Il Crociato in Egitto - Naxos Music Library

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Dur Page [18] Tutto d’intorno (Adriano) 5’09 105 [19] L’anguistia mia (duet Armando/Adriano 5’32 105 CD 2 75’38 [1] Và: già varcasti (duet Armando/Adriano 5’09 110 [2] Non sai quale incanto 5’32 111 [3] Il brando invitto 4’19 114 [4] Oh! Come tutto intorno (recit) 1’45 114 [5] Armando d’Orville! (scene) 4’08 116 [6] Giovinetti Cavalier (trio Palmide/Armando/Felicia) 11’56 120 [7] Armando!... Armando! (recit) 1’55 125 [8] Adriano! Egli stesso! (recit) 1’21 129 [9] Gran Profeta (chorus) 5’29 131 [10] Invitto, illustre Gran Maestro 8’10 132 [11] Sogni e ridenti (canon) 5’16 137 [12] Ite, superbi 3’02 137 [13] All’armi vi/ci chiama 3’51 140 –6–
Dur Page ACT TWO [14] Udiste–raccogliete (recit) [15] Ove, incauta, m’inoltre? 2’13 142 (aria Felicia) 2’09 145 [16] Ah! Ch’io l’adoro ancor 5’07 146 [17] Come dolce a lusingarmi 4’03 147 CD 3 70’44 [1] Quanti al gran piano (recit) 0’32 148 [2] O solinghi recessi! (aria 2’28 148 [3] Tutto quì parla ognor 3’53 150 [4] Ma, ciel! S’ei mai perì! 2’21 150 [5] D’una madre disperata 2’28 152 [6] Deh! Mira l’angelo 4’32 152 [7] Con qual gioja 2’47 154 [8] Di natura’e d’amista (recit) 3’26 154 [9] Nel silenzio (chorus) 4’22 161 [10] Dove mi guidi tu? (recit) 1’10 163 [11] In sen del nostro 4’12 165 [12] O cielo clemente (quartet) 7’06 169 [13] Che miro? (quintet) 3’17 170 –7–
Page 1 and 2: MEYERBEER Il Crociato in Egitto ORC
Page 3 and 4: Managing Director: Stephen Revell P
Page 5: CD 1 66’24 Dur Page ACT ONE [1] P
Page 9 and 10: Dur Page [13] Queste destre 2’21
Page 11 and 12: And indeed, his first opera, Jephta
Page 13 and 14: Meyerbeer had agreed to do this wit
Page 15 and 16: spoken in the same breath as Rossin
Page 17 and 18: On 11 March the critic of the Gazet
Page 19 and 20: After the majestic introduction com
Page 21 and 22: prominence to the violin and flute.
Page 23 and 24: performance to an end, and consists
Page 25 and 26: The distinctive character of Meyerb
Page 27 and 28: Signore Bagnara, the four changes o
Page 29 and 30: that October. A month later Meyerbe
Page 31 and 32: Importantly, for the first time, th
Page 33 and 34: NICOLA TACCHIARDI Adriano in the 18
Page 35 and 36: was something of a preternatural ha
Page 37 and 38: Remorini [Aladino], Curioni [Adrian
Page 39 and 40: RANIERO REMORINI Aladino in the 182
Page 41 and 42: given in that form after the first
Page 43 and 44: interpolated an aria by Pacini, ‘
Page 45 and 46: ‘bando sul palco’ was well esta
Page 47 and 48: The sinfonia leads into the introdu
Page 49 and 50: Costume design for Giuditta Pasta (
Page 51 and 52: In February, from Gorizia, Rossi wa
Page 53 and 54: Meyerbeer was not so easy to convin
Page 55 and 56: Costume design for Bianca Schiasett
Page 57 and 58:
Regarding Felicia… I suggest an e
Page 59 and 60:
Costume design for Nicholas Prospè
Page 61 and 62:
that precedes the trio]. I am pleas
Page 63 and 64:
him from the wrath of Aladino, Feli
Page 65 and 66:
Costume design for the child Mirva
Page 67 and 68:
Romanze [‘Giovinetto Cavalier’]
Page 69 and 70:
The appendices contain nearly all t
Page 71 and 72:
After this Il Crociato in Egitto wo
Page 73 and 74:
THE STORY Reproduced from the libre
Page 75 and 76:
RESUME Extrait du livret paru à l
Page 77 and 78:
DIE HANDLUNG Reproduktion aus dem L
Page 79 and 80:
LA TRAMA Riprodotta dal libretto de
Page 81 and 82:
IL CROCIATO IN EGITTO Heroic melodr
Page 83 and 84:
SOME OF THE SLAVES Cari oggetti del
Page 85 and 86:
[3] ALADINO Il contento ch’io pro
Page 87 and 88:
PALMIDE (more agitated) Io?... D’
Page 89 and 90:
OSMINO (emphatically) E credi tu ch
Page 92 and 93:
SCENE VI Armando, under the name of
Page 94 and 95:
Oh! Vezzi innocenti! Oh! Innocent c
Page 96 and 97:
PALMIDE E già di Rodi And envoys G
Page 98 and 99:
ARMANDO Deh! Per pietà, nascondilo
Page 100 and 101:
Yvonne Kenny (Palmide)
Page 102:
Ben più cara d’ogni gloria For m
Page 105 and 106:
SCENE X Adriano, dressed as a simpl
Page 107 and 108:
ADRIANO (pulling himself together)
Page 109 and 110:
ARMANDO (reluctantly handing over h
Page 111 and 112:
ADRIANO Sposo a Felicia omai... Now
Page 113 and 114:
Bruce Ford (Adriano)
Page 115 and 116:
Diletto Armando qui perdetti anch
Page 117 and 118:
FELICIA (struck and agitated) Gran
Page 119 and 120:
PALMIDE (bitterly) Sperar? Hope? FE
Page 121 and 122:
Sorrideva al suo gentil, She smiled
Page 123 and 124:
THE VOICE OF ARMANDO (from the dist
Page 125 and 126:
FELICIA (overwhelmed and distracted
Page 127 and 128:
Tu vibrami - ti vendica. Punisci Pl
Page 129:
SCENE XIV A magnificent salon in th
Page 132 and 133:
KNIGHTS Degli eroi sul gran sentier
Page 134 and 135:
SCENE XVI Armando enters dressed as
Page 136 and 137:
ARMANDO Il debbo. It is my duty. AL
Page 138 and 139:
FELICIA (impetuously) E l’oserai?
Page 140 and 141:
FELICIA (embracing Armando and Palm
Page 142 and 143:
PALMIDE/FELICIA/ALMA Deh, cedi a ch
Page 144 and 145:
Cadde oppressa dal duolo, ed She co
Page 146 and 147:
[16] Ah! Ch’io l’adoro ancor, A
Page 148 and 149:
CD3 70’44 SCENE VI Osmino enters
Page 150 and 151:
L’ore, fra voi, rendea sì liete
Page 152 and 153:
PALMIDE Eppure tu l’amavi - degno
Page 154 and 155:
PALMIDE Le sue catene a sciogliere
Page 156 and 157:
A sentirne i contenti. Ecco Adriano
Page 158 and 159:
ALADINO (with emotion) Or or soltan
Page 160 and 161:
ARMANDO Già a nostra fé... Qual r
Page 163 and 164:
Del suo rival He will triumph Trion
Page 165 and 166:
A mio zio, ai Cavalieri il nostro n
Page 167 and 168:
PALMIDE (to Adriano) Arresta... Sta
Page 169 and 170:
ADRIANO Già s’apre il cielo Alre
Page 171 and 172:
ALADINO Tutto tradì l’ingrato. T
Page 173 and 174:
ADRIANO Esulta, o barbaro Exult, ba
Page 175:
SCENE XVII A prison [16] ADRIANO Tu
Page 178 and 179:
De’ figli tuoi pietà. Your child
Page 180 and 181:
FELICIA/KNIGHTS Sì! Yes! (they uns
Page 182:
S’armino i Cavalieri: I shall arm
Page 185 and 186:
(Osmino and Emirs approach the Knig
Page 187 and 188:
Or dividiamoci, Let us go our separ
Page 189 and 190:
ARMANDO (he overpowers Osmino, and
Page 191 and 192:
APPENDIX ACT ONE CARA MANO DELL’A
Page 193 and 194:
ALADINO (embracing Elmireno) Felice
Page 195 and 196:
QUESTE DESTRE L’ACCIARO DI MORTE
Page 197 and 198:
ADRIANO/KNIGHTS Bella pace renda om
Page 199 and 200:
L’esperienza insegna That where r
Page 201 and 202:
Robert Roberts, musicologist (left)
Page 203 and 204:
T’attende il cor. Anxiously await
Page 205 and 206:
ADRIANO Cavaliere: me imitate. Knig
Page 207 and 208:
[24] OSMINO Primiero sul tiranno I
Page 209 and 210:
[26] PALMIDE/ARMANDO Il tenero affe
Page 211 and 212:
tiranno’, ‘Ah che fate’ and
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