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Restoring Baird's Image - IET Digital Library

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Foreword<br />

'Well what's the good of it when you've got it. What useful purpose will it<br />

serve?'<br />

Frith Street, London on a cold wet January night in 1926, the group of<br />

eminent scientists from the Royal Institution had struggled up a series of<br />

dank narrow stairs to witness the demonstration of a new invention. On the<br />

whole, they were not impressed. Whilst most of them felt that the shrouded<br />

equipment hid some trickery, some went so far as to denounce the inventor<br />

as an 'absolute swindler'. Only a handful of the forty or so visitors that<br />

night had anything positive to say about what they had seen.<br />

In his excitement and enthusiasm the inventor seems to have misread<br />

the reaction. Writing later he said, 'I was certainly gratified by the interest<br />

and enthusiasm. The audience were for the most part men of vision who<br />

realised that in these tiny flickering images they were witnessing the birth<br />

of a great industry.'<br />

With hindsight we know that John Logie Baird was correct in his belief<br />

that it was the "birth of a great industry". We also know that no one (not<br />

even Baird) had any inkling of how great and powerful that industry was to<br />

become. With that same hindsight we can also begin to plot the changing<br />

public perceptions of <strong>Baird's</strong> achievements.<br />

By the time BBC 405-line television started in 1936, Baird had travelled<br />

from obscurity to triumph to uncertainty. A few more months and he had<br />

begun the slide back into obscurity. For the next ten years he continued<br />

research, mainly into large-screen television and high definition colour<br />

where he produced some stunning developments. These, and many of his<br />

other television "firsts" such as stereoscopy, infrared, outside broadcasts,<br />

transatlantic television, video recording and colour go unrecognised by the<br />

public.<br />

The mechanical television system he championed was, like its inventor,<br />

thrown on to the scrap heap by the mid 1930s, written off as an inferior,<br />

low-tech solution. It is rather surprising then that several elements of<br />

<strong>Baird's</strong> system resurfaced at CBS in 1950 (field-sequential colour), at<br />

Mullard in 1960 (the Banana tube) and on the moon in 1969 (Apollo 12 TV<br />

camera). Mechanical scanning is widely used today in fax machines,

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