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76mini reviews - molly lorenzo {design}

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EDITOR-IN-CHIEF<br />

Molly Lorenzo<br />

EDITOR EMERITUS/<br />

EDITORIAL DIRECTOR<br />

Meredith Turits<br />

SENIOR EDITOR<br />

Amanda Brower<br />

MANAGING EDITOR/<br />

BUSINESS DIRECTOR<br />

Michelle Hochberg<br />

SUBMISSIONS EDITOR<br />

Ian Duncan-Brown<br />

LAYOUT DIRECTOR<br />

Audrey G. Miller<br />

CONTRIBUTING<br />

WRITERS<br />

Grant Beighley<br />

Sawyer Bernath<br />

Jeff Brooks<br />

Jane Cogger<br />

Pete Day<br />

Ian Duncan-Brown<br />

Garrett Gilmore<br />

Michael Goldsmith<br />

Alex Gomez<br />

Michelle Hochberg<br />

Shana Hurley<br />

Devin Ivy<br />

Chris Latina<br />

Molly Lorenzo<br />

Paul Marcucilli<br />

Audrey G. Miller<br />

Nick Moy<br />

Joe Nagel<br />

Romy Ariella Oltuski<br />

Kyle Paoletta<br />

Dana Piombino<br />

Kat Robinson<br />

Jyll Saskin<br />

Ben Taylor<br />

Meredith Turits<br />

Tess Vander Heide<br />

Madeline Weisburg<br />

CONTRIBUTING<br />

PHOTOGRAPHERS<br />

Devin Ivy<br />

Chris Latina<br />

Meredith Turits<br />

'()!*+,"*"-$+)(<br />

echnology won’t wait for you in this metadigital age. Two years ago,<br />

Tthe thought of Apple taking a bite out of the mobile market was unimaginable.<br />

Now iPhone owners are a breed of their own. The indispensible<br />

Walkman and mixtape have evolved into the all-in-one iPhone and MP3<br />

playlist—but still, mixtapeology is a science and an art untouchable by the<br />

iTunes Genius. Or is it? Face it: Last.fm and Pandora know what you like<br />

better than you do.<br />

The Melisma staff has played its part in embracing new technology by<br />

abandoning email chains in the editing process for real-time updating<br />

Google Documents. Our managing editor exists ve hours in the future<br />

[in London], but Michelle can simultaneously make edits on articles that<br />

we’re working on in Medford. Imagine where you’ll nd Melisma when the<br />

Singularity nds you.<br />

So, it’s safe to say that Melisma has undergone a Kafkian metamorphosis—except<br />

prettier —since its inception ve years ago. And as a graduating<br />

senior, I’d like to think of the same of myself, but every moment, no<br />

matter how you slice it, is in ux. You can capture life at a shutter speed of<br />

1/4000, but still, it’s hardly a moment frozen in time. I am always changing.<br />

Life after graduation is scary, and every moment bears the weight of<br />

the unknown. However, we’re constantly re-armed so that we’re better<br />

equipped to face a new day. Taking that next step is always frightening,<br />

and yet we’re always ready. Melisma was once and is still referred to as<br />

the Tufts music zine, but it’s expanded to photo spreads, lm <strong>reviews</strong> and<br />

features about blogs. You’ll nd us on MySpace, but no, you can’t follow<br />

us on Twitter. That’s just where we draw the line…for now.<br />

Molly Lorenzo<br />

Editor-in-Chief<br />

Interested in writing, art or <strong>design</strong>? Questions, comments, adulation or hatemail?<br />

• melismamagazine@gmail.com<br />

• ase.tufts.edu/melisma<br />

• myspace.com/melismamagazine<br />

• melismamagazine.blogspot.com

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