The Secret: Georgia Production Partnership - Southern Screen Report
The Secret: Georgia Production Partnership - Southern Screen Report
The Secret: Georgia Production Partnership - Southern Screen Report
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
Also, Robert Osborne, who intros movies<br />
on Turner Movie Classics before they<br />
air, has been doing a film festival here in<br />
Athens called the Classic Film Festival for<br />
the past couple of years. <strong>The</strong>y have to bring<br />
all the projection equipment in from outside<br />
Athens and there is a man named James<br />
Bond who does that. We call him the 007<br />
of the projection world, because he sets up<br />
all the projection equipment for the Classic<br />
Film Festival. He also collects<br />
old vintage projection<br />
equipment, refurbishes it,<br />
and then installs it and does<br />
design work for theatres.<br />
Through the Osborne<br />
fest, Brigitta got in touch<br />
with James and he came in<br />
to do all the theatrical installation<br />
at Ciné. So, the<br />
equipment at Ciné is really<br />
top of the line, and some of<br />
it is vintage and originally<br />
restored. For example, the<br />
bases for the 35mm projection<br />
equipment are refurbished<br />
antique bases, but<br />
the projectors are new.<br />
Is it open to the public for touring?<br />
KL: Absolutely, we’re open to the public<br />
now. You need a ticket to watch a movie<br />
in the screening rooms, but anyone can<br />
enter Ciné, look at the facility, and hang<br />
out at the bar café if they want. <strong>The</strong>re’s<br />
also a multi-function, multi-purpose space<br />
that right now has an art exhibit, but it’s the<br />
kind of space we can do a lot with for special<br />
events like catering, receptions, workshops,<br />
seminars, stuff like that.<br />
In the future, there will be a restaurant<br />
in here too, which will be a separate<br />
business concern. One of the best chefs in<br />
town, Hugh Acheson (Five and Ten, at Five<br />
Points in Athens) has gotten some recognition<br />
recently on a national scale from Food<br />
and Wine magazine and is on the rise. He is<br />
starting up a new Mediterranean tapas restaurant<br />
in front of the house, opening between<br />
July and sometime in fall.<br />
How long did it take to plan and<br />
launch?<br />
KL: <strong>The</strong> planning had been going on for<br />
about four years. <strong>The</strong> actual build out and<br />
construction phase started in the late fall of<br />
2005. So all in all, it’s been several years.<br />
Who picks what movies play at Ciné?<br />
KL: It’s a group process; we have a<br />
board of advisors, primarily, Brigitta, our<br />
founder and executive director; and our<br />
general manager, Paul Strawser. <strong>The</strong>y do<br />
a good job of coming up with films that<br />
they personally are very interested in having.<br />
And then we have a team of advisors,<br />
a lot of whom are from UGA, and filmmaker<br />
friends who regularly attend film<br />
festivals and are on the lookout. We generally<br />
try to book films that wouldn’t come to<br />
Athens, movies that only play in selected<br />
city markets. When possible we try to get<br />
the filmmaker to come and speak about<br />
the film, too. For example, we ran Iraq in<br />
Fragments and the director James Longley<br />
came to do the introduction and had a discussion<br />
afterward.<br />
We’re also planning an environmental<br />
film festival. We’re doing a little preview,<br />
an awareness screening of a shorts program<br />
from the Oakland Museum of California.<br />
<strong>The</strong>y host the EarthDance Environmental<br />
Film Festival every year that’s environmentally<br />
focused. We’re showing their touring<br />
program as a way to generate interest<br />
in doing a full-on festival in coordination<br />
with the University of <strong>Georgia</strong>’s Institute<br />
of Ecology. It will be a partnership between<br />
that department and Ciné, and grow into an<br />
annual film festival based here in Athens at<br />
Ciné, focused on ecological and environmental<br />
issues in kind of a broad sense. Not<br />
just documentaries, but also narrative films<br />
that also touch on the subject.<br />
Can anyone bring their films and try<br />
to get them screened at Ciné?<br />
KL: We’re always open to suggestion<br />
and we’re very open to the local<br />
community. We’re a little bit limited<br />
because in one of the screening rooms,<br />
we can only show 35mm prints and not<br />
many indie filmmakers use those. But we<br />
do have a digital room and that room is always<br />
available for rental. Anyone is always<br />
welcome to have their own private screening<br />
or screen a film out of our schedule.<br />
We have a little place on the website<br />
where you can send in your suggestions<br />
for the kind of films you want to see. We’re<br />
just opening, so we’re still feeling out what<br />
this area and Athens wants to see, and figuring<br />
out how we can incorporate that into<br />
our programming.<br />
It’s nice to hear that Ciné wants to support<br />
local filmmaking.<br />
KL: I’ve been involved in the local<br />
community for a long time and I’ve been<br />
making films in the area. I think it’s really<br />
important to support local filmmaking<br />
and for Athens in particular, that area<br />
is really growing right now. <strong>The</strong>re are so<br />
many young filmmakers doing their own<br />
thing here, and there’s a great convergence<br />
with the music scene. We have lots of folks<br />
doing music videos or crossovers where<br />
musicians will score filmmaker’s films.<br />
We’re looking into doing some kind of a<br />
local film festival that could be a showcase<br />
of local work.<br />
For more info, see the Ciné website at<br />
www.athenscine.com. §<br />
www.screenreport.com May 2007 Page 11