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The Tree of Life : A Study in Magic - Global Grey

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THE TREE OF LIFE 55<br />

the creative imag<strong>in</strong>ation <strong>of</strong> the Macroprosopus is worked upon still<br />

further, the separate sparks or ideas be<strong>in</strong>g clothed with that conition<br />

<strong>of</strong> f<strong>in</strong>e substance appropriate to that sphere. Here, too, a<br />

omplete <strong>Tree</strong> <strong>of</strong> <strong>Life</strong> is developed through reflection. From the<br />

ieative World, the <strong>Tree</strong> is projected on to a third plane, the<br />

,?ormative World, Olam Yetsirah, where the imag<strong>in</strong>ative ideas <strong>of</strong><br />

the Logos, the spiritual monadic sparks already clothed <strong>in</strong> the<br />

subtle mental substance <strong>of</strong> the Creative World, are formed <strong>in</strong>to<br />

def<strong>in</strong>ite coherent entities, the astral models which give rise to, or<br />

erve as the stable foundations <strong>of</strong> the physical world. <strong>The</strong> Physical<br />

Norld, Olam Assiah, is the fourth and last plane, and as the crystalized<br />

projection <strong>of</strong> the Formative World is the summarization and<br />

,oncrete representation <strong>of</strong> all the higher worlds.<br />

In this conception we see the justification <strong>of</strong> the Hermetic axiom,<br />

' As above, so below." For that which exists below has its ideal<br />

rrchetypal counterpart <strong>in</strong> the higher worlds. In variegated forms, the<br />

drchetypal ideas f<strong>in</strong>d their particular representation below ; stones,<br />

jewels, perfumes and geometrical forms all be<strong>in</strong>g peculiarly <strong>in</strong>dicative<br />

<strong>in</strong> the mundane sphere <strong>of</strong> a celestial idea. This metaphysical<br />

formula also provides Levi with adequate reason for speak<strong>in</strong>g <strong>of</strong><br />

' the s<strong>in</strong>gle dogma <strong>of</strong> magic-that the visible is for us the pro-<br />

~ortional measure <strong>of</strong> the <strong>in</strong>visible." <strong>The</strong> French Magus also remarks<br />

n another place that " the visible is the manifestation <strong>of</strong> the<br />

risible, or <strong>in</strong> other terms, the perfect Logos is, <strong>in</strong> th<strong>in</strong>gs which are<br />

aP preciable and visible, <strong>in</strong> exact proportion with those which are<br />

<strong>in</strong>: lppreciable to our senses and <strong>in</strong>visible to our eyes. . . . <strong>The</strong><br />

fnr -:m bears proportion to the idea . . . and we know that the<br />

nnate virtue <strong>of</strong> th<strong>in</strong>gs has created words, and that there exists an<br />

:xact proportion between ideas and words, which are the first forms<br />

<strong>in</strong>d articulate realizations <strong>of</strong> ideas." It is this philosophical state-<br />

:nt <strong>of</strong> the relation between ideas and th<strong>in</strong>gs which gives the<br />

~damental rationale <strong>of</strong> much that holds true <strong>in</strong> Xagic. To this<br />

: shall have to revert at a later place, there be<strong>in</strong>g <strong>in</strong> the meanlile<br />

a few further ideas demand<strong>in</strong>g elaboration.<br />

<strong>The</strong> formula <strong>of</strong> Tetragrammaton is also applied to the Four<br />

orlds, and tlie primordial four elements. To the Archetypal<br />

orld the letter " Y " is given. Hence the Archetypal World is<br />

th' e Father, the all-begetter, the all-devourer <strong>of</strong> the worlds. <strong>The</strong><br />

,' -<br />

Y " also represents, <strong>in</strong> this <strong>in</strong>stance, the element <strong>of</strong> Fire, show<strong>in</strong>g<br />

rth the fierce, active, spiritual nature <strong>of</strong> the Father. <strong>The</strong> " H "

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