76mini reviews - molly lorenzo {design}
76mini reviews - molly lorenzo {design}
76mini reviews - molly lorenzo {design}
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EDITOR-IN-CHIEF<br />
Molly Lorenzo<br />
EDITOR EMERITUS/<br />
EDITORIAL DIRECTOR<br />
Meredith Turits<br />
SENIOR EDITOR<br />
Amanda Brower<br />
MANAGING EDITOR/<br />
BUSINESS DIRECTOR<br />
Michelle Hochberg<br />
SUBMISSIONS EDITOR<br />
Ian Duncan-Brown<br />
LAYOUT DIRECTOR<br />
Audrey G. Miller<br />
CONTRIBUTING<br />
WRITERS<br />
Grant Beighley<br />
Sawyer Bernath<br />
Jeff Brooks<br />
Jane Cogger<br />
Pete Day<br />
Ian Duncan-Brown<br />
Garrett Gilmore<br />
Michael Goldsmith<br />
Alex Gomez<br />
Michelle Hochberg<br />
Shana Hurley<br />
Devin Ivy<br />
Chris Latina<br />
Molly Lorenzo<br />
Paul Marcucilli<br />
Audrey G. Miller<br />
Nick Moy<br />
Joe Nagel<br />
Romy Ariella Oltuski<br />
Kyle Paoletta<br />
Dana Piombino<br />
Kat Robinson<br />
Jyll Saskin<br />
Ben Taylor<br />
Meredith Turits<br />
Tess Vander Heide<br />
Madeline Weisburg<br />
CONTRIBUTING<br />
PHOTOGRAPHERS<br />
Devin Ivy<br />
Chris Latina<br />
Meredith Turits<br />
'()!*+,"*"-$+)(<br />
echnology won’t wait for you in this metadigital age. Two years ago,<br />
Tthe thought of Apple taking a bite out of the mobile market was unimaginable.<br />
Now iPhone owners are a breed of their own. The indispensible<br />
Walkman and mixtape have evolved into the all-in-one iPhone and MP3<br />
playlist—but still, mixtapeology is a science and an art untouchable by the<br />
iTunes Genius. Or is it? Face it: Last.fm and Pandora know what you like<br />
better than you do.<br />
The Melisma staff has played its part in embracing new technology by<br />
abandoning email chains in the editing process for real-time updating<br />
Google Documents. Our managing editor exists ve hours in the future<br />
[in London], but Michelle can simultaneously make edits on articles that<br />
we’re working on in Medford. Imagine where you’ll nd Melisma when the<br />
Singularity nds you.<br />
So, it’s safe to say that Melisma has undergone a Kafkian metamorphosis—except<br />
prettier —since its inception ve years ago. And as a graduating<br />
senior, I’d like to think of the same of myself, but every moment, no<br />
matter how you slice it, is in ux. You can capture life at a shutter speed of<br />
1/4000, but still, it’s hardly a moment frozen in time. I am always changing.<br />
Life after graduation is scary, and every moment bears the weight of<br />
the unknown. However, we’re constantly re-armed so that we’re better<br />
equipped to face a new day. Taking that next step is always frightening,<br />
and yet we’re always ready. Melisma was once and is still referred to as<br />
the Tufts music zine, but it’s expanded to photo spreads, lm <strong>reviews</strong> and<br />
features about blogs. You’ll nd us on MySpace, but no, you can’t follow<br />
us on Twitter. That’s just where we draw the line…for now.<br />
Molly Lorenzo<br />
Editor-in-Chief<br />
Interested in writing, art or <strong>design</strong>? Questions, comments, adulation or hatemail?<br />
• melismamagazine@gmail.com<br />
• ase.tufts.edu/melisma<br />
• myspace.com/melismamagazine<br />
• melismamagazine.blogspot.com