The thirty-six dramatic situations
The thirty-six dramatic situations
The thirty-six dramatic situations
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THIRTY-FOURTH SITUATION<br />
REMORSE<br />
(<strong>The</strong> Culprit; the Victim or the Sin; the Interrogator)<br />
A 1 Remorse for an Unknown Crime:<br />
"Manfred" and other creations of Byron; the last of<br />
the great English dramatists, he was likewise the last<br />
adversary of Cant, which, having killed art in Spain<br />
under the name of the Inquisition, in England the first<br />
time under the name of Puritanism and in Germany<br />
under the name of Pietism, today presents itself in<br />
France, in the guise of ... Monsieur Berenger.<br />
Remorse for a Parricide: "<strong>The</strong> Eumenides"<br />
of Aeschylus; the "Orestes*' of Euripides, of Voltaire<br />
and of Alfieri; "Le Goitre" (Verhaeren).<br />
3 Remorse for an Assassination: "(rime ami<br />
Punishment" Dostoievsky, L888); "Le CoeUT Ivevelateur"<br />
after Poe, by Aumann, 1889). For a .Judicial<br />
Murder: "L'Eclaboussure" Geraldy, L910).<br />
(A) Remorse for the Murder of Husband or<br />
Wife: '<strong>The</strong>rese Raquin" by Zola; "Pierrot, Assassin<br />
de sa l-'emme" pan] Marguentte, 18B8 .<br />
B l Remorse<br />
leine" Zola, L889 ,<br />
for a Fault of Love: "Made-<br />
2 Remorse for an Adultery: "Count Witold"<br />
Rzewuski, L889 ; "Le Scandale" Bataille, L909).<br />
With P> l there are connected, in one respect, the<br />
plays classed in A l of Situation XXVII.<br />
LIS