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The classical bulletin - Creighton University BSCW

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34 book Reviews<br />

<strong>The</strong> editors identify their book as a hybrid of different scholarly genres: a<br />

combination of the monograph (it is univocal in that each chapter focuses<br />

on a specific topic), the edited volume (it contains multiple interpretations<br />

and approaches), and a commentary (it focuses on one book and analyses<br />

it chronologically). This self-reflexive approach usefully frames the volume<br />

in Herodotean terms and provides an ideal format for modeling Herodotus’<br />

own approach to historiography—gathering multiple voices and approaches<br />

and unifying them under one narrative umbrella.<br />

Elizabeth Irwin provides an auspicious start with an insightful chapter<br />

analyzing two seemingly inconsequential logoi: a historical anecdote about the<br />

Paionians followed by an ethnographic account of the Thracians. Building on<br />

this approach, Robin Osborne argues persuasively for the narrative and thematic<br />

significance of two, again, seemingly unconnected logoi (historical then<br />

ethnographic) about two Paionian tribes. David Fearn explores the ways in<br />

which Alexander I and the Macedonians are portrayed as pro-Greek though<br />

their cultural and political credentials are undermined by the narrative. <strong>The</strong><br />

logos of Darius’ bridge over the Hellespont provides Emily Greenwood with<br />

the perfect opportunity to examine the geographical, cultural, and textual<br />

implications of the bridge metaphor. In her excellent and engagingly written<br />

chapter, Rosaria Munson argues that Herodotus absorbs and transcends<br />

competing oral traditions surrounding the Ionian revolt, often undercutting<br />

the political motivations that gave rise to them. Simon Hornblower examines<br />

the ways in which the Dorieus episode dramatizes the interconnectedness of<br />

events in and around the Mediterranean. Christopher Pelling analyzes the<br />

use of the words diaballein and eupetees in Aristagoras’ bid to garner support<br />

for the Ionian Revolt and concludes that Aristagoras’ ability to “put one over”<br />

on the “pushover” Athenians raises questions about the validity of Athenian<br />

and Spartan national stereotypes. Vivienne Gray argues that Herodotus’ digressions<br />

about the ancestry of prominent figures in Athenian history (Harmodius,<br />

Aristogeiton, and Cleisthenes) casts the relationship between Athens<br />

and Ionia in ambivalent terms and reflects the ideological tension contained<br />

in different attitudes to Ionianism at the time. Johannes Haubold expands<br />

Gray’s political and cross-genre approach by mapping the digression on the<br />

beginning of Athenian-Aeginetan hostilities onto early poetic models of historical<br />

change—from divine to human agency, from sacred aetiologies to cultural<br />

politics. In his chapter on Socles’ speech against tyranny, John Moles first<br />

addresses the questions of whether the speech is any good (it is) and whether<br />

it was appropriate for the occasion (it was). He then argues that through this<br />

speech Herodotus asserts the value of democratic ideals and the necessity of<br />

striving to live up to them despite the Athenians’ own frequent failures to do<br />

so. Anastasia Serghidou’s nuanced and stimulating chapter examines how<br />

Herodotus exploits Cyprus’ own ambivalent representations of its identity in<br />

relation to Hellenicity and Persian rule.<br />

Like the Histories itself, each of these essays investigates the seemingly<br />

insignificant in connection with larger historical and narrative patterns and<br />

reflects upon the ambiguity and the shifting nature of the lessons of the past.<br />

As such, they act as an object lesson in Herodotus’ goals and methods. It is

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