Guests gather to say thank you to Corinne - New England ...
Guests gather to say thank you to Corinne - New England ...
Guests gather to say thank you to Corinne - New England ...
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WORKSHOP<br />
Paul Holley Choral Conducting<br />
Since singing is so good a thing, I<br />
wish all men would learn <strong>to</strong> sing.<br />
William Byrd (1543-1623) English composer<br />
If one is <strong>to</strong> take note of the breadth of singing and<br />
choral music in Armidale in 2009 it would be quite obvious<br />
that many not only “learn <strong>to</strong> sing” but thoroughly<br />
enjoy singing <strong>to</strong>gether in the choral setting. Entries in<br />
the choral sections of the Armidale Eisteddfod (from<br />
infant’s school <strong>to</strong> tertiary level) were very healthy, providing<br />
opportunities for the more <strong>you</strong>thful. And, for the<br />
adults, the Armidale Choral Society, Fiori Musicali, and<br />
Sing Australia all provide avenues for singing in choirs.<br />
So when a person of the calibre of Paul Holley (Direc<strong>to</strong>r<br />
of the award-winning Birralee Blokes) hits <strong>to</strong>wn it<br />
is only natural that we would enlist his help <strong>to</strong> learn <strong>to</strong><br />
sing even better!<br />
Paul, who has a regular connection with Armidale as<br />
the choral direc<strong>to</strong>r of the annual Armidale Music Foundation<br />
Choral and Orchestral Weekend, gave a most<br />
enlightening workshop at the end of the Eisteddfod<br />
choral sections on June 3rd. The workshop, attended<br />
by primary and secondary school teachers as well as<br />
other interested observers, <strong>to</strong>uched on aspects of<br />
choral training such as-<br />
• The choir environment- rehearsal goals, role of the<br />
conduc<strong>to</strong>r and the chorister, room setup, time of<br />
rehearsal, how <strong>to</strong> approach a new song, pace of the<br />
rehearsal.<br />
• Warmups- posture, breathing, blend of vowels,<br />
articulation, range.<br />
• Maximising the sound of <strong>you</strong>r choir- diction, resonance,<br />
placement of singers, spacing of singers and<br />
voice parts.<br />
• Reper<strong>to</strong>ire- how do I find it: listen <strong>to</strong> music, visit<br />
publisher’s websites, go <strong>to</strong> reading days, contact<br />
other conduc<strong>to</strong>rs, where <strong>to</strong> buy.<br />
In addition, Paul conducted the rehearsal of NECOM<br />
Cantilena in an entertaining and educational manner.<br />
Paul has an easy-going and friendly manner which encourages<br />
conduc<strong>to</strong>rs and children/adults <strong>to</strong> feel comfortable<br />
enough <strong>to</strong> take risks in their choral endeavours.<br />
I have always found Paul Holley’s rehearsals and<br />
workshops very inspirational. As a bonus, Paul was engaged<br />
<strong>to</strong> spend his final evening in Armidale working<br />
with Fiori Musicali- a special privilege indeed!<br />
Wendy Huddles<strong>to</strong>n, NECOM Music Educa<strong>to</strong>r Member<br />
Paul Holley<br />
Choral conduc<strong>to</strong>rs from all over the region attended the workshop<br />
Both primary and secondary conduc<strong>to</strong>rs attended the workshop.<br />
NECOM NEWS JULY 2009 5