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MONTHLY LETTER January 1956 THE CHRISTMAS DINNER ...

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theatre will not be ready for the 1957 season but it is planned to have it completed for<br />

* 1958.<br />

Boardings around the boulevard at the north end of University Avenue in Toronto are<br />

an indication that at last work has commenced on the memorial to the late R. H. Saunders,<br />

Chairman of the Ontario Hydro-Electric Power Commission. It will be of interest to<br />

members to know that the central feature of the memorial will be a relief portrait of<br />

Mr. Saunders designed by fellow member, Emanuel Hahn. This will have a setting on a<br />

massive stone base leading to a pool into which a stream of water will flow.<br />

OF <strong>THE</strong> <strong>THE</strong>ATRE AND TELEVISION<br />

Floyd S. Chalmers in his capacity as Chairman of the Charitable Foundation Committee<br />

of the Stratford Permanent Theatre Fund has been busily engaged of late in rounding up<br />

subscriptions for this very worthy cultural objective. It is reported that he has personally<br />

raised more than a quarter of a million dollars to date. Mr. Chalmers is President<br />

of the Maclean-Hunter Publishing Company Limited, Toronto.<br />

Rai Purdy is going to Scotland to become Director of Programs for Roy Thomson's TV<br />

station there. He left Toronto six years ago to become a Television Director for CBS in<br />

New York. He has retained his connection with the Club as an out-of-town member and now<br />

would like to let his fellow members know what he has in prospect. The Thomson station<br />

will be the one and only commercial TV station in Scotland and Rai says - "I am certain<br />

that a good volume of very worthwhile material and talent will find its way into our<br />

Sweekly schedule. We have bought the Theatre Royal in Glasgow and will remodel it for<br />

TV studios. The transmitter will be half way between Glasgow and Edinburgh. We hope<br />

to start televising next August, with a comprehensive coverage of the Edinburgh Festival<br />

which we will feed to the whole of the British Isles." Rai sends his warmest regards to<br />

all who remember him.<br />

Earle Grey and his players are now in the midst of their nine weeks "barnstorming"<br />

tour of the secondary schools of Ontario. This year they are visiting 40 schools in a<br />

series of one-night stands, putting on a 22 hour performance made up of lengthy selections<br />

from Hamlet, Macbeth, Twelfth Night and Merchant of Venice. In this way they<br />

combine the interest of the senior grades in the tragedies and the junior grades in<br />

the comedies. Travelling by automobile with their paraphrenalia - scenery, costumes,<br />

lights, etc. - packed in a truck, their progress from town to town bears a certain<br />

resemblance to the way the itinerant players of old used to move about the country.<br />

They customarily arrive at a school at 3:30 or 4 o'clock in the afternoon and spend the<br />

time until dinner getting everything in readiness for the evening performance. After<br />

the show their equipment is removed and repacked; they spend the night at a hotel or<br />

motel and move off next morning to their next engagement. There are 6 men and 3 women<br />

in the company and all are competent to do just about everything in running the show.<br />

The tour opened on October 2 and will conclude the end of November.<br />

Mavor Moore contributes to the autumn number of the University of Toronto Quarterly<br />

an article which should be "must" reading for all concerned with the future of the<br />

theatre in Canada. Between his opening assertion that "we own the world's most famous<br />

blank face" and the wind-up of his article several pages on, when he warns that "if<br />

Swe miss our chance our face shall be not only blank but red", he has built up a powerful<br />

argument in support of "a theatre for Canada", which shall be original and not<br />

imitative. He instances the outstanding success of two purely Canadian productions,<br />

"Ti-Coq", a record breaker in Montreal, and "Spring Thaw" in Toronto, as proof that there<br />

is a field in Canada for the development of a national theatre. As a backing for this<br />

8.

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