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Book of Abstracts - phase 14 - elektroninen.indd - Oulu

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Digital Humanities 2008<br />

_____________________________________________________________________________<br />

DH2008: ADHO Session<br />

‘Digital resources in<br />

humanities research:<br />

Evidence <strong>of</strong> value (2)’<br />

Chair<br />

Harold Short<br />

harold.short@kcl.ac.uk<br />

King’s College London, UK<br />

Panelists<br />

David Hoover<br />

david.hoover@nyu.edu<br />

New York University, USA<br />

Lorna Hughes<br />

lorna.hughes@kcl.ac.uk<br />

King’s College London, UK<br />

David Robey<br />

d.j.b.robey@reading.ac.uk<br />

Arts and Humanities Research Council, UK<br />

John Unsworth<br />

unsworth@uiuc.edu<br />

University <strong>of</strong> Illinois, Urbana-Champaign, USA<br />

This takes further the issues discussed at the ALLC session at<br />

DH2007.<br />

While most <strong>of</strong> us who do humanities computing need no<br />

convincing <strong>of</strong> its value, academic colleagues - including those<br />

on appointment and promotion panels - still need to be<br />

convinced, and even more so funders. If we want backing for<br />

the use and further development <strong>of</strong> digital resources, both data<br />

and processes, we need to collect more extensive concrete<br />

evidence <strong>of</strong> the ways in which they enable us to do research<br />

better, or to do research we would not otherwise be able to<br />

do, or to generate new knowledge in entirely new ways. Since<br />

the value <strong>of</strong> humanities research as a whole is qualitative, not<br />

quantitative, it is qualitative evidence in particular we should be<br />

looking for: digital resources providing the means not simply<br />

<strong>of</strong> doing research, but <strong>of</strong> doing excellent research.<br />

The DH2007 panel session discussed a wide range <strong>of</strong> general<br />

issues arising in the discussion <strong>of</strong> the value <strong>of</strong> humanities<br />

computing, both in terms <strong>of</strong> its impact and results, and in<br />

terms <strong>of</strong> the intrinsic structures and qualities <strong>of</strong> digital objects<br />

created for research purposes.<br />

The present panel session takes this further one the one hand<br />

by presenting recent work in the UK that has systematically<br />

tried to capture the value <strong>of</strong> humanities computing support<br />

activities, <strong>of</strong> digital tools development projects, and in general<br />

<strong>of</strong> the impact <strong>of</strong> <strong>of</strong> digital methods on research in the arts and<br />

humanities. Lorna Hughes and David Robey will discuss the<br />

results <strong>of</strong> the evaluation process at the end <strong>of</strong> the AHRC ICT<br />

Methods Network at King’s College London, and <strong>of</strong> related<br />

work on a set <strong>of</strong> resource-development projects funded by<br />

the AHRC ICT in Arts and Humanities Research Programme.<br />

John Unsworth and David Hoover will take a somewhat<br />

more anecdotal approach, and one that emphasizes North<br />

America rather than the UK. They will focus on a variety <strong>of</strong><br />

ways <strong>of</strong> assessing and enhancing the value <strong>of</strong> digital humanities<br />

research in the areas <strong>of</strong> access, analysis, and advancing one’s<br />

career. What kinds and levels <strong>of</strong> access to digital material have<br />

the most impact? What kinds <strong>of</strong> analysis and presentation,<br />

and what venues <strong>of</strong> publication or dissemination are most<br />

persuasive and effective? How does or can the exploitation <strong>of</strong><br />

digital materials enhance the career <strong>of</strong> the (digital) humanist?<br />

We hope that participants from other countries will contribute<br />

their points <strong>of</strong> view in the discussion.<br />

_____________________________________________________________________________<br />

31

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