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OVERUSE INJURIES AND PIANO TECHNIQUE - Institutional ...

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group.! 4 Potential problems in the anatomy, such as a very short finger, may<br />

be thus identified and the technique of the individual can be modified in<br />

order to prevent injury. Wagner also suggests that his data may also<br />

contribute to the development of an ergonomically improved keyboard.!5<br />

Dr. Sang-Hie Lee built upon the work of Wagner in conducting his<br />

study at the University of Alabama. Lee's study concerned itself with whether<br />

or not pianists' hand ergonomics affected temporal and dynamic touch<br />

control.! 6 The study developed a methodology to examine the impact of<br />

eight essential hand ergonomic variables upon five piano performance<br />

variables. Thirteen skilled pianists submitted to detailed hand measurements<br />

and then performed two technical prototype exercises by Cortot. Their<br />

performances were evaluated via a MIDI interface between a Yamaha digital<br />

keyboard and the software program Total Music which displays: (1) pitch,<br />

duration, and dynamics in histogram form; (2) a grand staff in which the<br />

section of music played appears in standard notation; and (3) raw MIDI data<br />

displayed in alphanimieric form which provide the pitch by number and<br />

name, a reading on temporal key events by a clock time of 96 beats per quarter<br />

note, and the velocity of key descent. The first exercise played was a five-<br />

finger pattern for the right hand with a polyphonically sustained note on F,<br />

held with the fourth finger. The second excerpt was a left-hand arpeggio<br />

requiring hand spread, crossing the hand over the thumb, and upper arm<br />

rotation at the shoulder. Lee found that in performance of both exercises, the<br />

size of the hand itself had little influence on touch control. Joint mobility<br />

!4 Ibid., 127.<br />

!5 Ibid.<br />

! 6 Sang-Hie Lee, "Pianists'Hand Ergonomics and Touch Control," Medica/ Problems of<br />

Performing Artists 5, Q\me 1990): 72-8<br />

11

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