Issue #6 - IGO
Issue #6 - IGO
Issue #6 - IGO
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10<br />
Top row Audience enjoyed to learn the dances<br />
2nd row Demonstration on how to don a ba-hag<br />
3rd row Youth relaxing and Ifugao wood carver<br />
making Bu-lul<br />
4th row Backstrap weaving demonstration<br />
5th row Dance demonstration and public invited<br />
to play the gongs<br />
Opposite Page Sleeping Beauty play<br />
descendant of Antero and I am sure she felt<br />
pride in making the closing performance as<br />
closure.<br />
As the play ended, participants shouted<br />
like the end of a winning season. Everyone<br />
scrambled to get those last minute group<br />
picture shots and audiences asked to have<br />
their pictures taken. What an event this was.<br />
Regrettably, I did not witness Jessie Mina’s<br />
Wising photo exhibit. I spoke to him briefly<br />
and visited his website. His macro photography<br />
is truly an expression of his vision and<br />
his landscape photos seek to show a dimension<br />
not easily seen with the naked eye.<br />
For those who were present, it marked a<br />
continuing milestone into ensuring that<br />
Cordillera history and culture become a part<br />
of American history and culture.<br />
However, this story would not be complete<br />
unless we answer the lingering question<br />
among Filipinos and Cordillerans alike.<br />
How can you celebrate a period in history<br />
when your ancestors were displayed for the<br />
amusement of the American public? History<br />
and its milestones are sometimes unpleasant.<br />
If you celebrate only your proudest<br />
accomplishments you will miss the opportunity<br />
to fire your passion to ensure that your<br />
darkest hours never dim your future.<br />
The Igorot community thanks the Filipino<br />
Cultural Heritage Society of Washington,<br />
The Seattle Center, The Alaska-Yukon-<br />
Pacific Exposition Centennial Community,<br />
and the mayor and people of Seattle. We<br />
thank you for your openness to the diversity<br />
of cultures.