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Florida's Premiere Dance Magazine - The Dance Magazine of Florida

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www.dancemagflorida.com<br />

Jupiter <strong>Dance</strong> Academy<br />

Under direction <strong>of</strong> Debra Conrad<br />

Welcomes new staff members.<br />

J u p i t e r D a n c e A c a d e m y w e l -<br />

comes instructor Lisa Langford to our staff<br />

for the 2011-2012 dance season. Lisa received<br />

her BA in <strong>The</strong>atre Arts<br />

and <strong>Dance</strong> from Palm Beach<br />

Atlantic University and has<br />

studied under various instructors<br />

in South <strong>Florida</strong> and New<br />

York City. She was formerly<br />

on staff and a company member at Klein<br />

<strong>Dance</strong> and directed the Middle School <strong>Dance</strong><br />

Program at the Benjamin School. Lisa brings<br />

with her a vast teaching background in jazz,<br />

tap, hip hop and modern. She is currently a<br />

member <strong>of</strong> Anna Preston <strong>Dance</strong>rs.<br />

We also welcome back instructor Rondell<br />

Stowe. Rondell is a trained hip-hop, jazz,<br />

lyrical, modern, contemporary<br />

& cheer dancer originally from<br />

Brooklyn, New York. As a<br />

pr<strong>of</strong>essional choreographer he<br />

has worked with Coca-Cola,<br />

MTV, Elle <strong>Magazine</strong> photographer<br />

Michael McCabe, and is<br />

a dance instructor for Wilhelmina<br />

model McKenna Crawford. Rondell is<br />

also the creator <strong>of</strong> Hip-Hop 2 Health, a dance<br />

and fitness program for kids and adults run<br />

throughout <strong>The</strong> Boys & Girls Club, schools<br />

and gyms.<br />

Ste F, 861 Jupiter Park Drive, Jupiter, FL 33458<br />

(561) 747-71334 Jupiterdance1@aol.com<br />

www.jupiterdanceacademy.com<br />

Arts <strong>Dance</strong> Generation<br />

School <strong>of</strong> Ballet Arts <strong>Dance</strong> Company<br />

During the summer School <strong>of</strong> Ballet Arts was<br />

excited to have Jeremy Coachman choreograph a<br />

new and original piece for the new Company<br />

members <strong>of</strong> Arts <strong>Dance</strong> Generation. Arts <strong>Dance</strong><br />

Generation is the <strong>of</strong>ficial not-for-pr<strong>of</strong>it dance<br />

company <strong>of</strong> School <strong>of</strong> Ballet Arts.<br />

Presently, School <strong>of</strong> Ballet Arts is in need <strong>of</strong><br />

pr<strong>of</strong>essional dancers, especially boys. <strong>The</strong>y are<br />

<strong>of</strong>fering three [3] weeks contracts for the months<br />

<strong>of</strong> December, March and May. Please send a<br />

video or call for audition information at 561-577-<br />

5355.<br />

Upcoming shows: Nutcracker - December 17<br />

and 18 (school and company) at the Wellington<br />

high school theater, Dracula on March 23 ,24<br />

(only company) at the Dreyfoos school <strong>of</strong> the<br />

Arts, and a mix bill along with Don Quixote on<br />

June 16 ,17 (company and school) at the Wellington<br />

high school theater . Join us on Facebook!<br />

Contact: Deborah Marquez. www.school<br />

<strong>of</strong> ballet artsfl.com<br />

<strong>Dance</strong> Highlights<br />

What’s going on in <strong><strong>Florida</strong>'s</strong> <strong>Dance</strong> Communities!<br />

EDWARD VILLELLA<br />

To depart <strong>The</strong> Company at the<br />

end <strong>of</strong> the 2012-2013 season<br />

Ron Esserman, Interim President <strong>of</strong> Miami<br />

City Ballet's Board <strong>of</strong> Trustees announced today<br />

that Edward Villella, the company's founding and<br />

current Artistic Director, will be departing at the<br />

end <strong>of</strong> the 2012-2013 season, twenty-nine years<br />

after his first discussions about creating a classical<br />

ballet company in Miami. Villella is leaving<br />

to continue his pr<strong>of</strong>essional life.<br />

Esserman states: “As we all know, Edward<br />

has had an extraordinary success. From its modest<br />

beginnings – nineteen dancers in a storefront<br />

on Lincoln Road in Miami Beach and a budget <strong>of</strong><br />

one million dollars – MCB has grown into a firstrank<br />

artistic institution, recognized nationally and<br />

internationally as a leading force in American<br />

ballet.<br />

As Edward has written: "My ambition from<br />

the start was to give Miami and South <strong>Florida</strong> a<br />

major dance company; my strategy was to proceed<br />

carefully and steadily, evolving rather than<br />

over-extending. Today it's no longer a fledgling<br />

operation with a limited repertory (almost entirely<br />

Balanchine) and an even more limited<br />

budget. Instead, it's a 45-plus group <strong>of</strong> brilliant<br />

dancers and has a range <strong>of</strong> ballets that stretches<br />

from the classics – Giselle, Coppélia, Don Quixote,<br />

Romeo and Juliet – to the choicest works by<br />

Balanchine's greatest successors (Jerome Robbins,<br />

Paul Taylor, Twyla Tharp). And recently<br />

we've been fortunate enough to be in a position to<br />

commission new works – the heart <strong>of</strong> every ballet<br />

company – from masters like Tharp and Alexei<br />

Ratmansky to Liam Scarlett, the youngest choreographer<br />

ever to be invited to create a new work<br />

for the main stage <strong>of</strong> Britain's Royal Ballet."<br />

"In thinking about my career," said Villella,<br />

"first as a principal dancer at New York City<br />

Ballet and later as the Founding Artistic Director<br />

<strong>of</strong> Miami City Ballet - there are two moments<br />

that really stand out for me and represent the<br />

zenith <strong>of</strong> my life as a working artist. <strong>The</strong> first<br />

moment came in Moscow in 1962 during<br />

the Cuban missile crisis. Despite the enormous<br />

ideological divide, the Soviet audience<br />

embraced me as a dancer and called me out<br />

for an unprecedented encore following my<br />

performance. <strong>The</strong> second moment came<br />

this past July in Paris when Miami City Ballet<br />

made its debut in a three-week season at<br />

the famed Théâtre du Châtelet. This time it<br />

was my dancers who received standing ovations<br />

and a wildly enthusiastic response<br />

from the Parisian audiences.<br />

“I couldn't have been more proud <strong>of</strong> their<br />

accomplishments." "My plan," continued<br />

Villella, "is to build a bridge upon the enormous<br />

success we had in Paris, so that our<br />

Board <strong>of</strong> Trustees and South <strong>Florida</strong> communities<br />

can go the next step when I depart<br />

in two years."<br />

9<br />

Interim Board President Ron Esserman<br />

further states: "Speaking for our Board, for<br />

the Company itself and for the entire community,<br />

I want to express our deepest gratitude<br />

and admiration for the achievements <strong>of</strong><br />

this artistic genius. I also want to take this<br />

opportunity to express my personal affection<br />

for this extraordinary man. It has been a<br />

privilege to work with, and for, him.<br />

In order to preserve continuity <strong>of</strong> purpose<br />

and the great legacy Edward is leaving us<br />

with, we are beginning the search for his<br />

successor. We can only hope that we manage<br />

to find someone worthy to fill his<br />

shoes."<br />

Miami City Ballet‟s 26th season opens<br />

October 21, 2011 and runs through April 15,<br />

2012 at the Adrienne Arsht Center in Miami,<br />

Broward Center in Fort Lauderdale and<br />

Kravis Center in West Palm Beach.<br />

For tickets, call (305) 929-7010 or toll-free<br />

(877) 929-7010 or visit miamicityballet.org.

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