong>the</strong> baffl<strong>in</strong>g mystery with<strong>in</strong> me which I<br />

can nei<strong>the</strong>r understand nor control. I know not where it will take me or I it, I know<br />

not what I can do or cannot do. I cannot see, nor am I consulted about, what<br />

surges up <strong>in</strong> my heart, what flows <strong>in</strong> my ve<strong>in</strong>s, what stirs <strong>in</strong> my bra<strong>in</strong>, and yet I<br />

move about and keep up <strong>the</strong> pretence that I am <strong>the</strong> master <strong>of</strong> my thoughts and<br />

deeds. I am like a liv<strong>in</strong>g pian<strong>of</strong>orte with a complicated network <strong>of</strong> wires hidden<br />

with<strong>in</strong> it, but what makes it play and who comes suddenly to play on it and when<br />

and why, I do not know. I can only know what is be<strong>in</strong>g p-laye4d at <strong>the</strong> moment,<br />

whe<strong>the</strong>r <strong>the</strong> keys are struck <strong>in</strong> joy or <strong>in</strong> sorrow, whe<strong>the</strong>r <strong>the</strong> notes are sharp or<br />

flat, high-pitched or low, whe<strong>the</strong>r <strong>the</strong> music is <strong>in</strong> tune or out <strong>of</strong> tune,- but wait, do I<br />

really know even that? 43<br />

It is that Providence, that life long companion, Jiban Debata, who has<br />

seated at <strong>the</strong> helm <strong>of</strong> his boat and is steer<strong>in</strong>g it, this time to <strong>the</strong> fa<strong>in</strong>t smiles and<br />

big drops <strong>of</strong> tears, ris<strong>in</strong>g and fall<strong>in</strong>g like endless waves, <strong>in</strong> <strong>the</strong> complex labyr<strong>in</strong>th<br />

<strong>of</strong> life <strong>in</strong> rural Bengal. Out <strong>of</strong> this contact emerge Manasi (Of <strong>the</strong> M<strong>in</strong>d, 1890),<br />

Sonar Tori (The Golden Boat, 1894) and <strong>the</strong> short stories.<br />

<strong>In</strong> a letter to one <strong>of</strong> his friends Rab<strong>in</strong>dranath tried to answer <strong>the</strong> query as<br />

to who was <strong>the</strong> object <strong>of</strong> his love poems <strong>in</strong> Manasi:<br />

Man’s crav<strong>in</strong>gs are unlimited, his capacity and reach very limited, and so he<br />

builds up <strong>in</strong> his m<strong>in</strong>d an image <strong>of</strong> his desires which he can adore. The beloved <strong>in</strong><br />

Manasi poems is <strong>of</strong> <strong>the</strong> m<strong>in</strong>d only. It is my first, tentative, <strong>in</strong>complete image <strong>of</strong><br />

God. Will I ever be able to complete it? 44<br />

Manasi is no particular woman <strong>of</strong> this earth, but one who resides <strong>in</strong> <strong>the</strong> m<strong>in</strong>d<br />

only. Seek<strong>in</strong>g her, results <strong>in</strong>to not possession, but evermore unrest and fur<strong>the</strong>r<br />

seek<strong>in</strong>g only. <strong>In</strong> one <strong>of</strong> his poems, <strong>the</strong> poet asks:<br />

Who will make me mad once aga<strong>in</strong>? This heart, cold, <strong>in</strong>different and virtuous, is<br />

become like a stone. Whose eyes will make <strong>the</strong> founta<strong>in</strong> flow out <strong>of</strong> this very<br />

rock? But what happens when such a one comes? I come near, I hold her hands,<br />

I crush her aga<strong>in</strong>st my heart, want<strong>in</strong>g to suck all her lovel<strong>in</strong>ess <strong>in</strong>to me, to loot<br />

with my kisses <strong>the</strong> smiles on her lips, to trap her glances for ever <strong>in</strong>to my eyes.<br />

No, It’s all a va<strong>in</strong> chas<strong>in</strong>g, a grabb<strong>in</strong>g <strong>of</strong> empt<strong>in</strong>ess, like stra<strong>in</strong><strong>in</strong>g <strong>the</strong> blue <strong>of</strong> <strong>the</strong><br />

sky. The body is <strong>the</strong>re <strong>in</strong> <strong>the</strong> arms, <strong>the</strong> beauty flees, <strong>the</strong> wear<strong>in</strong>ess rema<strong>in</strong>s. At<br />

dawn I return home, weary and shamefaced. What is <strong>of</strong> <strong>the</strong> m<strong>in</strong>d,- how can it be<br />

found <strong>in</strong> <strong>the</strong> body? 45<br />

The quest cont<strong>in</strong>ues <strong>in</strong> <strong>the</strong> next volume and this time, <strong>the</strong> poet does f<strong>in</strong>d <strong>the</strong><br />

golden boat, his long cherished dream. But <strong>the</strong> boatman, he dimly recognizes.<br />

The boat collects all his harvest, <strong>the</strong>n sails away, leav<strong>in</strong>g him beh<strong>in</strong>d, forlorn.<br />

Obviously, <strong>the</strong> poet’s search has still not met his target. But what is important for<br />

him, is that he has not left <strong>the</strong> chase:<br />

I clasp your hands, and my heart plunges <strong>in</strong>to

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