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LeftLiberty 1 - The Libertarian Labyrinth

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<strong>LeftLiberty</strong>: <strong>The</strong> Unfinished Business of Liberty<br />

"<strong>The</strong> antimony does not resolve itself." It is not resolved. This is the key<br />

to Proudhon's later work. In 1840, when he published What is Property? he<br />

believed in the possibility of a rather vague, more or less Hegelian,<br />

"synthesis of communism and property." By 1846, and his System of<br />

Economic Contradictions, he had developed a general theory within which<br />

social manifestations, ideas and institutions, were assumed to have both<br />

positive and negative aspects, which resolved somehow through dialectical<br />

conflict into a higher synthesis. This was the work of which Marx was so<br />

critical, and it is in many ways not really convincing, despite a lot of<br />

interesting insights, largely because Proudhon had yet to untangle his<br />

analysis of progress, specifically the progress of the Revolution in the realm<br />

of Humanity, a collective being, from his dialectical analysis. By the time he<br />

wrote <strong>The</strong> Philosophy of Progress, he seems to have advanced a number of<br />

steps in that clarifying process. Arguably, it is Fourier, with his serial<br />

analysis, who looms largest in the background of that work. <strong>The</strong> work is full<br />

of long series of approximations, none of which are "true," and all of which<br />

respond to a developmental "law" which is certainly not portrayed as simply<br />

a matter of better and better balances.<br />

<strong>The</strong>re is a developmental analysis, tracing the character of Proudhon's<br />

dialectic and serial analysis through a number of works, including the<br />

overtly Fourierist Creation of Order in Mankind, which it would be<br />

premature—for me, at least—to attempt at the moment, but we can certainly<br />

mark some key questions here, and we can read <strong>The</strong> Philosophy of Progress<br />

with the later developments in mind.<br />

<strong>The</strong> Foreward<br />

In the opening pages of the essay, Proudhon paints a picture of France<br />

as a nation fundamentally at odds with itself, which "profits at this moment<br />

only by the very ideas that it has proscribed." "Every era," he says, "is ruled<br />

by an idea," however much it may struggle against it, apparently. <strong>The</strong> state<br />

of France, its impasse, he seems to suggest, expresses, if in a somewhat<br />

backhanded manner, the idea which ought to free it,—Democracy, or<br />

perhaps Progress. This is not the first place where Proudhon gestures<br />

towards a "general idea" and then provides us with some options. What is<br />

Property? suffers, if that is the right word, from similar ambiguities. But<br />

this is one of the places where a serial analysis may serve us, though on a<br />

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